During the 10th century Buddhism blossomed in the far west of Tibet into unexpected magnificence and greatness. In breathtaking views of temple complexes that are no longer accessible to Western cameras, this volume shows for the first time anywhere in the world the masterly relics of that incomparable era that have survived to the present day, from both the Indian and the Tibetan side of the old Kingdom of Guge.
The rulers of the Kingdom of Guge were patrons of the arts who invited Indian scholars to translate the texts of the Buddha into Tibetan, thereby preserving the teachings. At the same time they had a large number of temple complexes built and ornamented to create unique artworks by master craftsmen from Kashmir. Until well into the 17th century Guge experienced two golden ages in which the West Tibetan artistic style was perfected in monasteries like Tholing, Tsaparang and Dungkar. Together with “TABO – Gods of Light: The Indo-Tibetan Masterpiece” this volume represents a unique overall view of the monastery art of Western Tibet.
Ein wertvolles Dokument zur Kultur- und Kunstgeschichte dieser einzigartigen Region zwischen Tibet und Indien.
Ein hinreißend schönes und wichtiges Buch über die malerischen Höhepunkte in Guge und verborgene Kostbarkeiten in Spiti. Ein Buch, das eine schmerzlich empfundene Lücke füllt.