Cover for Praised and Ridiculed
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Ed. Zürcher Kunstgesellschaft / Kunsthaus Zürich

Praised and Ridiculed

French Painting 1820-1880
In the juxtaposition of so-called “Salon painters” and “Reformers of painting” this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres.
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Cover for Ally
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Ed. Adrian Heathfield

Ally

Janine Antoni, Anna Halprin, Stephen Petronio
Ally brings together three artist personalities who are all outstanding in their fields: the sculptor and photographer Janine Antoni and the dancers and choreographers Anna Halprin and Stephen Petronio. Together they created a series of works – sculptures and installations as well as film and performance artworks – which the volume reproduces in impressive photographs.
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Cover for Erik Chmil
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Petra Giloy-Hirtz

Erik Chmil

Solitude
Erik Chmil’s travels and photo expeditions around the world provided the inspiration for “Solitude”, his picture series of abandoned car parks. The result is magnificent photographic works of art whose ordered aesthetic and contemplative aura enchant the viewer, as well as revealing the stories of the different locations when examined more closely.
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Cover for Gurlitt: Status Report
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Ed. Kunstmuseum Bern et al.
Otto Dix, Franz Marc, Emil Nolde, Paul Cézanne, Wassily Kandinsky and Claude Monet – when over 1,000 artworks by outstanding artists of the modern era appeared on the scene in 2012, the find was celebrated as a sensation, though the suspicion that it might be art looted by the Nazis also reared its head. This extensive, lavishly illustrated publication documents for the first time a selection of works from the estate of the art dealer Hildebrand Gurlitt and examines the ...
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Cover for Splendor and Misery in the Weimar Republic
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Ed. Ingrid Pfeiffer

Splendor and Misery in the Weimar Republic

From Otto Dix to Jeanne Mammen
From the glamour of the Golden Twenties to the depths of the dark side of a world undergoing rapid change – the penetrating content of works by more than 60 artists recreates the age of the Weimar Republic, big-city life and the entertainment scene as well as the consequences of the First World War and socially controversial topics such as prostitution, political struggle and social tensions.
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Cover for Stella Hamberg
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Moritz Woelk
Stella Hamberg is an exceptional figure in contemporary sculpture. Starting out from a reflected contemporary vocabulary of forms, her sculptures feature mainly human figures, but also animals, suffused with an elemental intensity that comprises self-assertion and vitality as well as failure and death.
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Cover for Rubens
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Ed. Gerlinde Gruber et al.

Rubens

The Power of Transformation
Peter Paul Rubens is not only one of the most important painters of the Baroque; he is also a virtuoso of the art of transformation. More than virtually any other artist he sought inspiration in the works of other artists and was thus constantly reinventing his art in a highly radical manner. Here you can look over Rubens’s shoulder and immerse yourself in the creative process through which his masterpieces took shape.
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Cover for Jeanne Mammen. The Observer
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Ed. Thomas Köhler et al.

Jeanne Mammen. The Observer

Retrospective 1910–1975
The rediscovery of icons of the 1920s, “degenerate” experiments, magical-poetic abstractions – this wide-ranging publication shows the complete work of Jeanne Mammen (1890–1976), a Berlin artist on the threshold of the modern age. Her productive output mirrors the extreme circumstances she experienced, from war, destruction and poverty to the emergence from the ruins.
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Cover for Raphael
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Ed. Achim Gnann
Raphael is truly a universal genius of the High Renaissance — be it as a painter and architect in Florence and Rome or in the employment of popes and worldly rulers. His masterful drawings perfectly illustrate his thought and creative processes from the sketch all the way to the finished composition. Featuring about 150 drawings and paintings, the volume assembles all of the artist’s major projects.
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Cover for Arts of the East
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Ed. Filiz Çakır Phillip

Arts of the East

Highlights of Islamic Art from the Bruschettini Collection
The Bruschettini Foundation is world-renowned for its collection of Islamic and Asian art. This fine publication reproduces a fascinating selection of 13th- to 17th-century carpets, textiles, polychrome Iznik wares, paintings, and precious inlaid metalwork chosen from the collection, revealing the enduring allure of Islamic masterpieces.
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Cover for Heinz Mack. ZERO-Malerei
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Ed. Robert Fleck

HEINZ MACK. ZERO PAINTING

CATALOGUE RAISONNÉ 1956–1968
Heinz Mack is famous above all for his sculptures and reliefs. The starting point of his search for new artistic forms of expression, however, was painting. This publication documents for the first time Mack’s painting during the ZERO years, whose radical colour reduction and concentration on light and rhythm were path-setting for international art during the years after 1945.
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Cover for MACK – Licht / Light / Lumière
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Ed. Helmut Friedel
Light is the original phenomenon which has been made visible in the works of Heinz Mack. The search for the possibilities for visualising light kept the multi-faceted oeuvre of this artist from the Zero circle ever open to new ideas for half a century and provided inspiration with regard to both form and technique.  
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Cover for Pieter Bruegel
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Ed. Eva Michel

Pieter Bruegel

Drawing the World
Pieter Bruegel the Elder is considered the greatest Netherlandish graphic artist of the 16th century. Even during his lifetime his drawings were highly regarded and many were widely distributed as references for copperplate engravings. Drawing on the pictorial tradition of earlier generations of artists, Bruegel introduced completely new ideas with regard to both subject and form.
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Cover for Eurotopians
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Johanna Diehl et al.

Eurotopians

Fragments of a different future
How do we want to live? How shall we build? Where can we find ideas for the houses and cities of the future? Niklas Maak and Johanna Diehl focus their attention on these highly topical questions in their joint project “Eurotopians”. In times of change this volume casts its backward gaze on the work of European utopians in order to find visions for the present.  
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Cover for The Filmmaker's View
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Ed. ARRI

The Filmmaker's View

100 Years of ARRI
“The best just got better” is how the new ARRI camera is advertised, and indeed the slogan is a perfect summary of the career of the company. To mark the centenary 100 famous film makers describe their experiences with ARRI – a fascinating glimpse behind the scenes and an entertaining journey from the era of celluloid to the age of digital films.
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Cover for The Chasuble of Thomas Becket: A Biography
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The so-called chasuble of Thomas Becket (1118–1170) is one of the most magnificent medieval textiles in the Mediterranean region. Richly decorated with ornaments, fabulous animals and figures in lavish gold embroidery with Arabic inscriptions, this precious liturgical garment provides impressive proof of the re-utilisation of the Islamic arts in the Christian world.
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Cover for Unsettled
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Ed. Joanne Northrup
From Alaska to the West Coast of North America, through Central America and down to Colombia; the region extends across vast distances, and its history, culture and the artists living there are equally full of contrasts and yet often very similar. “Unsettled” illuminates through some 200 artworks their creative approach in this tension field from the Pre-Columbian period to the modern age.
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Cover for Framing Community
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Ed. Maria Antonella Pelizzari

Framing Community

Magnum Photos, 1947 – Present
Founded in 1947 on the shared belief in humanist values, the Magnum photo agency has mostly focused on a transient world in times of unrest, collapsing social structures and polarising politics. This volume is being published to mark the 70th anniversary of the agency. A careful selection of images from this cooperative photo agency sheds new light on Magnum according to one important theme: community.
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Cover for Subjective Objective
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Ed. Donna Gustafson et al.

Subjective Objective

A Century of Social Photography
Generously illustrated with photographs from early twentieth century reformers to contemporary artists, this collection of essays re-examines the genre of social documentary photography through the shifting lens of photographic objectivity, modes of dissemination, and the passions animating documentary projects.
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Cover for Encounters with Art
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Ed. Wolfgang Felten
“Art is art and everything else is everything else.” With this quotation after Ad Reinhardt, Wolfgang Felten hit the nail squarely on the head: art obeys its own rules. The author and photographer have joined together in a unique illustrated book to show this without surrendering the visual to the argumentative.
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Cover for Elke Härtel. Rapunzel
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Ed. Petra Giloy-Hirtz

Elke Härtel. Rapunzel

Genesis of a Sculpture
Rapunzel, the famous fairy-tale character of the Brothers Grimm, comes from the world of magic. She is the girl, lover, woman and mother who escapes from imprisonment. Elke Härtel awakens Rapunzel to new life, modelled in clay and then cast in plaster and bronze. The publication documents the fascinating process of creation with lavish illustrations.
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Cover for Henri Matisse
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Markus Müller
Henri Matisse created an oeuvre that is unparalleled in its brilliance and originality. His colorfully luminescent paintings are a sweeping affirmation of joie-de-vivre, levity and sensitivity. Featuring well-researched texts and numerous illustrations, this volume offers fascinating insights into the life and artistic development of Henri Matisse, one of the preeminent pioneers of modern art.
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Cover for Reconstructing the Lansdowne Collection of Classical Marbles
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The Lansdowne Collection once included 100 classical sculptures. It was essentially started by Gavin Hamilton (1723–1798), one of the most successful British explorers of the sites of antiquity during the 18th century. His enthusiasm and his acute aesthetic judgement inspired his patrons to assemble the collection for the specially designed gallery in Lansdowne-House.
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Cover for Mexico Modern
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Ed. Donald Albrecht et al.

Mexico Modern

Art, Commerce, and Cultural Exchange 1920 - 1945
Rivera, Kahlo, Tamayo, Covarrubias, Weston, Modotti, Bravo, Spratling – names which are closely linked with the internationally celebrated art, photography and design scene of the 1920s and 1930s in the United States and Mexico. This lavishly illustrated publication traces the dynamic cultural exchange which left its mark on both sides of the border.
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Cover for Burhan Doğançay
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Ed. Elsy Lahner et al.
The wall was his passion. If we look at urban walls with the eyes of Burhan Doğançay  a completely different world opens up: half-ripped posters on rough brickwork, covered ingraffiti, scribblings, messages, signs, stickers. From this rich stock of structures, signs and symbols the artist created his wall fragments, his “Urban Walls”.
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Cover for Medusa's Menagerie
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Ed. Gero Seelig et al.

Medusa's Menagerie

Otto Marseus van Schrieck and the Scholars
The precise details in the works of Otto Marseus van Schrieck, the inventor of the sottobosco still life, fascinate viewers to this day. For the first time the artist is now being shown within the context of his contemporaries, revealing an unknown side of the Golden Century of Netherlandish painting and the beauty of still life, as well as the fascination of the dark, the hidden and the uncanny.
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Cover for Ernst Ludwig Kirchner
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Thorsten Sadowsky
Ernst Ludwig Kirchner (1880–1938) is one of the most important artist personalities of the twentieth century; many of his works have become icons of Expressionism. Vacillating between self-doubt and egocentricity, the artist created an incomparably multi-faceted oeuvre with a remarkable instinct for the trends and imbalances of his time.  
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Cover for Maria Theresa and the Arts
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Ed. Georg Lechner et al.
The 300th birthday of Empress Maria Theresia provides an opportunity to examine her outstanding interest in the fine arts. At the invitation of the reforming monarch a large number of painters, sculptors and other artists in Austria and abroad found a wealth of work opportunities. Correspondingly, this era has left its mark on the countries of the former Habsburg monarchy to this day.
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Cover for Richard Gerstl
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Ed. Raymond Coffer et al.
The Viennese artist Richard Gerstl is still regarded as being an insider tip. And yet he was one of the most important artists in Vienna in around 1900, alongside Klimt, Schiele and Kokoschka. Although he was only 25 years old when he died, he created an exciting and unusual oeuvre. This volume accompanying the first comprehensive retrospective in Germany introduces all the aspects of this exceptional artist.  
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Cover for Henry Moore
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Ed. Oliver Kornhoff

Henry Moore

Vision. Creation. Obsession
Like no other artist, Henry Moore (1898–1986) sought the challenge of the monumental and made the outdoors the playing field for his artistic creativity.  In its handsome horizontal format, this volume puts Moore’s large sculptures center stage and visualizes the British artist’s sources of inspiration from the Renaissance to Modernism.
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Cover for The Money Museum of the Deutsche Bundesbank
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We use money every day in the form of banknotes, coins or credit on our bank account. We pay online on the internet, take out loans and save money on bank accounts. But what is money really? Where does it come from? Who controls the banks? What are the tasks of a central bank and how does monetary policy work?
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Cover for In) Formation
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Dagmar Täube

In) Formation

On the Philosophy and Art of Alice Teichert
Alice Teichert’s paintings are known for their holographic depth and unique lunimosity, for their visual poetry and mutifacetted proximity to music. With lines, shapes and colour, she unfolds new realms that when looked at reveal themselves, once the viewer stops trying to “decipher”.
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Cover for Gerhard Richter
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Ed. Kunstmuseum Bonn et al.

Gerhard Richter

About Painting
Gerhard Richter (*1932) is an exceptional personality – not because his pictures are world famous, but because he has demonstrated a new approach to painting. His art masterfully moves between abstraction and representation, sensuousness and denial – ambivalent attitudes which he demonstrated even in his early work.
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Cover for All the Beauty at Hand
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Ed. Thomas Zuhr

All the Beauty at Hand

A Brief History of Hirmer Publishers
This attractively designed publication documents the work of Hirmer Verlag during the past 65 years. Since 1948 a total of over 1,100 titles have appeared under this brand name. True to the motto “Art books that set standards,” the publishers have always worked in the service of art, upholding their determination to maintain the very highest quality. A book about those who make books and those who sell them, about book art and art books, about partnership with museums and loyalty ...
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released on 12/2018
Cover for Singapore´s Building Stock
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Ed. Iris Belle et al.

Singapore´s Building Stock

Approaches to a multi-scale documentation and analysis of transformations
Singapore is rejuvenating and transforming her building stock constantly and in comparatively short cycles. The book analyses these transformations of the global city and shows documents, plans and sources dating from the past two centuries. 
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released on 07/2018
Cover for Innovative Impressions
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Ed. Sarah Lees

Innovative Impressions

Prints by Cassatt, Degas, and Pissarro
"Innovative Impressions" explores an under-examined aspect of three Impressionists’ careers: their groundbreaking prints and the new techniques they developed through collaboration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro formed the most active core of a group of artists planning a periodical to feature their prints.
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Cover for Hello World
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Ed. Udo Kittelmann

Hello World

Revisioning a Collection
What could the primarily Western collection of the Nationalgalerie look like today if a global understanding of art had informed its development? Looking at artworks from non-European centres of Modernism and their activities, untold stories and overlooked connections are picked up and developed.
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released on 05/2018
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Ursula von Rydingsvard

The Contour of Feeling
This publication documents Ursula von Rydingsvard’s exhibition at The Fabric Workshop and Museum in Philadelphia, which features a large new leather work produced with the museum’s studio. The survey — guest curated by Mark Rosenthal — largely focuses on her artistic development since 2000 and reveals her predilection for emotionally-charged, visceral art that is handwrought, richly complex, and monumentally scaled.
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released on 04/2018
Cover for Hans Döllgast
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Ed. Klaus Kinold

Hans Döllgast

Creative Reconstruction
The Bavarian architect Hans Döllgast (1891–1974) was accepted into the international canon of modern architecture quite late, but then remained a part of it all the longer. His most important achievements after 1945 were the “creative restorations” of buildings in Munich that had been destroyed by war: the Alte Pinakothek, the Basilica of St. Boniface, and the major municipal cemeteries.
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Cover for Landscapes After Ruskin
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Ed. Hall Art Foundation

Landscapes After Ruskin

Redefining the Sublime
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation: artists should, in fact, depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits.  
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Cover for Rudolf Leopold
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Diethard Leopold

Rudolf Leopold

Art Collector
In the historical period of new beginnings starting in the 1950s, the collector Rudolf Leopold (1925‒2010), with pioneer-like foresight and a keen sense of art, was able to do someting few others of his ilk succeeded in doing:  build up a large, both aesthetically sophisticated and art historically relevant collection of international renown.
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released on 03/2018
Cover for Museum Schnütgen
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Ed. Manuela Beer et al.

Museum Schnütgen

The Guide to the Collection
The new guide to the collection of the Museum Schnütgen offers a compact, chronological overview of the internationally famous, high-quality and multi-faceted collection of the museum. The volume presents some 250 works from the various sections of the collection in an attractive manner and with the latest research findings.
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Cover for Christian Dior
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Alexandra Palmer

Christian Dior

History and Modernity, 1947-1957
Arguably the most famous fashion designer of the 20th century, Christian Dior’s feminine fashions were desired, worn, and emulated by women around the world. This new publication by ROM Press explores the brilliance behind Dior’s dramatic creations that revived the entire Paris haute couture industry after the devastation of World War II. In 1947, the opening of the new couture house and the revolutionary “New Look” swept away the wartime masculine silhouette making ...
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Cover for James Loeb
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Ed. Hermann Mayer et al.

James Loeb

Collector and Patron in Munich, Murnau and Beyond
James Loeb (1867–1933), the son of a German-Jewish banker in New York, followed his artistic and art historical inclinations and used his tremendous financial wealth for the purpose of cultural and social philanthropism. This publication examines the patron’s life and work and outlines his scholarly achievements.
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Cover for Gerhard Berger
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Ed. Jürgen B. Tesch

Gerhard Berger

Between Worlds
Gerhard Berger (*1933) hat in den Jahrzehnten seiner künstlerischen Arbeit zu einer eigenen, markanten Bildsprache gefunden. Seine zwischen figurativer und abstrakter Malerei wechselnden Darstellungen des Menschen haben ihre Wurzeln in den großen Mythen der Menschheitsgeschichte ebenso wie in den religiösen Bildvorstellungen der Weltkulturen.
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Cover for BMW i
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Ed. Andreas Braun

BMW i

Visionary Mobility
Electro-mobility is the number one topic when it comes to our mobility in the future. What does the vision of BMW, Germany’s main pioneer in the field, look like? For the first time providing extensive insight into BMW’s workshop of ideas, this volume presents the multi-faceted concept for sustainable and visionary mobility right up to autonomous driving.
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Cover for Marcel Chassot
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Wolfgang Meisenheimer

Marcel Chassot

Architecture and Photography — Amazement as Visual Culture
Assembling buildings designed by modern star architects from Tadao Andō to Peter Zumthor, this photography book is a total-work-of-art: its felicitous interplay of brilliant architectural photography, exquisite book design, and texts approaching the subject from the angle of the history of thought places Marcel Chassot’s imagery within European cultural history.
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Cover for Joan Jonas
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Ed. Haus der Kunst et al.
Since the 1960s, Joan Jonas (b. 1936 in New York) has been one of the pioneers of performance art. She was part of the New York art scene that included Richard Serra, Gordon Matta-Clark, John Cage, Philipp Glass, and Merce Cunningham. Her experimental installations involve projections, video, drawings, ambient sound, props, and masks. Based on a number of interviews, the volume provides insights into her artistic oeuvre.
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Cover for Paul Klee
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Ed. Oliver Kase

Paul Klee

Construction of Mystery
This opulent volume on Paul Klee celebrates one of the most important and productive artists of the twentieth century, whose work is as topical today as it ever was: growing out of the inner conflict of modern man, Klee’s imaginative works provide a link between the world of reason and the irrational “secrets” of human existence.
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Cover for Magnificence of Marble
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Riccardo Naldi

Magnificence of Marble

Bartolomé Ordóñez and Diego de Silóe
Two of the most important Spanish sculptors of the sixteenth century and their work in Naples can be found here together in an opulent art book. During the period between 1513 and 1518, Bartolomé Ordóñez and Diego de Siloé from Burgos in Castile made the southern Italian city blossom into one of the most important European centres of marble sculpture.
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released on 02/2018
Cover for Afrikanische Kunst der Sammlung Mack
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Like many great artists, Heinz Mack also found inspiration in African art. His artistic expeditions into the African desert and his encounters with the special light, the people and the architecture have continued to influence his art to this day. His collection of African art is being published for the first time.  
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Cover for Barbara Hammer
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Ed. Staci Bu Shea et al.

Barbara Hammer

Evidentiary Bodies
Barbara Hammer (b. 1939) is an American feminist artist known as a pioneer of queer experimental and documentary film. The monograph accompanies an extensive exhibition at the Leslie-Lohman Museum of Gay and Lesbian Art, celebrating the depth and expanse of Hammer's five decades of art making.
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released on 01/2018
Cover for Andy Warhol. Drag & Draw
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Nina Schleif

Andy Warhol. Drag & Draw

The Unknown Fifties
This book highlights two series of little known drawings from the 1950's, drawings where Andy Warhol first explored the controversial and for him deeply personal subject of drag. His oeuvre during the first decade of his career, before he became the godfather of Pop, has proven to be enormously influential on his life's work, yet so far has not received due attention.
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released on 01/2018
Cover for Set in Stone
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Christine Giviskos

Set in Stone

Lithography in Paris, 1815 - 1900 Prints and Posters from the Zimmerli Art Museum Collection
In the early 19th century, artists and printers embraced the new medium of lithography, an innovative method to mass-produce and distribute images. Known for its collection of French prints and posters, the Zimmerli Art Museum at Rutgers University has rich holdings of lithographs made over the course of the 1800s, including examples from lithography’s early years in Paris to iconic color posters from the 1890s.
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Cover for A Princely Pursuit
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Ed. Maria Santangelo

A Princely Pursuit

The Malcolm D. Gutter Collection of Early Meissen Porcelain
"A Princely Pursuit" highlights more than seventy pieces from the Meissen porcelain collection of Malcolm D. Gutter. Promised to the Fine Arts Museums of San Francisco, the collection’s roughly 170 works focus on exemplary early examples from the German manufactory and trace the evolution and experimentation of Meissen wares.
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Cover for Eran Shakine
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Ed. Jürgen B. Tesch

Eran Shakine

A Muslim, a Christian and a Jew Knocking on Heaven’s Door 2nd Revised Edition
Muslims, Christians and Jews have a great deal in common. In his new large-format oilstick drawings Eran Shakine shows them appearing together as an indistinguishable trio in actions that are both profound and humorous. He thus reveals both the diversity and the similarity of the three and shows his own highly individual view of these three world religions.
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ca. 9,90 €
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released on 01/2018