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Painting

Forthcoming Books
  • Cover for Museum Liaunig
  • Cover for Innovative Impressions
  • Cover for Koloman Moser
  • Cover for Beyond Klimt
  • Cover for Gerhard Berger
  • Cover for Rudolf Leopold
  • Cover for Paul Klee
  • Cover for Landscapes After Ruskin
  • Cover for Thomas Gainsborough
  • Cover for Anna-Eva Bergman
  • Cover for Set in Stone
  • Cover for Barbara Hammer
  • Cover for Towards Impressionism
  • Cover for New Bauhaus Chicago
  • Cover for Praised and Ridiculed
  • Cover for Gurlitt: Status Report
  • Cover for Splendor and Misery in the Weimar Republic
  • Cover for Rubens
  • Cover for Jeanne Mammen. The Observer
  • Cover for All the Beauty at Hand
  • Cover for Museum Schnütgen
  • Cover for Europe and the Sea
  • Cover for Willem de Kooning
Painting
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Cover for Museum Liaunig
new
Ed. HL Museumsverwaltung

Museum Liaunig

An Austrian Collector’s Museum
Fully integrated into the nature of the Corinthian countryside, the Museum Liaunig is at once restrained and spectacular. An outstanding example of contemporary museum architecture, it creates spaces for the Liaunig collections whose focus is on Austrian art from the post-war era to the present.
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39,95 £ [UK]
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Cover for Innovative Impressions
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Ed. Sarah Lees

Innovative Impressions

Prints by Cassatt, Degas, and Pissarro
"Innovative Impressions" explores an under-examined aspect of three Impressionists’ careers: their groundbreaking prints and the new techniques they developed through collaboration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro formed the most active core of a group of artists planning a periodical to feature their prints.
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36,00 £ [UK]
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Cover for Koloman Moser
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Stefan Kutzenberger et al.
Admired by contemporaries as an artistic “jack-of-all-trades”, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects – for the Wiener Werkstätte among others – that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings.  
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9,95 £ [UK]
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Cover for Beyond Klimt
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Ed. Alexander Klee et al.

Beyond Klimt

New Horizons in Central Europe
1918 marked the end of a golden era: it was the year that Gustav Klimt, Egon Schiele, Koloman Moser, and Otto Wagner died. Artistic activity, however, had already freed itself of their influence. Hardly affected by the political disruptions taking place, artists in the countries of the former Austro-Hungarian monarchy were busily productive, driven by a desire for a new start.  
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39,95 £ [UK]
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Cover for Gerhard Berger
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Ed. Jürgen B. Tesch

Gerhard Berger

Between Worlds
In decades of artistic production Gerhard Berger (born in 1933) has arrived at a unique, characteristic visual language. His representation of humans, oscillating between figurative and abstract painting, is rooted in the great myths of humankind and in the religious visual conceptions of the world’s cultures.  
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36,00 £ [UK]
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Cover for Rudolf Leopold
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Diethard Leopold

Rudolf Leopold

Connoisseur | Collector | Museum Founder
In the historical period of new beginnings starting in the 1950s, the collector Rudolf Leopold (1925‒2010), with pioneer-like foresight and a keen sense of art, was able to do someting few others of his ilk succeeded in doing:  build up a large, both aesthetically sophisticated and art historically relevant collection of international renown.
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28,00 £ [UK]
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Cover for Paul Klee
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Ed. Oliver Kase

Paul Klee

Construction of Mystery
This opulent volume on Paul Klee celebrates one of the most important and productive artists of the twentieth century, whose work is as topical today as it ever was: growing out of the inner conflict of modern man, Klee’s imaginative works provide a link between the world of reason and the irrational “secrets” of human existence.
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45,00 £ [UK]
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Cover for Landscapes After Ruskin
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Ed. Hall Art Foundation

Landscapes After Ruskin

Redefining the Sublime
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation: artists should, in fact, depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits.  
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36,00 £ [UK]
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Cover for Thomas Gainsborough
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Ed. Katharina Hoins et al.

Thomas Gainsborough

The Modern Landscape
Thomas Gainsborough (1727–88) is one of the great European painters of the 18th century. This volume is the first to present the English artist as a pivotal figure in the development of “modern” landscape painting, a genre in which his painterly experiments were particularly innovative.
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39,95 £ [UK]
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Cover for Anna-Eva Bergman
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Ed. Jan Nicolaisen et al.
Anna-Eva Bergman (1909–1987) is regarded as one of the most important painters of the 20th century in Norway, long overshadowed by her husband, the painter Hans Hartung. For the first time her late work from 1973 up to her death in the Antibes is presented in a concentrated selection of approximately 35 paintings and drawings.  
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19,95 £ [UK]
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