Helmut Sturm’s paintings radiate powerful colours and forms, yet are simultaneously both lyrically tender and poetical. He developed his individual pictorial language in a study of Cubism and Art "Informel" as well as artists like Max Beckmann, Asger Jorn and Willem de Kooning. The publication pays tribute to one of the most important witnesses of abstract-expressive
painting in Germany.
Charles Bukowski, the "dirty old man" of American literature whose poems and prose are closely interwoven with his life – how does one go about portraying a person like that? In 1985, the young photographer Abe Frajndlich took on this challenge. We can say this much: it was not a job that could be accomplished in one shot. The Shooting presents a photographer’s attempt to zero in on a legend.
Elvira Lantenhammer’s paintings are colour events which rely to a considerable extent on intensity of colour. The choice of colour and its application take place intuitively in an examination of the effects of colours and their interaction with regard to a specific location. The term Site Plan, under which the abstract works are subsumed, serves here as an open action grid which conquers new spaces for the colours.
The internationally famous Swiss artist Franz Gertsch will celebrate his 90th birthday in 2020. The Graphische Sammlung ETH Zürich, which has a long-standing relationship with the artist and which is one of the most important presentation locations for his printed works, is taking advantage of this occasion as a reason for an exhibition and a bibliophile jubilee publication.
When Paula Modersohn-Becker’s artist friends examined her extensive estate a few weeks after her death, they were overwhelmed. They only gradually realised that in the painter, who had died so young, they had had an outstanding artist in their midst. Modersohn-Becker was largely unrecognised during her lifetime but is regarded today as one of the pioneers of Expressionism.
At the beginning of the twentieth century, when Alfons Mucha went to the United States for four years as a lecturer, the world-famous poster designer, Art-Nouveau book illustrator, designer, photographer and painter was greeted with enthusiasm. Mucha is regarded as one of the most important representatives of Jugendstil; he knew how to move between the various genres more skilfully than virtually any other artist of his day.
Georg Baselitz's various creative phases are exemplified by 31 of his masterpieces that are held within the Bavarian State Painting Collections. The volume analyses for the first time these important paintings and sculptures within the context of the history of the collection, which has been shaped not only by the artist’s outstanding supporters and collectors, including Duke Franz von Bayern, but also by the passionate commitment of the directors and curators of the museum.
Benjamin Katz’s photographs of Berlin Havelhöhe form both a social and an artistic document: Katz’s beginnings as a photographer and his great interest in the photography of the modern age will be found here along side the location itself with its traces of its past as a National Socialist Luftwaffe base, converted into a hospital for patients from all walks of society, not only Nazis but also the persecuted.
She was not only a talented artist but also a shrewd free thinker and hostess: at the beginning of the twentieth century famous artists including Wassily Kandinsky, Gabriele Münter, Alfred Kubin, Adolf Erbslöh, Erma Bossi, Franz Marc and August Macke assembled in Marianne von Werefkin’s salon in the Schwabing district of Munich.
Frank Gehry and Hans Scharoun never met each other – and yet two of their most famous buildings are closely linked: Gehry’s Walt Disney Concert Hall in Los Angeles (2003) and the Berlin Philharmonie by Scharoun (1963). Taking these buildings as the starting point, the exhibition and catalogue examine the relationship between the two architects.
Uta Reinhardt’s pictorial creations invite a wide range of interpretations. Human and animal chimeras encounter each other as in an alliance and create their own unique world. The scenic compositions seduce us with their lively colours and the light recorded with dynamic brushstrokes.
Admired by contemporaries as an artistic “jack-of-all-trades”, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects – for the Wiener Werkstätte among others – that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings.
Stella Hamberg is an exceptional figure in contemporary sculpture. Starting out from a reflected contemporary vocabulary of forms, her sculptures feature mainly human figures, but also animals, suffused with an elemental intensity that comprises self-assertion and vitality as well as failure and death.
Rapunzel, the famous fairy-tale character of the Brothers Grimm, comes from the world of magic. She is the girl, lover, woman and mother who escapes from imprisonment. Elke Härtel awakens Rapunzel to new life, modelled in clay and then cast in plaster and bronze. The publication documents the fascinating process of creation with lavish illustrations.
Ernst Ludwig Kirchner (1880–1938) is one of the most important artist personalities of the twentieth century; many of his works have become icons of Expressionism. Vacillating between self-doubt and egocentricity, the artist created an incomparably multi-faceted oeuvre with a remarkable instinct for the trends and imbalances of his time.
Egon Schiele (1890–1918) is nowadays regarded as one of the leading pioneers of Modernism in Austria. Although he already enjoyed some success during his lifetime and came to be considered Austria’s greatest artist following his death, his outstanding importance for art was recognized only in the early 1950s.
The twins Gert & Uwe Tobias are among the most famous German artists in the field of printed graphics; their international success has taken them as far as New York and the Museum of Modern Art. To this day their inimitable signature has lost nothing of its radical approach. Their most recent group of works, GRISAILLE, matches up to the promises inherent in the artists’ reputation.
The painter Peter Schermuly (1927–2007) created works of an artful reality whose meticulously detailed concreteness is the expression of pure painting. This catalogue raisonné makes accessible his entire oeuvre of oil paintings and sketches as well as wall designs. It presents an art that carved out space for itself contrary to all trends.
For more than thirty years the Tegernsee artist Herbert Beck (1920–2010) created numerous small watercolours which he himself called his miniatures. They arose from scraps of paper on which the painter, while working, wiped off his dripping paintbrush. Out of these random colour combinations Herbert Beck created small compositions in their own right, depicting atmospheric landscapes or expressive figures.
Modernist sculptor Alexander Archipenko, (born 1887, Kiev; died 1964, New York City) has been called the “Picasso of Sculpture” for the Cubist elements he introduced to create a new way of looking at the human figure. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, but little-known period of his career.
The spiritually inspired pictures of Agnes Pelton (1881–1961) have their roots in the desert of California, a place where the artist settled in 1932 and where she lived until her death. She wrote of her highly symbolic paintings that her pictures were “like little windows”, which opened up a view into the interior, her “message of light to the world”.
Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.
This first full biography confirms Florine Stettheimer as one of the 20th century’s most significant, progressive artists whose work remains highly relevant today. Stettheimer was a feminist and a multi-media artist who painted several sexually explicit, political works examining identity issues documenting New York City’s growth as the center of cultural life, finance, and entertainment between the World Wars..
Arguably the most famous fashion designer of the 20th century, Christian Dior’s feminine fashions were desired, worn, and emulated by women around the world. This new publication by ROM Press explores the brilliance behind Dior’s dramatic creations that revived the entire Paris haute couture industry after the devastation of World War II. In 1947, the opening of the new couture house and the revolutionary “New Look” swept away the wartime masculine silhouette making ...
Today Egon Schiele (1890–1918) is celebrated as an artist at the forefront of the international stage, although he spent almost his entire life in Lower Austria and Vienna. This publication uses the most recent sources and previously unpublished photographs to show how Schiele developed essential elements of his expressive art and how influential it remains to this day.