Cover for The Faces of Egon Schiele
new
Ed. Elisabeth Leopold
Many artists share the desire for involvement with the self and their own appearance. In the oeuvre of Egon Schiele, self-portraits occupy a central role. Over a period of many years Schiele recorded himself in various poses and styles. This publication focuses in detail on this crucial and yet often only marginally mentioned aspect of his art.
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Cover for Lyonel Feininger
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Ed. Ingrid Pfeiffer

Lyonel Feininger

Retrospective
Lyonel Feininger (1871–1956) was a painter, graphic artist and caricaturist. From 1919 he served as one of the original masters at the Bauhaus in Weimar and later in Dessau. In 1937 he emigrated to New York, where he worked  until the end of his life. In addition to his famous Expressionist images of architecture, the publication presents all the facets of his oeuvre and stations of his life based on the latest research.
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Cover for Lotte Laserstein
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Ed. Anna-Carola Krausse et al.

Lotte Laserstein

Ett delat liv
The German-Swedish painter Lotte Laserstein (1898-1993) is one of the most exciting rediscoveries of recent years. The richly illustrated book with essays on Laserstein’s production in Berlin and her reception in Sweden as well as unpublished documentary material will enrich the existing knowledge of Laserstein’s life and work.
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Cover for Gottfried Helnwein
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Ed. Elsy Lahner et al.

Gottfried Helnwein

English Edition
Gottfried Helnwein’s (b. 1948) paintings of children are both touching and disturbing. The hyperrealistic character of his images serves to intensify this effect still further. The vulnerable and defenseless child serves as the central motif in the artist’s examination of the themes of pain, injury and violence. The catalogue provides an overview of his creative work during the past twenty years.
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Cover for Max Beckmann
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Christiane Zeiller

Max Beckmann

The Great Masters of Art
Max Beckmann (1884–1950), the outstanding Expressionist painter, is regarded as one of the most important artists of the twentieth century. His works, jostling with figures and full of colour, are packed with highly symbolic messages. They are critical of the times in which he lived and bear witness to Beckmann’s struggle with existential questions and his constant search for truth.
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Ed. Anna-Carola Krausse et al.

Lotte Laserstein

A Divided Life
The German-Swedish painter Lotte Laserstein (1898-1993) is one of the most exciting rediscoveries of recent years. The richly illustrated book with essays on Laserstein’s production in Berlin and her reception in Sweden as well as unpublished documentary material will enrich the existing knowledge of Laserstein’s life and work.
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Cover for Jasper Johns - The Artist as Collector
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Ed. Anita Haldemann et al.

Jasper Johns - The Artist as Collector

From Cézanne to de Kooning
Jasper Johns (b. 1930) ranks among the major American artists of the twentieth century. His accomplishments as a collector, however, have been little known until now. This beautifully produced volume features a selection of more than one hundred drawings, inviting you to dive into the richness and depth of a truly unique collection.
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Cover for Edvard Munch
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Ed. Stefanie Heckmann et al.

Edvard Munch

Magic of the North
Edvard Munch’s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin.
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Cover for Harriet Backer
Ed. Tove Haugsbø et al.

Harriet Backer

Every Atom is Colour
Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.
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Cover for Harriet Backer
Ed. Tove Haugsbø et al.

Harriet Backer

Hvert atom er farge Norwegian Edition
Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.
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Cover for Harriet Backer
Ed. Tove Haugsbø et al.

Harriet Backer

Swedish Edition
Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.
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Cover for Taking a Stand: Käthe Kollwitz
Ed. Kunsthalle Bielefeld et al.

Taking a Stand: Käthe Kollwitz

With Interventions by Mona Hatoum
Rough, unadorned and dismissed as ‟gutter art” in conservative circles: Käthe Kollwitz used her art uncompromisingly as a political voice for the social and human misery of her time. Her focus always lies on human dignity. This volume provides a wide-ranging insight into the artist’s commitment and creative work. Her oeuvre is more topical than ever today.
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Cover for Mack
Robert Fleck et al.

Mack

Painting
After a long break, Heinz Mack has been focusing intensively on painting again for over thirty years. A cross-section of his "Chromatische Konstellationen" from 1991 until the present day shows how he translates the greatest possible purity of colour, light and immateriality into a broad spectrum of colour sequences and structures. Texts by Heinz Mack and Robert Fleck illuminate the essence of these colour worlds.
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Cover for Erwin Osen
Ed. Christian Bauer

Erwin Osen

Egon Schiele´s Artist Friend
As the charismatic artist friend of Egon Schiele, Erwin Osen also left his mark on the key early years of Expressionism in Vienna. His multi-faceted relationship with Schiele reached an intensity that inspired Egon Schiele’s radical creative work, resulting in masterpieces of Austrian art. Erwin Osen was forgotten, but is now waiting to be rediscovered.
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Cover for C.C. Wang
Ed. Wen-shing Chou et al.

C.C. Wang

Lines of Abstraction
C.C. Wang (1907–2003) is best known as a preeminent twentieth-century connoisseur and collector of pre-modern Chinese art, a reputation that often overshadows his own art. The book recenters Wang’s extraordinary career on his own artistic practice to reveal an original quest for tradition and innovation in the global twentieth century.
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Cover for Women Reframe American Landscape
Amanda Malmstrom et al.

Women Reframe American Landscape

Susie Barstow & Her Circle – Contemporary Practices
Illuminating the artistic contributions and perspectives of women, this book reinserts the important 19th-century American artist Susie Barstow into the history of the Hudson River School and presents contemporary artists who expand how we think about “land” and “landscape” today. Engaging multigenerational perspectives, it launches an expanded narrative that recenters women in the canon of American landscape art.
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Cover for Arnulf Rainer
Helmut Friedel

Arnulf Rainer

Rosarot Himmelblau
The art of Arnulf Rainer (*1929) is baffling. The “black overpainting”, with which he covers previous work, is world famous. We overlook the fact that overpaintings in red, blue, green and white also exist and thus that colour always belonged to his means of expression, as this volume vividly demonstrates.
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Cover for Olga Costa
Ed. Sabine Hoffmann et al.

Olga Costa

Dialogues with Mexican Modernism
In her elective home country of Mexico, the artist Olga Costa (1913–1993), a native of Leipzig, has long been established as an important female voice of Mexican Modernism. This volume presents impressively her autonomous artistic work between Mexican and European Modernism, and follows the traces of her life from Germany out into the world and back again.
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Cover for Street Life
Ed. Astrid Ihle et al.

Street Life

Die Straße in der Kunst von Kirchner bis Streuli - The Street in Art from Kirchner to Streuli
The significance of the street is complex: it is a place of representation, self-dramatisation and communication, of resistance and protest. In this lavishly illustrated volume we encounter the bandwidth of this highly topical subject and its implementation in painting, graphics, photography, film, performance and installation during the 20th and 21st centuries.
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Cover for Magyar Modern
Ed. Ralf Burmeister et al.

Magyar Modern

Hungarian Art in Berlin 1910-1933
Important artists of Hungarian Classical Modernism lived and worked temporarily on the banks of the Spree and were present in the Berlin avant-garde. The publication presents a brilliant overview of the close links between the culture of the Weimar Republic and the creative forces of Hungary, which ended with the seizure of power by the National Socialists.
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Cover for Chagall
Ed. Ilka Voermann

Chagall

Verden i opprør Norwegian edition
Marc Chagall (1887–1985) is regarded as the poet amongst modernist artists. His works from the 1930s and 1940s are less well known. In them, his bright  colour palette became darker. Even in the early 1930s, Chagall addressed the increasingly aggressive anti-Semitism and touched in his artistic works on central themes such as identity, homeland and exile.
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Cover for Georg Baselitz. 100 Drawings
Ed. Colin B. Bailey et al.

Georg Baselitz. 100 Drawings

From the Beginning until the Present
The famous international German artist Georg Baselitz has donated a collection of works on paper to both the Albertina Museum in Vienna and the Morgan Library & Museum in New York. The publication combines the 100 sheets to create a representative retrospective, providing by virtue of its concentration an important contribution to the understanding of his entire oeuvre.
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Cover for Egon Schiele. Catalogue raisonné
Rudolf Leopold

Egon Schiele. Catalogue raisonné

Paintings, Watercolours, Drawings Revised 2nd edition
The monograph on Egon Schiele edited by Rudolf Leopold in 1972 forms the basis for Egon Schiele’s world fame. This important document of art-historical literature has long been out of print, but it is now available once more in a revised edition with an updated catalogue raisonné. At the same time this magnificent volume provides an insight into the artist’s life through letters, sketches and documents.
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Cover for Francesco Clemente
Ed. Elsy Lahner et al.
The Italian-American artist Francesco Clemente (b. 1952) is one of the main representatives of the postmodern Transavantgarde and Arte Cifra, the Italian version of Neo-Expressionism. Among his extensive oeuvre, the publication focuses on Clemente’s major works series.
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Cover for Americans in Paris
Ed. Debra Bricker Balken et al.

Americans in Paris

Artists Working in Postwar France, 1946-1962
"Americans in Paris: Artists Working in Postwar France, 1946–1962" delves into the various circles of artists who lived in France following World War II. Featuring new scholarship and illuminating essays, this groundbreaking volume illustrates many of the paintings, sculptures, drawings, prints, photos, and films produced during these fertile years.
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Cover for Twinka Thiebaud and the Art of the Pose
Over the course of seven decades, Twinka Thiebaud has collaborated with more than thirty artists working in photography, painting and drawing. This catalogue explores her body of work as an artist’s model alongside developments in photographic techniques and technology, and the role of nature in defining West Coast experimentation.
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Cover for Xenia Hausner
Ed. Elsy Lahner et al.

Xenia Hausner

True Lies English Edition
Xenia Hausner ranks among the most important Austrian painters of our time. This splendid volume focuses on the aspect of stagecraft which characterizes all her works. Starting from the early paintings of the 1990s up to her moving Exiles series, the publication lures us into a female world filled with mysterious interpersonal relationships.
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Cover for Flowers!
Ed. Regina Selter et al.

Flowers!

In the Art of the 20th and 21st Centuries
Flowers have been a popular motif in art for centuries. As the epitome of natural beauty and earthly mortality since the Baroque era, flowers have lost none of their fascination for artists in the 20th and 21st centuries. Why does modern and contemporary art turn so frequently to this multi-faceted subject?
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Cover for Gustav Klimt
Wilfried Rogasch

Gustav Klimt

The Great Masters of Art
Gustav Klimt is the one artist whose name we associate in particular with Viennese Jugendstil and the “Golden Age”. As a sought-after painter of frescoes and the founding president of the Vienna Secession, the portraitist of fashionable ladies and an illustrator of unashamed eroticism, Klimt was both the enfant terrible and the darling of Viennese society.
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Cover for Silent Rebels
Ed. Roger Diederen et al.

Silent Rebels

Symbolism in Poland around 1900
The turn of the 19th century was a golden age for Polish art. The publication features about 130 masterpieces of painting from this era between nineteenth-century decadence and a new beginning, and describes its roots in Polish history, culture and nature as well as the close connections with wider European art scenes.
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Cover for Art for No One
Ed. Ilka Voermann

Art for No One

1933-1945
Between 1933 and 1945, artistic creativity within the German Reich was almost totally under the control of the National Sociali state. Many artists emigrated. But what about the ones who remained in Germany? Under what social and economic conditions did they focus on their art and what options for activity were open to them?
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Cover for Charlotte Berend-Corinth
Ed. Andrea Jahn et al.
Quite apart from her position as the wife and model of Lovis Corinth (1858–1925), Charlotte Berend-Corinth (1880–1967) shone as an artist and was, like Käthe Kollwitz, one of the few women members of the Berlin Secession. This bibliophile monograph is dedicated to the highly gifted, successful and unfairly neglected artist and presents an impressive synopsis of her oeuvre.
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Cover for All the Beauty at Hand
Ed. Thomas Zuhr

All the Beauty at Hand

A Brief History of Hirmer Publishers
Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  
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Cover for Florine Stettheimer
Barbara Bloemink
This first full biography confirms Florine Stettheimer as one of the 20th century’s most significant, progressive artists whose work remains highly relevant today. Stettheimer was a feminist and a multi-media artist who painted several sexually explicit, political works examining identity issues documenting New York City’s growth as the center of cultural life, finance, and entertainment between the World Wars..
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Cover for The Candy Store
Scott A. Shields

The Candy Store

Funk, Nut, and Other Art with a Kick
Adeliza McHugh helped put the whimsical, funky, and irreverent aesthetic of California’s Central Valley on the art-historical map at her legendary Candy Store Gallery. Published on what would be the 60th anniversary of the gallery’s founding, this catalogue is the most significant to date on the Candy Store and celebrates, as McHugh liked to say, art with a "kick".
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Cover for Édouard Vuillard
Ed. Martin Schwander

Édouard Vuillard

Im Louvre - Bilder für eine Basler Villa / In the Louvre – Paintings for a Basel Villa
In 1921/22 Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel. Four large-format pictures show exhibition rooms in the Louvre from Antiquity to French Rococo painting. Two sopraporte provide an intimate insight into the artist’s art collection.
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Cover for Conrad Felixmüller
David Riedel

Conrad Felixmüller

The Great Masters of Art
Conrad Felixmüller (1897–1977) is regarded as one of the most important representatives of the Second Generation of German Expressionism. He celebrated initial major successes with his art during the Weimar Republic. This volume illustrates the life and work of this unusual artist, whose creative career reflects more than half a century of art and contemporary history.  
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Cover for Hermann Stenner
Christoph Wagner

Hermann Stenner

A Pioneer of German Expressionism
The painter Hermann Stenner (1891–1914) was one of the outstanding talents of the 20th century. It is impressive to note that he achieved his rapid artistic development and distinct pictorial language during just five years of study and creative work. His remarkably extensive oeuvre is being rediscovered today following his death at an early age during the First World War.  
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Cover for Peter August Böckstiegel
David Riedel

Peter August Böckstiegel

The Expression of his Roots
Peter August Böckstiegel gilt als der bedeutendste westfälische Expressionist und zählt zu den wichtigen Vertretern der Klassischen Moderne. Gemälde voll expressiver Strahlkraft stehen in seinem Werk neben sensiblen Stimmungsbildern und ausdrucksstarken Plastiken – ein Künstler, der mit seinem hochspannenden Œuvre zu Recht seit Jahren immer stärker in den Fokus der Öffentlichkeit rückt.
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Cover for The Bührle Collection
Lukas Gloor

The Bührle Collection

History, Full Catalogue and 70 Masterpieces
Paul Cézanne, Auguste Renoir, Claude Monet and many others – between 1936 and 1956 the Swiss industrialist Emil Bührle (1890– 1956) assembled an impressive collection around French Impressionism. As the owner of the largest weapons factory in the country he had close links to the historical events of the period from World War II to the Cold War.
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Cover for Au rendez-vous des amis
Ed. Oliver Kase et al.

Au rendez-vous des amis

Klassische Moderne im Dialog mit Gegenwartskunst aus der Sammlung Goetz / Modernism in Dialogue with Contemporary Art from the Sammlung Goetz
Classical Modernism is an inexhaustible source of inspiration for the generations of artists that followed. This catalogue sheds new light on the relationship between modern and contemporary art across the generations and across the genres, through the encounter between the artists featured in two outstanding collections.
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Cover for Jacoba van Heemskerck
Ed. Kunsthalle Bielefeld et al.

Jacoba van Heemskerck

Truly Modern
In less than two decades, Jacoba van Heemskerck (1876–1923) created a powerful oeuvre comprising paintings, woodcuts, glass works and mosaics. Her expressive subjects, including landscapes, townscapes and harbour scenes, are characterised by luminosity and increasing transparency, by rhythmical compositions of the pictorial space, black contours and an intensive use of colour.
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Cover for Ernst Ludwig Kirchner
Ed. Gaia Regazzoni Jäggli

Ernst Ludwig Kirchner

Und die Erhabenheit der Berge / And the Grandeur of the Mountains / E la grandiositá della montagna
Ernst Ludwig Kirchner spent his last years between 1917 and 1938 recovering from a mental breakdown in Davos. The overwhelming impression of the Alps moved him to create colourful, visionary landscapes and paint the daily lives of the peasants. The publication shows vividly the significance of the mountain world as inspiration for Kirchner’s late works.
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Cover for Ruth Baumgarte
Ed. Wiebke Steinmetz et al.

Ruth Baumgarte

Werde, die du bist! Lebenskunst / Become Who You Are! The Art of Living
During a period of radical change, Ruth Baumgarte (1923–2013) created an artistic oeuvre in which humankind and its fragile existence form the main area of focus. This volume introduces her as a passionate creator of drawings, a versatile applied graphic artist and an expressive painter.
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Cover for Relations
Ed. Cheryl Sim

Relations

Diaspora and Painting / La diaspora et la peinture
This richly illustrated volume explores the multiple and evolving meanings of diaspora, its condition, and its experiences as expressed through painting. The book, based on an exhibition held at the Phi Foundation brings together artists who address questions of diaspora from diverse perspectives, methodologies, and aesthetic languages.
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Cover for My Generation
Ed. Rafael Jablonka et al.

My Generation

The Jablonka Collection
The Jablonka Collection is regarded as one of the highest-profile holdings of American and German art of the 1980s. In this catalogue the art dealer, gallerist and curator Rafael Jablonka (*1951) provides for the first time an insight into his wide-ranging collection, which is dedicated primarily to artists of his own generation.
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Cover for Helmut Sturm
Ed. Pia Dornacher et al.

Helmut Sturm

Subverting the Real
Helmut Sturm’s paintings radiate powerful colours and forms, yet are simultaneously both lyrically tender and poetical. He developed his individual pictorial language in a study of Cubism and Art "Informel" as well as artists like Max Beckmann, Asger Jorn and Willem de Kooning. The publication pays tribute to one of the most important witnesses of abstract-expressive painting in Germany.
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Cover for Hilti Art Foundation. The Collection
Ed. Hilti Art Foundation

Hilti Art Foundation. The Collection

Vol. 2: Art from 1950 to the Present Day
The private art collection of the Hilti Art Foundation includes over 200 top-quality paintings, sculptures and photographs from Classical Modernism to the present day. Volume 2 of the two-part catalogue of the collection presents 120 selected works from the middle of the twentieth century to the present day, from Josef Albers to Thomas Struth.
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Cover for Johannes Itten and Thun
Ed. Helen Hirsch et al.

Johannes Itten and Thun

Nature in Focus
The Bauhaus master Johannes Itten is one of the prominent protagonists of early Modernism in twentieth-century art. Few people are aware of the close links between his beginnings as an artist and his experience of landscape and nature in the town of Thun and Lake Thun.
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Cover for We Haven’t Seen Each Other For So Long
Ed. Heinz R. Böhme

We Haven’t Seen Each Other For So Long

Art of the Lost Generation. The Böhme Collection
Heinz R. Böhme has been collecting artworks of the Lost Generation for more than twenty years. The main focus of his private collection in Salzburg is the recognition of more than eighty artists whose creative work was massively restricted under the National Socialist regime.
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Cover for Kairouan
Wilhelm Hausenstein

Kairouan

Or how Paul Klee became a Painter
The impressions which Paul Klee collected on his journey to Tunisia in 1914, and especially to the city of Kairouan, were of fundamental significance: »Colour and I are one.  I am a painter.« A few years later, in 1921, Wilhelm Hausenstein placed his friend Paul Klee at the centre of his book Kairuan and was thus one of the first people to recognise the artist’s genius.
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Cover for Elvira Lantenhammer
Ed. Zweigstelle Berlin

Elvira Lantenhammer

Color Siteplan
Elvira Lantenhammer’s paintings are colour events which rely to a considerable extent on intensity of colour. The choice of colour and its application take place intuitively in an examination of the effects of colours and their interaction with regard to a specific location. The term Site Plan, under which the abstract works are subsumed, serves here as an open action grid which conquers new spaces for the colours.
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Cover for Franz Gertsch
Ed. Alexandra Barcal et al.

Franz Gertsch

Looking Back
The internationally famous Swiss artist Franz Gertsch will celebrate his 90th birthday in 2020. The Graphische Sammlung ETH Zürich, which has a long-standing relationship with the artist and which is one of the most important presentation locations for his printed works, is taking advantage of this occasion as a reason for an exhibition and a bibliophile jubilee publication.
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Cover for László Moholy-Nagy
Hans-Michael Koetzle

László Moholy-Nagy

The Great Masters of Art
László Moholy-Nagy (1895–1946), painter, photographer, Bauhaus teacher and founder of the “New Bauhaus” and the “School of Design” in Chicago, is one of the most important artist personalities of the modern age. As one of the first artists to work in multiple media, who practised painting, sculpture, photography, film and design as equally valid art genres, he set standards which are still relevant today.
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Cover for Kurt Schwitters
Isabel Schulz

Kurt Schwitters

Merz Art
Kurt Schwitters (1887–1948) is one of the most influential protagonists of the avant-garde, both as an artist and an author. With his utopia of the total Merz vision of the world he aimed at the unification of art and non-art. The art of assemblage and material art reached its first high point in his work; his Merzbau is regarded as a forerunner of present-day installations.
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Cover for Paula Modersohn-Becker
Frank Laukötter

Paula Modersohn-Becker

The Great Masters of Art
When Paula Modersohn-Becker’s artist friends examined her extensive estate a few weeks after her death, they were overwhelmed. They only gradually realised that in the painter, who had died so young, they had had an outstanding artist in their midst. Modersohn-Becker was largely unrecognised during her lifetime but is regarded today as one of the pioneers of Expressionism.
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Cover for Alfons Mucha
Ed. Wilfried Rogasch

Alfons Mucha

The Great Masters of Art
At the beginning of the twentieth century, when Alfons Mucha went to the United States for four years as a lecturer, the world-famous poster designer, Art-Nouveau book illustrator, designer, photographer and painter was greeted with enthusiasm. Mucha is regarded as one of the most important representatives of Jugendstil; he knew how to move between the various genres more skilfully than virtually any other artist of his day.
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Cover for Helmut Schober
Ed. Dieter Ronte
The painter and performance artist Helmut Schober (* 1947) is famous internationally. For some 40 years he has devoted his attention to the vortex and its trans-cultural content. Over the decades the vortex has remained a constant in his œuvre, always borne by his principal interests in representing and making light, time, space and the cosmos tangible.
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Cover for Natela Iankoshvili
Ed. Mamuka Bliadze et al.

Natela Iankoshvili

An Artist's Life between Coercion and Freedom
Natela Iankoshvili is regarded as the most important woman artist in Georgia during the 20th century.  Born in Tiflis in 1918, she spent her entire life in Georgia. The career of the prize-winning artist was crowned in 2000 with the opening of her own museum in the capital, to which she bequeathed over one thousand works from her unconventional oeuvre.
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Cover for Hilti Art Foundation. The Collection
Ed. Hilti Art Foundation

Hilti Art Foundation. The Collection

Vol. 1: Classical Modernism 1880-1950
The private art collection of the Hilti Art Foundation includes over 200 top-quality paintings, sculptures and photographs from Classical Modernism to the present day. Volume 1 of the two-part catalogue of the collection presents 80 selected works from the late nineteenth to the mid-twentieth century, from Paul Gauguin to Alberto Giacometti.
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Cover for There Where You Are Not
Ed. Finbarr Barry Flood

There Where You Are Not

Selected Writings of Kamal Boullata
There Where You Are Not brings together the writings of celebrated Palestinian artist and theorist Kamal Boullata. Produced over four decades of exile in Europe, North Africa, and the United States, the essays explore intersections between aesthetics, history, and politics that are central to the historiography of modern Arab art.
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Cover for Uninterrupted Fugue
Ed. Burcu Dogramaci

Uninterrupted Fugue

Art by Kamal Boullata
Uninterrupted Fugue features a selection of critical essays about the art of Palestinian artist Kamal Boullata. Written by leading scholars and appearing for the first time in a single volume, this range of analytical perspectives on art and exile, modernity and tradition offers rare insights to readers interested in contemporary art beyond the Western canon.
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Cover for Modernisms
Ed. Lynn Gumpert

Modernisms

Iranian, Turkish, and Indian Highlights from NYU's Abby Weed Grey Collection
Modernisms explores art from the 1960s and early ’70s from Iran, Turkey, and India via selections from an unparalleled collection at New York University. Featuring new scholar ship and seminal essays, this book also illustrates paintings, sculptures, drawings, and prints from these three countries alongside biographical narratives of each Artist.
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Cover for Franz Hauer
Ed. Landesgalerie Niederösterreich, Krems

Franz Hauer

Self-made Man and Art Collector
The book is dedicated to legendary Viennese art collector Franz Hauer. The son of a mailman from Lower Austria became one of the key figures of his time. Franz Hauer started out penniless, became an exemplary self-made man, and built an art collection with important groups of works by Egon Schiele, and Oskar Kokoschka. Today, its treasures are held by numerous important museums in Europe and the US.
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Cover for Hans Purrmann
Ed. Annette Vogel

Hans Purrmann

Vitality of Colour
A master of colour and an ambitious cosmopolite: Hans Purrmann (1880–1966) was an authoritative figure who forged links in European Modernism both as an artist and a personality, as a stylist and a figure of social integration. The balance between a record of what he saw and the visual reflexion of painting as a form of expression hovers lightly in his pictures.
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Cover for Escape into Art?
Meike Hoffmann et al.

Escape into Art?

The Brücke Painters in the Nazi Period
Based on the extensive stocks of the Brücke-Museum, the publication discusses in detail the everyday reality of the artists under the National Socialists. The measures carried out against the former “Brücke” members as a result of Nazi art policy are explained, together with the direct effects on their creative work and the self-image of the painters within the context of the times.
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Cover for The Cubist Cosmos
Ed. Christian Briend et al.

The Cubist Cosmos

From Picasso to Léger
This volume unfolds the development of Cubism between 1907 and 1917. It conveys the moment’s enormous stylistic range and its revolutionary potential for the art that would follow during the twentieth century. It also presents as part of the story of Cubism the way that representatives of the avant-garde adopted and transformed the Cubist pictorial language.  
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Cover for Lyonel Feininger
Ulrich Luckhardt

Lyonel Feininger

The Great Masters of Art
Elegant sailing ships, expansive seascapes, crystal-clear expansive views of architecture – with his unique pictorial language and range of subjects Lyonel Feininger became one of the most important artists of Classic Modernism, whose works remain very popular to this day.  
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Cover for Eye to I
Ed. Brandon Brame Fortune

Eye to I

Self-Portraits from the National Portrait Gallery
This richly illustrated book features an introduction by the National Portrait Gallery’s chief curator and nearly 150 insightful entries on key self-portraits in the museum’s collection. "Eye to I" provides readers with an overview of self-portraiture while revealing the intersections that exist between art, life, and self-representation.
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Cover for Marianne von Werefkin
Brigitte Salmen

Marianne von Werefkin

The Great Masters of Art
She was not only a talented artist but also a shrewd free thinker and hostess: at the beginning of the twentieth century famous artists including Wassily Kandinsky, Gabriele Münter, Alfred Kubin, Adolf Erbslöh, Erma Bossi, Franz Marc and August Macke assembled in Marianne von Werefkin’s salon in the Schwabing district of Munich.
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Cover for Johannes Itten
Christoph Wagner

Johannes Itten

Catalogue Raisonné Vol. I. Paintings, Watercolors, Drawings. 1907-1938
The Swiss artist Johannes Itten (1888–1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonné covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre.
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Cover for King of the Animals
Ed. Philipp Demandt et al.

King of the Animals

Wilhelm Kuhnert and the Image of Africa
Wilhelm Kuhnert was a pioneer. He was one of the first European artists to travel to the largely unexplored savannahs and jungles of the German colonies in North and East Africa. Under hazardous conditions he documented at close quarters the fascinating animal and plant world and then created in his Berlin studio monumental paintings which were much sought-after on the art market.
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Ed. Nationalmuseum Oslo

Harald Sohlberg

Infinite Landscapes
Majestic and magical landscapes, the soft beauty of fields of flowers, the raw cold of winter: the works of Harald Sohlberg combine a Romantic perception of nature with a contemporary pictorial language akin to Symbolism. This volume assembles some 60 paintings, in addition to a number of drawings, prints and photographs by the artist and grants insight into his conceptual world through his correspondence.
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Ed. Nationalmuseum Oslo

Harald Sohlberg

Uendelige Landskap Norwegian Edition
Majestic and magical landscapes, the soft beauty of fields of flowers, the raw cold of winter: the works of Harald Sohlberg combine a Romantic perception of nature with a contemporary pictorial language akin to Symbolism. This volume assembles some 60 paintings, in addition to a number of drawings, prints and photographs by the artist and grants insight into his conceptual world through his correspondence.
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Cover for Willem de Kooning
Corinna Thierolf

Willem de Kooning

The Great Masters of Art
In 1926 22 year-old Dutch artist Willem de Kooning (1904–1997) travelled to the USA on a British freighter – without papers and hidden in the machine room. The young art student eked out a living by painting houses, signs and façades, before he was able after eight years to dedicate himself entirely to painting.  
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Cover for Museum Liaunig
Ed. HL Museumsverwaltung

Museum Liaunig

An Austrian Collector’s Museum
Fully integrated into the nature of the Corinthian countryside, the Museum Liaunig is at once restrained and spectacular. An outstanding example of contemporary museum architecture, it creates spaces for the Liaunig collections whose focus is on Austrian art from the post-war era to the present.
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Cover for Innovative Impressions
Ed. Sarah Lees

Innovative Impressions

Prints by Cassatt, Degas, and Pissarro
"Innovative Impressions" explores an under-examined aspect of three Impressionists’ careers: their groundbreaking prints and the new techniques they developed through collaboration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro formed the most active core of a group of artists planning a periodical to feature their prints.
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Cover for Koloman Moser
Stefan Kutzenberger et al.

Koloman Moser

The Great Masters of Art
Admired by contemporaries as an artistic “jack-of-all-trades”, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects – for the Wiener Werkstätte among others – that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings.  
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Cover for New Bauhaus Chicago
Ed. Bauhaus-Archiv et al.

New Bauhaus Chicago

Experiment Photography
This lavishly illustrated volume looks from both sides of the Atlantic at 80 years of photography from Chicago. At the New Bauhaus and what later became the Institute of Design, teachers like László Moholy-Nagy, György Kepes, Arthur Siegel, Harry Callahan and Aaron Siskind taught an uninhibited approach to the medium which influenced generations of photographers.
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Cover for Gurlitt: Status Report
Ed. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH et al.
Otto Dix, Franz Marc, Emil Nolde, Paul Cézanne, Vasily Kandinsky and Claude Monet – when over 1,000 artworks by outstanding artists of the modern era appeared on the scene in 2012, the find was celebrated as a sensation, though the suspicion that it might be art looted by the Nazis also reared its head. This extensive, lavishly illustrated publication documents for the first time a selection of works from the estate of the art dealer Hildebrand Gurlitt and examines the ...
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Cover for MACK – Licht / Light / Lumière
Ed. Helmut Friedel
Light is the original phenomenon which has been made visible in the works of Heinz Mack. The search for the possibilities for visualising light kept the multi-faceted oeuvre of this artist from the Zero circle ever open to new ideas for half a century and provided inspiration with regard to both form and technique.  
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Cover for Henri Matisse
Markus Müller

Henri Matisse

The Great Masters of Art
Henri Matisse created an oeuvre that is unparalleled in its brilliance and originality. His colorfully luminescent paintings are a sweeping affirmation of joie-de-vivre, levity and sensitivity. Featuring well-researched texts and numerous illustrations, this volume offers fascinating insights into the life and artistic development of Henri Matisse, one of the preeminent pioneers of modern art.
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Cover for Ernst Ludwig Kirchner
Thorsten Sadowsky

Ernst Ludwig Kirchner

The Great Masters of Art
Ernst Ludwig Kirchner (1880–1938) is one of the most important artist personalities of the twentieth century; many of his works have become icons of Expressionism. Vacillating between self-doubt and egocentricity, the artist created an incomparably multi-faceted oeuvre with a remarkable instinct for the trends and imbalances of his time.  
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Cover for Gerhard Richter
Ed. Kunstmuseum Bonn et al.

Gerhard Richter

About Painting
Gerhard Richter (*1932) is an exceptional personality – not because his pictures are world famous, but because he has demonstrated a new approach to painting. His art masterfully moves between abstraction and representation, sensuousness and denial – ambivalent attitudes which he demonstrated even in his early work.
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Isabelle Cahn et al.

Paul Gauguin

The Great Masters of Art
»Heck, ... it’s all done with panache, fresh from the brush...«
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Cover for Blue Land and City Noise
Ed. Cathrin Klingsöhr-Leroy

Blue Land and City Noise

An Expressionist Stroll through Art and Literature
“Are there still any surprises left to be had when it comes to German Expressionism?”, asks the writer Michael Kumpfmüller. Yes, there are, as this beautifully produced volume demonstrates by inviting the reader to an interesting and inspiring stroll through the world of Expressionism with pictures and texts which are seldom shown.
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Cover for Vasily Kandinsky
Hajo Düchting

Vasily Kandinsky

The Great Masters of Art
Vasily Kandinsky became the pioneer of abstract art; he was a co-founder of the Blauer Reiter, an art theorist and an influential teacher at the Bauhaus. When he abandoned his promising career as a lawyer in favour of art at the age of 30, no one could have guessed that a few years later he would play a decisive role in determining and revolutionising twentieth-century art.  
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Cover for Vincent van Gogh
Klaus Fußmann

Vincent van Gogh

The Great Masters of Art
Vincent van Gogh’s letters to his brother Theo and his artist friends Emile Bernard and Paul Gauguin are full of emotions, full of life, full of despair.  
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Cover for Vibrant Metropolis / Idyllic Nature
Ed. Zürcher Kunstgesellschaft / Kunsthaus Zürich

Vibrant Metropolis / Idyllic Nature

Kirchner. The Berlin Years
Ernst Ludwig Kirchner’s move from Dresden to Berlin in 1911 marked a turning point in his art. Under the impression of this most modern metropolis in Europe, during the years between 1912 and 1915 the artist created works which in their exaggerated and concentrated manner can really be regarded as metaphors for the attitude to life at the beginning of the 20th century.
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Cover for Pablo Picasso
Markus Müller

Pablo Picasso

The Great Masters of Art
“Ambiguous work. Where can we start?”, wrote the art historian Oscar Schürer in the historic series "Junge Kunst" about Pablo Picasso’s multi-faceted oeuvre back in 1927. Picasso, who was investigating Surrealism at the time, was regarded as a genius even then – and had another 40 years of creativity before him. The magnificent legacy of a talent which showed twentieth-century art the way forward consists of an almost unimaginable number of ...
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Cover for Hans Hofmann
Ed. Friedrich Meschede

Hans Hofmann

Creation in Form and Color Englische Ausgabe
Hans Hofmann, a representative of Abstract Expressionism and American Modernism during the 20th century with European roots, had a fundamental influence as a teacher on the development of modern art in America. His brightly coloured paintings, watercolours and drawings can now be discovered in a European retrospective.
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Cover for Emil Nolde
Christian Ring et al.

Emil Nolde

The Great Masters of Art
Emil Nolde was one of the most important exponents of Expressionism, and is considered one of the main precursors of modernism. His virtuoso handling of colour and the incomparable expressiveness of his paintings, watercolours, and Unpainted Pictures astound viewers again and again, and ensure that every exhibition of his work is a great success.
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Cover for Eavesdropper on an Age
Ed. Jüdisches Museum der Stadt Frankfurt et al.

Eavesdropper on an Age

Ludwig Meidner in Exile
Apocalypse, the city, war, religion, the portrait, exile and existential trauma – Ludwig Meidner (1884–1966) is regarded as one of the outstanding artists of German Expressionism. With the accuracy of a seismograph he recorded in his pictorial and literary works the shocks which reverberated through his time.
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Cover for Werner Reinisch
Ed. Werner-Reinisch-Institut

Werner Reinisch

Villages de lumière et îles de réves
Few artists symbolise Franco-German friendship more effectively than Werner Reinisch. For over 50 years he has been composing his expressive works in France in the region of Ardèche, where he has found inspiration in the light and the surroundings. This comprehensive monograph is also a documentation and homage to the artist and his oeuvre.  
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Cover for Peter Schermuly
Ed. Martin Mosebach et al.

Peter Schermuly

Catalogue Raisonné English Edition
The painter Peter Schermuly (1927–2007) created works of an artful reality whose meticulously detailed concreteness is the expression of pure painting. This catalogue raisonné makes accessible his entire oeuvre of oil paintings and sketches as well as wall designs. It presents an art that carved out space for itself contrary to all trends.
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Ed. Corinna Thierolf

Gerhard Richter - Brigid Polk

Königsklasse III
In 1970 in Munich Gerhard Richter met Brigid Berlin alias Brigid Polk, Andy Warhol’s legendary muse and enfant terrible of New York’s high society. This meeting gave rise to Richter’s important “Brigid Polk” series, based on Polaroid self-portraits by the eccentric artist: a dialogue between America and Europe, photography and painting, artist and muse.  
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Cover for Bernard Schultze
Ed. Oliver Kornhoff

Bernard Schultze

A Bright Wisp, a Glistening Wind Englische Cover-Ausgabe
31 May 2015 would have been Bernard Schultze’s one-hundredth birthday. On the occasion of this anniversary the publication featuring approximately eighty works of art honours the extensive oeuvre of one of the most important Art Informel artists.
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Cover for New York Painting
special edition
Ed. Christoph Schreier
Over the course of the past years, painting has undergone a spectacular renaissance in the arts capital of New York at the hands of a generation of artists who will no longer be told how art should and should not be made. Eleven positions reveal the current importance and variety of a genre many believed had no future.
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Herbert Beck

Miniatures
For more than thirty years the Tegernsee artist Herbert Beck (1920–2010) created numerous small watercolours which he himself called his miniatures. They arose from scraps of paper on which the painter, while working, wiped off his dripping paintbrush. Out of these random colour combinations Herbert Beck created small compositions in their own right, depicting atmospheric landscapes or expressive figures.
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Cover for Emil Nolde
Christian Ring et al.

Emil Nolde

Junge Kunst 11 - Farvens Fortryller Dänische Ausgabe
Sein virtuoser Umgang mit der Farbe und die unvergleichliche Ausdrucksstärke seiner Gemälde, Aquarelle und Ungemalten Bilder beglücken sein Publikum immer wieder aufs Neue und garantieren jeder seiner Ausstellungen größte Resonanz. Emil Nolde gehört zu den wichtigsten Protagonisten des Expressionismus und gilt als einer der zentralen Wegbereiter der Moderne. In enger Zusammenarbeit mit der Nolde Stiftung Seebüll widmet sich der neueste Band der Jungen ...
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Cover for Verena Landau
Ed. Verena Landau

Verena Landau

Passages, Passengers, Places
This lavishly illustrated book presents a comprehensive overview of the career thus far of German artist Verena Landau,  documenting her projects from 1999 through 2013. Landau is particularly interested in the tense relationship between art and commerce, a theme that runs through several of her works.
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Cover for Hans Aichinger
Ed. Maerzgalerie et al.

Hans Aichinger

Truth or Duty Englische Ausgabe
The oeuvre of the Leipzig-based artist Hans Aichinger (*1959) is dedicated to the representational. Figural compositions with a great density of content that can be ascribed to the New Leipzig School are executed in a hyper-realistic manner of painting and virtuoso artistic technique.
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Cover for Benjamin Katz: Georg Baselitz at Work
Baselitz is one of the most important artists of today. His works can be found in major museums around the world. For over 30 years, photographer Benjamin Katz has been documenting Baselitz at work in different studios. This volume now captures Baselitz’s exceptional life at work and at home.
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Cover for Benjamin Katz
Collector's edition

Benjamin Katz

Georg Baselitz, Derneburg, 1985, 2013
Baselitz is one of the most important artists of today. His works can be found in major museums around the world. For over 30 years, photographer Benjamin Katz has been documenting Baselitz at work in different studios. This volume now captures Baselitz’s exceptional life at work and at home.
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Cover for Flowers & Mushrooms
Ed. Toni Stooss

Flowers & Mushrooms

Englische Ausgabe
Flowers and mushrooms run the risk of being considered trivial subjects for contemporary art. However, in recent years they have experienced a revival as complex subjects as presented by contemporary artists, including Peter Fischli and David Weiss, David LaChapelle and Robert Mapplethorpe.
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Cover for Benjamin Katz: Gerhard Richter at work
Gerhard Richter is among the most prominent painters of the 20th and 21st centuries, with a career spanning almost 60 years. Beyond his monumental abstract and photo-realistic works, his working method, artistic processes and philosophy are less well known. The Belgian photographer Benjamin Katz captures the notoriously camera-shy artist at work.
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Cover for William MacKendree
Ed. Suzanne Greub

William MacKendree

Vinyl Vocabulary
American-born painter William MacKendree has worked and exhibited throughout Europe since he began his career in 1987. His earliest works are marked by the integration of powerful linear configurations within vast expanses of canvas. These paintings served as the breeding ground for his subsequent elemental sign-like forms and objects. His later work features motifs from the urban environment and the natural world.
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Cover for Francesco Clemente
Ed. Max Seidel

Francesco Clemente

The Tarots
The work of painter Francesco Clemente has always drawn on many esoteric traditions. He finds inspiration in a variety of visual languages, ranging from the Tantric diagrams of India to the »Candomblé« ceremonial implements of Brazil.
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Cover for Michael Triegel
Ed. Richard Hüttel

Michael Triegel

Metamorphosis of the Gods
Michael Triegel (*1968) is among the most important representatives of the New Leipzig School. Along with landscape sketches, still lifes and portraits, it is principally mythological and religious subjects that bear witness to his very individual, multi-faceted idiom in the style of the great masters of the Italian Renaissance.
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Cover for Edward Hopper
Ed. Stephan Koja et al.

Edward Hopper

Inner and Outer Worlds
Edward Hopper is one of the bestknown American artists of the 20th century. His works are regarded as the epitome of a representation of American life. This catalogue casts a fresh look at Hopper’s oeuvre and analyses it in a dialogue with works by the old masters. This is a completely new approach, because to date works by Hopper and the old masters have never been shown together.  
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Cover for Johannes Itten
Christoph Wagner

Johannes Itten

Catalogue raisonné Vol.III. Documents and Sources on the Biography. Graphic Work, Sculpture, Tapestries, Furniture. 1888-1967
The Swiss artist Johannes Itten (1888–1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonné covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre.
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Cover for In the Company of Artists
new
Ed. Dancing Foxes Press et al.

In the Company of Artists

A History of Skowhegan School of Painting & Sculpture
"In the Company of Artists" is the first major study of Skowhegan School of Painting & Sculpture, the influential summer art school founded by artists for artists amidst the tumult of World War II. Skowhegans philosophy and impact, the project expands our understanding of American art production and alternative education in the post-war era.
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Cover for Aris Kalaizis
Collector's edition

Aris Kalaizis

Making Sky, 2008
The paintings of German-Greek artist Aris Kalaizis occupy the space between fiction and fact, motion and inertia. With a masterly brush Kalaizis creates scenarios where the subjects play enigmatically entwined roles and the world of shadows lives in defiant coexistence with light.
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