Cover for Katharina Grosse
new
Ed. Klaus Albrecht Schröder et al.

Katharina Grosse

Why Three Tones Do Not Form a Triangle
Expansion and the permanent crossing of boundaries, freedom and autonomy form the cornerstones of Grosse’s (* 1961) oeuvre. Her creative work is experimental and unpredictable. With many photos from the artist’s private archive this volumes provides a profound insight into her working method, her sources of inspiration and the processes through which she generates her ideas.
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Cover for Gottfried Helnwein
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Ed. Elsy Lahner et al.

Gottfried Helnwein

English Edition
Gottfried Helnwein’s (b. 1948) paintings of children are both touching and disturbing. The hyperrealistic character of his images serves to intensify this effect still further. The vulnerable and defenseless child serves as the central motif in the artist’s examination of the themes of pain, injury and violence. The catalogue provides an overview of his creative work during the past twenty years.
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Cover for Heroes
new
Kevin D. Dumouchelle

Heroes

Principles of African Greatness
"Heroes: Principles of African Greatness" is a multilayered project that relays the stories of the key heroic principles and people in Africa’s arts and history, and considers the core values of leadership – justice, integrity, generosity and empathy. Each artwork in Heroes is paired with a historic African person, a “hero in history,” who embodies the thematic value featured in the selected work.
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Cover for Let’s go equal
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Ed. Katharina Cibulka et al.

Let’s go equal

The Solange Project
Since 2018, Katharina Cibulka and her team have been mounting hand-embroidered scaffolding nets on well-frequented, prominent construction sites, inviting the public to join the conversation on feminist issues. Each sentence begins with "As long as..." and ends with "...I will be a feminist", addressing existing inequalities.  
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Cover for Jasper Johns - The Artist as Collector
new
Ed. Anita Haldemann et al.

Jasper Johns - The Artist as Collector

From Cézanne to de Kooning
Jasper Johns (b. 1930) ranks among the major American artists of the twentieth century. His accomplishments as a collector, however, have been little known until now. This beautifully produced volume features a selection of more than one hundred drawings, inviting you to dive into the richness and depth of a truly unique collection.
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Cover for Not my Circus, not my Monkeys
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Ed. Helen Hirsch et al.

Not my Circus, not my Monkeys

The Motif of the Circus in Contemporary Art
Originating in late 18th-century London, the circus and its ring represent an antithesis to everyday life. The deliberate staging of beautiful make-believe and breathtaking acrobatics has long been a source of great fascination. At the same time, this world of illusions is fraught with social controversy and criticism, which international artists and leading experts address.
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Cover for Stephan Huber
Ed. Petra Giloy-Hirtz et al.

Stephan Huber

Gran Paradiso
Beauty, terror, grandeur, awe – the mountain world has always fascinated people. Stephan Huber climbs the snow-covered summits in miniature. In his sculptures he imitates the relief of the mountains and creates object-like works with a theatrical flair. This comprehensive volume reproduces the Alpine cosmos in the powerful images which have been the focus of Huber’s work for more than four decades.  
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Cover for Parviz Tanavoli
Ed. Pantea Haghighi

Parviz Tanavoli

Poets, Locks, Cages
Parviz Tanavoli – who has been widely recognised as the only Iranian artist to fully capture the duality and interplay of Iran’s pre-Islam and Islamic cultural identities – created a visual symbology through his sculptural work that would have a lasting impact on modernism in Iran.
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Cover for Wolfgang Laib
Ed. Ulrike Groos et al.

Wolfgang Laib

The Beginning of Something Else
"Wolfgang Laib: The Beginning of Something Else" combines texts that are particularly important for the artist’s creative work, together with a variety of selected images. Included are, for example, passages from the "Epic of Gilgamesh", a poem by the Buddhist monk Bodhidharma, and thoughts by Friedrich Nietzsche.
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Ed. Suzanne Ramljak

Mark Dion and Alexis Rockman

Journey to Nature's Underworld
"Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" accompanies the first two-person survey exhibition of these closely allied artists, offering a compelling tour through ecological concerns central to their celebrated careers and into the shadowy depths of the threatened natural world.
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Cover for George Bolster
Ed. Miranda Driscoll

George Bolster

When Will We Recognize Us
This monograph examines the multidisciplinary practice of conceptual Irish artist George Bolster, who addresses the crises facing our species, and our willingness to live in the past through belief systems. Bolster’s ambitious immersive text and image works encompass film, installation, tapestry and photography.
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Cover for Re-Connect
Ed. Marcus Andrew Hurttig et al.

Re-Connect

Kunst und Kampf im Bruderland - Art and Conflict in Brotherland
The creation of transnational art has become a matter of course in our globalised world. But what did the art produced by migrants in East Germany look like? The publication throws light on topics such as the cultural diplomacy of the GDR and its effects, the working conditions of contract workers and the taboo subject of racism.
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Michael Flomen

Photograms and Photographs. 2020-1970
Master printer Michael Flomen expands his darkroom out into the wild to create large-scale, avant-garde, cameraless photograms in confluence with nature. From the streets of the world to the wilds of North America, this monograph traces in 182 images and 8 critical essays the evolution of Flomen’s originality of vision.
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Cover for C.C. Wang
Ed. Wen-shing Chou et al.

C.C. Wang

Lines of Abstraction
C.C. Wang (1907–2003) is best known as a preeminent twentieth-century connoisseur and collector of pre-modern Chinese art, a reputation that often overshadows his own art. The book recenters Wang’s extraordinary career on his own artistic practice to reveal an original quest for tradition and innovation in the global twentieth century.
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Cover for Imi Knoebel
Ed. Karsten Löckemann
Imi Knoebel (b. 1940) is regarded as a master of non-representational art. The monograph accompanying the retrospective in the Sammlung Goetz shows the entire spectrum of his creative artistic work from the 1960s until the present day. There is a particular focus on the connections between form and content within his works.
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Cover for Sonya Clark
Ed. Elissa Auther et al.

Sonya Clark

We Are Each Other
This is the first publication to document and contextualise Clark’s large-scale, collaborative art works. These projects demonstrate Clark’s career-long commitment to addressing the urgent issue of racial inequality in U.S. society and her philosophy of creatively engaging the viewer in reflection on the nation’s history of slavery and our roles in dismantling systemic racism today.
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Cover for Re-Orientations
Ed. Zürcher Kunstgesellschaft

Re-Orientations

Europe and Islamic Art from 1851 to Today
The art and architecture of the Islamic world strongly influenced the development of Western modernism. Some 170 works from the mid-19th century to the present day illustrate this fascinating cultural exchange. Beguiling examples of fine and decorative art reflect the diversity of this lively transfer.
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Cover for Kristin Bauer
Ed. Kristin Bauer et al.

Kristin Bauer

This Is Like That 2017-2020
"This Is Like That" is a conceptually designed book as art object that archives the artist’s work from 2017 to 2020, including essays and dialogue from collaborating curators and writers exploring historic and contemporary influences and references connecting the artwork to the zeitgeist.
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Cover for Women Reframe American Landscape
Amanda Malmstrom et al.

Women Reframe American Landscape

Susie Barstow & Her Circle – Contemporary Practices
Illuminating the artistic contributions and perspectives of women, this book reinserts the important 19th-century American artist Susie Barstow into the history of the Hudson River School and presents contemporary artists who expand how we think about “land” and “landscape” today. Engaging multigenerational perspectives, it launches an expanded narrative that recenters women in the canon of American landscape art.
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Cover for Arnulf Rainer
Helmut Friedel

Arnulf Rainer

Rosarot Himmelblau
The art of Arnulf Rainer (*1929) is baffling. The “black overpainting”, with which he covers previous work, is world famous. We overlook the fact that overpaintings in red, blue, green and white also exist and thus that colour always belonged to his means of expression, as this volume vividly demonstrates.
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Wiebke Steinmetz et al.

Ruth Baumgarte

Werkverzeichnis / Catalogue Raisonné Vol. I-III
The artistic oeuvre of Ruth Baumgarte (1923–2013) is firmly rooted in the representational tradition. On the basis of the latest scientific research it is presented here with a complete catalogue raisonné in an opulent, three-volume edition.
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Cover for Chakaia Booker
Ed. Alex Gartenfeld et al.

Chakaia Booker

The Observance
"Chakaia Booker: The Observance" is the first comprehensive monograph on this important yet understudied American artist. Illuminating more than three decades of Booker’s practice, the publication explores her signature form – monumental works made of rubber – while showcasing her innovations across mediums including photography, painting, and prints.
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Cover for Kinship
ebook
Dorothy Moss et al.

Kinship

E-Book
Recent events have pushed artists to visualize ideas of closeness in a new light. "Kinship", published on the occasion of the National Portrait Gallery’s next “Portraiture Now” exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture and performance.
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Cover for Street Life
Ed. Astrid Ihle et al.

Street Life

Die Straße in der Kunst von Kirchner bis Streuli - The Street in Art from Kirchner to Streuli
The significance of the street is complex: it is a place of representation, self-dramatisation and communication, of resistance and protest. In this lavishly illustrated volume we encounter the bandwidth of this highly topical subject and its implementation in painting, graphics, photography, film, performance and installation during the 20th and 21st centuries.
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Cover for One Site - One Space - One Work
Ed. Synagoge Stommeln - Stadt Pulheim

One Site - One Space - One Work

30 Years of Art Projects in Stommeln Synagogue
In 1991, the town of Pulheim initiated the Stommeln Synagogue art project, a permanent process of examination of this historically significant location. Since then it has continued to make a contribution to a culture of remembrance. A wide-ranging overview of remarkable works is being assembled on the occasion of the 30th anniversary of the synagogue.
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Cover for Der Mucha
Ed. Susanne Gaensheimer et al.

Reinhard Mucha

An Initial Suspicion
… For me, things only become interesting when they contain some mysterious corner somewhere which continues to elude us. And so I am really rather sorry that Mucha was not included, because he is formally incredibly good and is nonetheless twice or three times as unfathomable. Harald Szeemann, “Zeitinvestition zu knapp”, in: Kunstforum International, vol. 90 (documenta 8: Kunst auf dem Prüfstand), July–September 1987
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Ed. Franziska Leuthäußer et al.

STOA169

The Artist Columned Hall
A hall of art surrounded by nature, supported by 121 individually designed pillars created by famous artists from all over the world: Bernd Zimmer has been pursuing this idea and its realization for over 30 years. The volume is lavishly illustrated and documents its creation, showing all the artists’ pillars in detailed individual photos.
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Cover for Mary Mattingly
Ed. Nicholas Bell et al.

Mary Mattingly

What Happens After
As we navigate the early decades of a new epoch defined by the measurable human imprint on the earth, the question of how we will reconcile our behaviour with the evidence of its catastrophic effect is yet to be answered. With her works on sustainability, US artist Mary Mattingly (b. 1979) examines how we can connect and reconnect to Earth.
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Cover for Jin-me Yoon
Ed. Zoë Chan et al.

Jin-me Yoon

About Time
Jin-me Yoon is an important Canadian lens-based artist who has been working steadily since emerging on Vancouver’s contemporary art scene in the 1990s. "About Time" focuses on Yoon’s monumental and multifaceted production of the last decade, which typically combines photography, video, performance and installation.
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Cover for Georg Baselitz. 100 Drawings
Ed. Colin B. Bailey et al.

Georg Baselitz. 100 Drawings

From the Beginning until the Present
The famous international German artist Georg Baselitz has donated a collection of works on paper to both the Albertina Museum in Vienna and the Morgan Library & Museum in New York. The publication combines the 100 sheets to create a representative retrospective, providing by virtue of its concentration an important contribution to the understanding of his entire oeuvre.
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Cover for The Other Kabul
Ed. Kunstmuseum Thun et al.

The Other Kabul

Remains of the Garden
Kabul was once famous for being a city of blossoming gardens. Today our perception of the Afghan capital is dominated by images of suffering and destruction. Considering Kabul’s gardens as part of its cultural heritage, Afghan and non-Afghan artists reflect on a different Kabul, without ignoring the crises of the past and present.
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Cover for Kinship
Dorothy Moss et al.
Recent events have pushed artists to visualize ideas of closeness in a new light. "Kinship", published on the occasion of the National Portrait Gallery’s next “Portraiture Now” exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture and performance.
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Cover for Francesco Clemente
Ed. Elsy Lahner et al.
The Italian-American artist Francesco Clemente (b. 1952) is one of the main representatives of the postmodern Transavantgarde and Arte Cifra, the Italian version of Neo-Expressionism. Among his extensive oeuvre, the publication focuses on Clemente’s major works series.
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Cover for Art and Activism at Tougaloo College
This book spotlights a complex art collection established at the intersection of modern art and social justice. In 1963, as civil rights protests swirled across the fiercely segregated state, this liberal arts college became an unlikely hub in Mississippi envisioned as “an interracial oasis in which the fine arts are the focus and magnet.”
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Cover for Kubra Khademi
Ed. Hanna G. Diedrichs gen. Thormann

Kubra Khademi

Political Bodies
Kubra Khademi (b. 1989) lives in Paris and focuses in her work on her life as a woman and a person with direct experience as a refugee. This makes it both political and highly topical. Multi-faceted themes pervade her art, including her function as a mouthpiece and as an element in the fight for the fundamental rights of women, as well as artistic work in exile and in a Muslim society.
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Cover for Stéphane Zaech
Ed. Mirjam Fischer et al.

Stéphane Zaech

Nefertiti
The artist monograph presents a representative overview of the artistic work of Stéphane Zaech (b. 1966). His paintings are technically sophisticated and are created through an investigation of the works of the old masters – Titian, Velasquez and Picasso. At the same time he distorts the “classical” picture types and translates them into contemporary art.
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Cover for Nicholas Pollack
Ed. Nicholas Pollack
The photographs in Nicholas Pollack’s new book "Meadow" were made between 2015–2020 in and around Secaucus, New Jersey, U.S. Inspired by the landscape of the New Jersey Meadowlands, "Meadow" is a body of work about a small plot of land and the friendships and interactions between a group of truck drivers who forge a transcendent relationship with the place.
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Cover for Heidi Horten Collection
Ed. Agnes Husslein-Arco et al.

Heidi Horten Collection

The House and its History
A new art location will be opening in the heart of Vienna in the spring of 2022. The museum for the famous collection of Heidi Goëss-Horten will be completed between the Albertina and the Opera House. The first museum publication is dedicated to the creation of this new exhibition venue, its architecture and construction history, positioning it within the context of the foundation of new museums.
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Cover for Eduardo Terrazas
"Cosmos" offers new approaches on the stunning art works of Eduardo Terrazas (* 1936). Four well known authors present a multidisciplinary vision on the artists ongoing series "Possibilities of a Structure". Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world.
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Cover for Wiebke Siem
Ed. Kunstmuseum Bonn et al.

Wiebke Siem

Das maximale - The Maximum Minimum
Wiebke Siem (b. 1954 in Kiel), who was awarded the prestigious Goslar Kaiserring in 2014, is an important representative of contemporary art with an oeuvre that questions the boundaries between the genres of fashion, design and sculpture and engages in a rewriting of the history of modern art from a female perspective that is as knowledgeable as it is humorous.
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Cover for Eduardo Terrazas

Eduardo Terrazas

Cosmos Spanish Edition
"Cosmos" offers new approaches on the stunning art works of Eduardo Terrazas (* 1936). Four well known authors present a multidisciplinary vision on the artists ongoing series "Possibilities of a Structure". Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world.
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Cover for Twinka Thiebaud and the Art of the Pose
Over the course of seven decades, Twinka Thiebaud has collaborated with more than thirty artists working in photography, painting and drawing. This catalogue explores her body of work as an artist’s model alongside developments in photographic techniques and technology, and the role of nature in defining West Coast experimentation.
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Cover for Xenia Hausner
Ed. Elsy Lahner et al.

Xenia Hausner

True Lies English Edition
Xenia Hausner ranks among the most important Austrian painters of our time. This splendid volume focuses on the aspect of stagecraft which characterizes all her works. Starting from the early paintings of the 1990s up to her moving Exiles series, the publication lures us into a female world filled with mysterious interpersonal relationships.
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Cover for Flowers!
Ed. Regina Selter et al.

Flowers!

In the Art of the 20th and 21st Centuries
Flowers have been a popular motif in art for centuries. As the epitome of natural beauty and earthly mortality since the Baroque era, flowers have lost none of their fascination for artists in the 20th and 21st centuries. Why does modern and contemporary art turn so frequently to this multi-faceted subject?
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Cover for Abe Frajndlich - Seventy Five at Seventy Five
Ed. Abe Frajndlich
"Seventy Five at Seventy Five" is about the visual working life of US photographer Abe Frajndlich, starting from the 1970s to the present. The book covers his myriad themes and obsessions from portraiture of the famous and the anonymous to the erotic and the fantastic. A triumphant compilation of black and white and colour photographs, many of which have become icons.
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Cover for René Myrha
Ed. Helen Hirsch et al.

René Myrha

A Singular Universe
At the centre of René Myrha’s (*1939) expressive oeuvre lie landscapes and rigorous compositional room perspectiveswhich are transformed into stage-like settings. They form the scenery for the choreography of his figures. Myrha examines them through specific media in drawings, oil, acrylic, sculpture and reliefs.
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Cover for Steven Scott
Lisa Hockemeyer et al.

Steven Scott

Odyssey Light Colour Time
Steven Scott (b. 1955 London) is a Copenhagen-based artist whose work revolves around the rich complexities of light. The main essay is penned by the art and design historian Lisa Hockemeyer. This volume takes one on a journey through Steven Scott’s light art works and installations of the past forty years and covers his development in the London/NYC Avant Garde theatre and dance scene of the late seventies and into the 1980’s.
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Cover for Katharina Grosse
Ed. Galerie nächst St. Stephan, Wien et al.

Katharina Grosse

Wolke in Form eines Schwertes / Cloud in the Form of a Sword
Katharina Grosse (*1961) is considered to be one of the defining painters of her generation; her powerfully colourful interventions have had a determining effect on contemporary art dialogue. Grosse’s works cross the boundaries of space and concept with expansive gestures and enormous vitality and call for a new reception culture.  
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Cover for All the Beauty at Hand
Ed. Thomas Zuhr

All the Beauty at Hand

A Brief History of Hirmer Publishers
Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  
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Cover for The Infinite
Ed. Marie Brassard et al.
"The Infinite" documents the making of the ground-breaking immersive VR experience shot entirely aboard the International Space Station. Artists and astronauts joined forces to capture life in the cosmos as never before. In this oversize publication, brand-new views of space and stunning production shots reveal the human imagination’s limitless potential.
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Cover for Nicolás De Jesús
Ed. Patrice Giasson

Nicolás De Jesús

A Mexican Artist for Global Justice
Well-known for his etchings on bark paper featuring dazzling skeleton-characters working, celebrating, walking the streets, or crossing borders, Nicolás De Jesús’s political commitment is also expressed through powerful large-scale paintings that tackle a wide range of urgent themes including immigration, human rights, and environmental instability.
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Cover for Jürgen Schilling
Peter Reuss et al.

Jürgen Schilling

Natur der Landschaft / Nature du paysage / Nature of Landscape
For the past forty years, Jürgen Schilling (b. 1954) has been drawing the landscape of southern France. The art historian Wilhelm Schlink has accompanied his career from the beginning as a friend and collaborative thinker. Schlink describes in lively manner the artist’s approaches and reflections, especially against the background of the current debate about contemporary interpretations of the landscape.
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Cover for Mary Bauermeister
Ed. Thomas Köster

Mary Bauermeister

In a Fairytale World. House and Garden
Mary Bauermeister (*1934) is regarded as the “mother” of the Fluxus movement. During the 1960s she set out from the United States and conquered the art world with her lens boxes and stone spirals. Her works are represented in many major museums including MoMa and the  Guggenheim Museum in New York and the Museum Ludwig in Cologne. This magnificent volume presents her artistic, enchanted studio not far from Cologne.
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Cover for EVA & ADELE
Ed. Nicole Gnesa

EVA & ADELE

Keep the Rosy Wing Strong
EVA & ADELE’s work finds its raison d’être in their permanent, lifelong performance which takes place worldwide throughout the public space. The work group CUM (lat. WITH) is the essence of the interactive process. It was acknowledged as early as 1997 in the Sprengel Museum with the solo exhibition CUM, and is continued to this day in a variety of media.
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Cover for Life as Activity: David Lamelas
Ed. David Lamelas et al.
Plotting narratives that blur the line between fact and fiction, David Lamelas is a pioneering figure of conceptual art. "Life as Activity: David Lamelas" draws vivid connections within the artist’s multifaceted practice, and explores how his sculpture, film, video, and photography invite us to participate in fictional narratives while moving through space and time. "Life as Activity: David Lamelas" developed from a graduate seminar in Hunter ...
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Cover for Tamara Kostianovsky
Ed. Gonzalo Casals

Tamara Kostianovsky

Rapacious Beauty
Latinx artist Tamara Kostianovsky began using her discarded clothes as artistic material shortly after immigrating to the United States, addressing cultural and physical displacement, assimilation and identity, and the brutal history of Latin America. Today, these emotionally charged materials coalesce in a post-colonial vision for an ecological future.
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Cover for Marcel Odenbach
Ed. Susanne Gaensheimer et al.

Marcel Odenbach

so oder so
Using collage and montage as a medium and always in connection with his own biography, Marcel Odenbach investigates politically and culturally relevant topics of his time, such as for example the process of coming to terms with Nazi crimes, remembrance culture, the effects and after-effects of European colonialism in Africa, racism and time and time again the relationship between the individual and society.
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Cover for Tomás Esson
Ed. Gean Moreno

Tomás Esson

The Goat
"The GOAT" is the first monograph of Afro-Cuban artist Tomás Esson. It features paintings created over a span of thirty-five years and showcases a distinct style that overflows with energy, biting humour and suggestive narratives that often involve highly sexualized, monstrous creatures alongside the heroes of the Cuban Revolution.
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Cover for Gianni Caravaggio
Ed. Holger Kube Ventura et al.

Gianni Caravaggio

When Nature was Young - Als Natur jung war
The perception of nature and landscape is a central theme for the Italian artist Gianni Caravaggio (b. 1968). His poetic sculptures and installations aim to arouse in the viewer the memory of feelings evoked by the experience of nature and focus on the essential unity of man and nature.
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Cover for Oscar Muñoz
Ed. Vanessa K. Davidson

Oscar Muñoz

Invisibilia
Accompanying the exhibition "Invisibilia" this catalogue constitutes the first substantive monograph on Oscar Muñoz’s work in English. It aims to become one of the most significant research resources published on the artist’s work to date by addressing the entire span of the artist’s career, beginning in the 1970s and continuing to 2020.
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Cover for Clifford Ross
Ed. Jessica May

Clifford Ross

Sightlines
Clifford Ross’s photographic and video practices over the past thirty years reveal one of the most incisive and technically sophisticated investigations of the nature of vision in the medium’s history.  
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Cover for Heinz Mack
Ed. Beat Wyss

Heinz Mack

Skulpturen - Sculptures. 2003 - 2020
Steles, rotors, light sculptures and monumental works for the public space – over the past 20 years the range of Heinz Mack’s sculptures has remained as comprehensive as it is diverse. He has created spectacular works like "The Sky over Nine Columns" in Venice in 2014. This lavish catalogue raisonné documents Mack’s sculptures between 2003 and 2020.
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Cover for Tense Conditions
Ed. Alessandra Nappo et al.

Tense Conditions

A Presentation of the Contemporary Art Collection
In its new presentation of the collection, the Staatsgalerie Stuttgart establishes a dialogue between works from the private Scharpff-Striebich collection and works from its own stocks. Contemporary positions and works since the 1960s which gain a new topicality through the retrospective view, make clear the complexity and contradictory nature of our society.
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Cover for Lost Horizons
Ed. Christian Jacobs

Lost Horizons

Udo Rein
Udo Rein (b. 1960) is a video artist and painter and lives in Munich. In his work he examines social and cultural contrasts worldwide. His pictorial language starts out from documentary film sequences and builds on fractal constructions and deconstructions which he translates into collages of film stills and oil and acrylic paints on wood panels.
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Cover for Au rendez-vous des amis
Ed. Oliver Kase et al.

Au rendez-vous des amis

Klassische Moderne im Dialog mit Gegenwartskunst aus der Sammlung Goetz / Modernism in Dialogue with Contemporary Art from the Sammlung Goetz
Classical Modernism is an inexhaustible source of inspiration for the generations of artists that followed. This catalogue sheds new light on the relationship between modern and contemporary art across the generations and across the genres, through the encounter between the artists featured in two outstanding collections.
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Cover for Phyllida Barlow
Ed. Damian Lentini

Phyllida Barlow

frontier
Phyllida Barlow (*1944) tests boundaries with her monumental sculptures in an eccentric yet humorous manner, reflecting on the relationship with our environment through her use of industrial and everyday materials. With impressive installation photos and never-before-seen archival material the publication presents Barlow’s unique oeuvre from her early works until the present day.
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Cover for Yinka Shonibare CBE
Ed. Thorsten Sadowsky

Yinka Shonibare CBE

End of Empire
Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This richly illustrated catalogue focuses on three decades of his fascinating artistic oeuvre.
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Cover for Tammam Azzam
Ed. Galerie Kornfeld, Berlin

Tammam Azzam

Bilder ohne Namen / Untitled Pictures
Stirring paintings, colourful picture collages made from countless scraps of paper, moving photo collages – the art of Tammam Azzam (b. 1980 in Damascus) is multi-faceted, political and topical. The publication provides a comprehensive overview of the oeuvre of the Syrian artist and describes his career over the past 20 years.
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Cover for Shuvinai Ashoona
Ed. Gaetane Verna

Shuvinai Ashoona

Mapping Worlds
Shuvinai Ashoona (*1961) is a third-generation Inuit artist based in Kinngait, Nunavut, Canada. Best known for her highly personal and imaginative iconography, Shuvinai Ashoona’s imagery ranges from closely observed naturalistic scenes of her Arctic home to monstrous  and fantastical visions.
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Cover for Martin Werthmann
Ed. Marcus Trautner

Martin Werthmann

Catastrophe as Space
Martin Werthmann (*1982) is one of the most prominent artists worldwide to make an intensive study of the woodcut as a genre. His monumental, multi-colour woodblock prints executed on large strips of paper, employ a radically new formal and aesthetic language that draws one in by putting the vague and diffuse into focus.
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Cover for Philip Grözinger
Ed. Nicole Gnesa
Philip Grözinger’s art derives from his investigations of future-oriented visions. With his individualistic painterly signature he invites the viewer to join him on a surreal journey through the pictorial traditions of the Pop culture of recent decades. This volume is a retrospective which provides a comprehensive overview of his outstanding oeuvre.
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Cover for Markus Heinsdorff
Ed. Markus Heinsdorff

Markus Heinsdorff

static + dynamic
The book presents the installation artist Markus Heinsdorff’s continuing study of the topics of space, the forces of nature and upcycling by means of over 40 works. The overview is completed by text contributions by famous authors who interpret Heinsdorff’s international creative works from a variety of perspectives.
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Cover for Thought Experiments
Ed. Julie Decker et al.

Thought Experiments

The Art of Jonathon Keats
Jonathon Keats’ work as an artist and thinker is compelling for our time. Keats poses critical questions, asks us to fundamentally reconsider our assumptions, and proposes radical methods of response. In a time when the environment and human lifeways are experiencing unprecedented change, thought leaders like Keats are needed to encourage us to consider possibilities – from the absurd to the profound.
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Cover for Paulo Nazareth
Ed. Alex Gartenfeld et al.
Accompanying Paulo Nazareth’s first US museum show at the Institute of Contemporary Art in Miami in 2019, "Melee" presents an engaging and timely look at the artist’s multifarious work and elaborates on how it engages the complex colonial and racial histories of the Americas.
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Kristine Bilkau et al.

Miwa Ogasawara

Unspoken
People between light and shade, love and despair, closeness and distance, calm and restlessness. Miwa Ogasawara’s painting represents the attempt to approach Man quietly in all his nuances. In her pictures she captures the brittle, shimmering present, the beauty and the fragility of our existence.
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Cover for Ruth Baumgarte
Ed. Wiebke Steinmetz et al.

Ruth Baumgarte

Werde, die du bist! Lebenskunst / Become Who You Are! The Art of Living
During a period of radical change, Ruth Baumgarte (1923–2013) created an artistic oeuvre in which humankind and its fragile existence form the main area of focus. This volume introduces her as a passionate creator of drawings, a versatile applied graphic artist and an expressive painter.
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Cover for Relations
Ed. Cheryl Sim

Relations

Diaspora and Painting / La diaspora et la peinture
This richly illustrated volume explores the multiple and evolving meanings of diaspora, its condition, and its experiences as expressed through painting. The book, based on an exhibition held at the Phi Foundation brings together artists who address questions of diaspora from diverse perspectives, methodologies, and aesthetic languages.
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Cover for Elina Brotherus
Ed. Ingo Clauß

Elina Brotherus

Why not?
Diary-like series, landscape photos and situational mood pictures – Elina Brotherus (*1972 in Helsinki) is constantly searching for new possibilities in photography. This lavishly illustrated volume with related essays pursues the latest developments. Here the Finnish photo artist combines a keen intellect with humorous lightness and technical precision with joyous spontaneity.
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Cover for Gerald Clarke
Ed. David Evans Frantz et al.

Gerald Clarke

Falling Rock
This survey brings together three decades of work by contemporary Native American artist Gerald Clarke (Cahuilla). Utilising wit and humour to expose historical and present-day injustice, Clarke brings a decolonial perspective to urgent cultural and political issues facing our world.
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Cover for Isabelle Dyckerhoff
Ed. Contempo Rotterdam et al.

Isabelle Dyckerhoff

on canvas / on paper
How can you paint colour? That is the question which the Munich artist Isabelle Dyckerhoff asks herself anew before every picture. The material presence of colour, its expressive power and spatial effect are characteristic for her works on canvas and paper, which are presented together in this volume for book lovers.
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Cover for Hilti Art Foundation. The Collection
Ed. Hilti Art Foundation

Hilti Art Foundation. The Collection

Vol. 2: Art from 1950 to the Present Day
The private art collection of the Hilti Art Foundation includes over 200 top-quality paintings, sculptures and photographs from Classical Modernism to the present day. Volume 2 of the two-part catalogue of the collection presents 120 selected works from the middle of the twentieth century to the present day, from Josef Albers to Thomas Struth.
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Cover for ReVisión
Ed. Victoria L. Lyall et al.

ReVisión

A New Look at Art in the Americas
ReVisión: A New Look at Art in the Americas considers what makes the Americas the Americas. With essays by leading scholars of Latin American art history, the lavishly illustrated publication explores the ways in which the past continues to exert an influence on communities throughout the region.
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Cover for Elvira Lantenhammer
Ed. Zweigstelle Berlin

Elvira Lantenhammer

Color Siteplan
Elvira Lantenhammer’s paintings are colour events which rely to a considerable extent on intensity of colour. The choice of colour and its application take place intuitively in an examination of the effects of colours and their interaction with regard to a specific location. The term Site Plan, under which the abstract works are subsumed, serves here as an open action grid which conquers new spaces for the colours.
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Cover for Astrid Lowack
Ed. Dr. Marion Bornscheuer

Astrid Lowack

The Elements of Transcendence
The elements of Astrid Lowack’s (*1969) photographic-artistic transcendence are light, movement and water. As the driving forces of life they relentlessly bring about change and reflect our innermost being – our feelings and experiences. Her snapshots remain thereby constant imaginative challenges to human perception.
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Cover for Franz Gertsch
Ed. Alexandra Barcal et al.

Franz Gertsch

Looking Back
The internationally famous Swiss artist Franz Gertsch will celebrate his 90th birthday in 2020. The Graphische Sammlung ETH Zürich, which has a long-standing relationship with the artist and which is one of the most important presentation locations for his printed works, is taking advantage of this occasion as a reason for an exhibition and a bibliophile jubilee publication.
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Ed. Jürgen B. Tesch

Heinrich Knopf

Iron Society
The artist Heinrich Knopf (* 1949) lives in Munich and at Lake Garda. Even in his youth he focused on the transformation of iron, one of the oldest materials used in art. His sculptures radiate lightness and movement and invite the viewer to a playful relation ship with everchanging angles.
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Cover for Juul Kraijer
Ed. Ina Fuchs et al.

Juul Kraijer

Zweiheit / Twoness
The publication provides an overview of the fascinating work of the contemporary Dutch artist Juul Kraijer. Her monumental drawings, photographs, sculptures and video works sound out and dissolve the boundaries of the human body and show hybrid creatures between animal and human. 
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Cover for Teresa Margolles
Oscar Gardea Duarte et al.

Teresa Margolles

En la herida
Teresa Margolles abstracts the subject of terror: she extracts the body into abstract forms which are manifest in fired bricks or in mud, water and blood-soaked cloths. They form a memorial to the victims of the Mexican drug wars and the waves of migration.
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Cover for Ericka Beckman
Ed. Henriette Huldisch

Ericka Beckman

Double Reverse
Since the mid-1970s, Ericka Beckman (b. 1951, Hampstead, NY) has forged a signature visual language in film, video, installation, and photography. Often shot against black, spatially ambiguous back drops, her moving image works are structured according to the logic of child’s play, games, folklore, or fairy tales, and populated by archetypical characters and toy-like props in bright, primary colours. Throughout her work, Beckman engages profound questions of gender, role-playing, ...
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Cover for Helmut Schober
Ed. Dieter Ronte
The painter and performance artist Helmut Schober (* 1947) is famous internationally. For some 40 years he has devoted his attention to the vortex and its trans-cultural content. Over the decades the vortex has remained a constant in his œuvre, always borne by his principal interests in representing and making light, time, space and the cosmos tangible.
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Cover for Natela Iankoshvili
Ed. Mamuka Bliadze et al.

Natela Iankoshvili

An Artist's Life between Coercion and Freedom
Natela Iankoshvili is regarded as the most important woman artist in Georgia during the 20th century.  Born in Tiflis in 1918, she spent her entire life in Georgia. The career of the prize-winning artist was crowned in 2000 with the opening of her own museum in the capital, to which she bequeathed over one thousand works from her unconventional oeuvre.
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Ed. Andreas Hoffer et al.

Adrian Paci

Lost Communities
Emigration, being lost in a strange world, the search for a new identity and longing for things and people that have been lost form the central topics in the work of the Albanian artist Adrian Paci. The volume presents his iconic works which have earned him a world reputation.
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Ed. Hilti Art Foundation

Hilti Art Foundation. The Collection

Vol. 1: Classical Modernism 1880-1950
The private art collection of the Hilti Art Foundation includes over 200 top-quality paintings, sculptures and photographs from Classical Modernism to the present day. Volume 1 of the two-part catalogue of the collection presents 80 selected works from the late nineteenth to the mid-twentieth century, from Paul Gauguin to Alberto Giacometti.
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Cover for There Where You Are Not
Ed. Finbarr Barry Flood

There Where You Are Not

Selected Writings of Kamal Boullata
There Where You Are Not brings together the writings of celebrated Palestinian artist and theorist Kamal Boullata. Produced over four decades of exile in Europe, North Africa, and the United States, the essays explore intersections between aesthetics, history, and politics that are central to the historiography of modern Arab art.
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Ed. Burcu Dogramaci

Uninterrupted Fugue

Art by Kamal Boullata
Uninterrupted Fugue features a selection of critical essays about the art of Palestinian artist Kamal Boullata. Written by leading scholars and appearing for the first time in a single volume, this range of analytical perspectives on art and exile, modernity and tradition offers rare insights to readers interested in contemporary art beyond the Western canon.
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Cover for Heinz Mack
Robert Fleck et al.

Heinz Mack

A 21st Century Artist
Heinz Mack is an artist who has left his mark on our times. He has made a pioneering contribution to the question of a new concept of art, which has been of fundamental importance since the post-war period. This volume offers for the first time a monograph with an overview of Mack’s philosophy of art as well as his multi-faceted oeuvre: from ZERO and the legendary Sahara Project to light art and his most recent paintings.
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Cover for Yoko Ono
Ed. Gunnar B. Kvaran et al.

Yoko Ono

Liberté Conquérante. Growing Freedom. Les instructions de Yoko Ono. L'art de John et de Yoko. The instructions of Yoko Ono. The art of John and Yoko.
Yoko Ono is a leading experimental and avant-garde artist. In Tokyo during the 1950s, she introduced original questions about the concept of art and the art object, breaking down the traditional boundaries between branches of art. She has since been associated with conceptual art, performance, Fluxus, and 1960s happenings. Through her performances and activism, she created a new kind of relationship with both spectators and fellow artists – including her late husband, John Lennon – ...
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Cover for Michele Melillo
Ed. Nicole Gnesa
The paintings and drawings of Michele Melillo (*1977) enchant the viewer with their lightness and harmonious colours. Accompanied by an explanatory essay by Veit Ziegelmaier, this comprehensive artist monograph reproduces for the first time works from all work cycles by the young German painter and graphic artist.
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Cover for Solar Guerrilla
Ed. Maya Vinitsky

Solar Guerrilla

Constructive Responses to Climate Change
At a time when extreme climatic phenomena, air quality, and industrial impact are among the most pressing issues on the public agenda, the dramatic change in the climate has led to the realization that capitalism has a destructive effect on the environment. Our lifestyle must be reevaluated in order to positively impact both present and future.
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Cover for Fatimah Tuggar
Ed. Amanda Gilvin

Fatimah Tuggar

Home's Horizons
Renowned for work that layers binary code with handmade craft, Fatimah Tuggar is one of the most original, incisive conceptual artists of the digital age. Tuggar’s sculptures, photomontages, videos, and interactive works challenge romanticized notions of both ancient traditions and recent inventions.
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Cover for Benjamin Katz
Ed. Barbara Engelbach

Benjamin Katz

Berlin Havelhöhe 1960/1961
Benjamin Katz’s photographs of Berlin Havelhöhe form both a social and an artistic document: Katz’s beginnings as a photographer and his great interest in the photography of the modern age will be found here along side the location itself with its traces of its past as a National Socialist Luftwaffe base, converted into a hospital for patients from all walks of society, not only Nazis but also the persecuted.
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Cover for Joana Vasconcelos
Ed. Achim Sommer
The Portuguese artist Joana Vasconcelos (*1971) is famous internationally for her three-dimensional works, in which she explores the boundaries between tradition and modernism, high and everyday culture, craftsmanship and industrial production in a work rich in allusions. Objects and installations from the last 20 years provide an insight into her fascinating œuvre.
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Cover for Nitsch
Ed. Elsy Lahner et al.

Nitsch

Spaces of Color
Hermann Nitsch produced his first “poured” paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.
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Cover for The Supper Club
Ed. George Bolster et al.

The Supper Club

By Elia Alba
Elia Alba’s The Supper Club photographic portrait series depicts U.S.-based artists of colour. Alongside the portraits are excerpts from dinner conversations addressing issues that relate to race and visual culture on themes including sanctuary, policing, post-black identity and intersectional identities connecting gender, race and privilege.
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Cover for Fiction and Fabrication
Ed. Pedro Gadanho

Fiction and Fabrication

Photography of Architecture after the Digital Turn
How do digital photography and Photoshop influence the representation of architecture? “Fiction & Fabrication” assembles fascinating contemporary photographic works from all over the world. From fictional constructions to real buildings which sometimes seem more fantastic than fiction, the works show an impressive portrait of contemporary architecture and the urban landscape that surrounds us.
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Cover for Peter Weber
Klaus Peter Dencker et al.

Peter Weber

Volume 1: Structure and Folding. Volume 2: Catalogue Raisonné 1968-2018
Created in one piece and without cutting the surface, Peter Weber’s works position the phenomenon of folding in the field of vision of their viewers. The entire bandwidth of his oeuvre, extending back over 50 years, is now being compiled and acknowledged in a two-volume catalogue raisonné.
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Ed. Karl Borromäus Murr

Koho Mori-Newton

No Intention
The Japanese artist Koho Mori-Newton is a master when it comes to handling silk, which he places in an exciting dialogue with architecture. In this way he creates cult-like spaces which interact with light in a fascinating way. In addition to the works in silk, this volume also shows various graphic work groups from the last 35 years as well as the Path of Silk, created specially for no intention.
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Cover for Cao Fei
Ed. Kathrin Beßen et al.
The projects of Beijing-based artist Cao Fei (*1978) reflect the evolving societal and urban situation in China. Her works often make use of the latest digital media. Lying on the threshold between reality and fiction, the videos, photographs, drawings, and multimedia installations in this book represent her entire artistic œuvre.
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Cover for Alfred Haberpointner
Maria Schneider
Alfred Haberpointner (*1966 in Salzburg) is a sculptor of international repute. He became famous with his wooden sculptures, and he has subsequently expanded his work to include the used of materials like steel, lead and paper. This volume documents Haberpointner’s artistic development through all phases up to and including his large-scale works in the public space.
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Cover for LIBRE DHC / ART
Ed. Jon Knowles et al.
DHC/ART LIBRE tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART – as well as this publication – is dedicated to bringing impactful experiences with contemporary art to the public with a mission of accessibility on multiple levels. The critically acclaimed program includes major artists from around the world, like Christian Marclay, Joan Jonas and Yinka Shonibare MBE.
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Cover for LIBRE DHC / ART
Ed. Jon Knowles et al.

LIBRE DHC / ART

French Edition
DHC/ART LIBRE tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART – as well as this publication – is dedicated to bringing impactful experiences with contemporary art to the public with a mission of accessibility on multiple levels. The critically acclaimed program includes major artists from around the world, like Christian Marclay, Joan Jonas and Yinka Shonibare MBE.
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Cover for Christiane Baumgartner
Ed. Lisa Fischman

Christiane Baumgartner

Another Country
Christiane Baumgartner: Another Country complements the artist’s first major museum exhibition in the U.S. and offers an in-depth introduction to the artist’s work at mid-career. Baumgartner is best known for monumental woodcuts, handcarved prints that literally and conceptually expand the traditional boundaries of the medium beyond expectation.
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Cover for Museum Liaunig
Ed. HL Museumsverwaltung

Museum Liaunig

An Austrian Collector’s Museum
Fully integrated into the nature of the Corinthian countryside, the Museum Liaunig is at once restrained and spectacular. An outstanding example of contemporary museum architecture, it creates spaces for the Liaunig collections whose focus is on Austrian art from the post-war era to the present.
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Cover for Gerhard Berger
Ed. Jürgen B. Tesch

Gerhard Berger

Between Worlds
In decades of artistic production Gerhard Berger (born in 1933) has arrived at a unique, characteristic visual language. His representation of humans, oscillating between figurative and abstract painting, is rooted in the great myths of humankind and in the religious visual conceptions of the world’s cultures.  
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Cover for Landscapes After Ruskin
Ed. Hall Art Foundation

Landscapes After Ruskin

Redefining the Sublime
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation: artists should, in fact, depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits.  
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Cover for Joan Jonas
Ed. Julienne Lorz et al.
Since the 1960s, Joan Jonas (b. 1936 in New York) has been one of the pioneers of performance art. She was part of the New York art scene that included Richard Serra, Gordon Matta-Clark, John Cage, Philipp Glass, and Merce Cunningham. Her experimental installations involve projections, video, drawings, ambient sound, props, and masks. Based on a number of interviews, the volume provides insights into her artistic oeuvre.
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Cover for Contraption
Ed. Mark Dean Johnson et al.

Contraption

Rediscovering California Jewish Artists
The first book to examine the achievements of California artists of Jewish descent, "Contraption" illustrates how sixteen artists use the metaphor of the machine to understand and depict how the individual aligns his or her identity with the workings of an at times incomprehensible social system. The compelling works showcased in this catalogue illuminate the humor and drama of a century on the West coast.
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Cover for Beate Passow
Ed. Karl Borromäus Murr

Beate Passow

Monkey Business
In her series of images “Monkey Business” the artist Beate Passow portrays a mysterious fairy-tale world of political dimensions. The black and white images, which upon closer observation turn out to be sophisticated tapestries, question the ruling systems, economic structures, and political movements of contemporary Europe
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Cover for New Bauhaus Chicago
Ed. Bauhaus-Archiv et al.

New Bauhaus Chicago

Experiment Photography
This lavishly illustrated volume looks from both sides of the Atlantic at 80 years of photography from Chicago. At the New Bauhaus and what later became the Institute of Design, teachers like László Moholy-Nagy, György Kepes, Arthur Siegel, Harry Callahan and Aaron Siskind taught an uninhibited approach to the medium which influenced generations of photographers.
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Cover for Stella Hamberg
Moritz Woelk
Stella Hamberg is an exceptional figure in contemporary sculpture. Starting out from a reflected contemporary vocabulary of forms, her sculptures feature mainly human figures, but also animals, suffused with an elemental intensity that comprises self-assertion and vitality as well as failure and death.
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Cover for MACK – Licht / Light / Lumière
Ed. Helmut Friedel
Light is the original phenomenon which has been made visible in the works of Heinz Mack. The search for the possibilities for visualising light kept the multi-faceted oeuvre of this artist from the Zero circle ever open to new ideas for half a century and provided inspiration with regard to both form and technique.  
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Cover for Eurotopians
Johanna Diehl et al.

Eurotopians

Fragments of a different future
How do we want to live? How shall we build? Where can we find ideas for the houses and cities of the future? Niklas Maak and Johanna Diehl focus their attention on these highly topical questions in their joint project “Eurotopians”. In times of change this volume casts its backward gaze on the work of European utopians in order to find visions for the present.  
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Cover for Subjective Objective
Ed. Donna Gustafson et al.

Subjective Objective

A Century of Social Photography
Generously illustrated with photographs from early twentieth century reformers to contemporary artists, this collection of essays re-examines the genre of social documentary photography through the shifting lens of photographic objectivity, modes of dissemination, and the passions animating documentary projects.
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Cover for Burhan Doğançay
special edition
Ed. Elsy Lahner et al.
The wall was his passion. If we look at urban walls with the eyes of Burhan Doğançay  a completely different world opens up: half-ripped posters on rough brickwork, covered ingraffiti, scribblings, messages, signs, stickers. From this rich stock of structures, signs and symbols the artist created his wall fragments, his “Urban Walls”.
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Cover for In) Formation
Dagmar Täube

In) Formation

On the Philosophy and Art of Alice Teichert
Alice Teichert’s paintings are known for their holographic depth and unique lunimosity, for their visual poetry and mutifacetted proximity to music. With lines, shapes and colour, she unfolds new realms that when looked at reveal themselves, once the viewer stops trying to “decipher”.
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Cover for Gerhard Richter
Ed. Kunstmuseum Bonn et al.

Gerhard Richter

About Painting
Gerhard Richter (*1932) is an exceptional personality – not because his pictures are world famous, but because he has demonstrated a new approach to painting. His art masterfully moves between abstraction and representation, sensuousness and denial – ambivalent attitudes which he demonstrated even in his early work.
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Cover for Janaina Tschäpe

Janaina Tschäpe

Flatland
The paintings, drawings, photographs and video installations of Janaina Tschäpe are inspired by the female body. The artist’s subject complexes are landscape, death, renewal and transformation. Viewers of her multi-layered works feel as if they have been transported into a dream world of primeval landscapes, ambiguous signs and exotic vegetation.
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Cover for Helene B. Grossmann

Helene B. Grossmann

Share the Light
Helene B. Grossmann draws on a great tradition of light painting. She creates works of light and color whose impact unfolds far from any representationalism. This volume presents for the first time a comprehensive overview of her oeuvre and shows how the artist arrives at her powerful compositions.
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Cover for Marcus Jansen
Ed. Cordula Gielen et al.

Marcus Jansen

Aftermath
He is considered the innovator and pioneer of a new urban Expressionism in painting. The nearly 50-year-old New Yorker Marcus Jansen, now living in Fort Myers, already commands high prices in the United States and is making his way into Europe’s gallery and museum world. This is a companion volume to the artist’s first major European touring exhibition in 2017–2018.
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Cover for Sherrie Levine
Ed. Neues Museum, Staatliches Museum für Kunst und Design Nürnberg

Sherrie Levine

After All
The American artist Sherrie Levine realises in her works the artistic praxis of appropriating, repeating and varying famous earlier artworks. At the same time in doing so she creates her own new oeuvre. Beyond the mere copy she further develops the works conceptually and with historical clichés, presenting it to the viewer for reconsideration.
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Cover for Gert & Uwe Tobias
Ed. Michael Hering

Gert & Uwe Tobias

Grisaille
The twins Gert & Uwe Tobias are among the most famous German artists in the field of printed graphics; their international success has taken them as far as New York and the Museum of Modern Art. To this day their inimitable signature has lost nothing of its radical approach. Their most recent group of works, GRISAILLE, matches up to the promises inherent in the artists’ reputation.  
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Cover for Thomas Huber
Ed. Stephan Berg

Thomas Huber

On The Horizon
What is the place of painted pictures? What is their relevance? And what is their reality? Thomas Huber is an internationally acknowledged painter whose cool picture constructions, mostly devoid of humans, circle around these questions. In meticulously composed, surreal-looking scenarios he creates a world of paradox combinations and reflections that challenge reality.
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Cover for EVA & ADELE
special edition
Ed. Musée d'Art Moderne de la Ville de Paris

EVA & ADELE

You Are My Biggest Inspiration. Early Works
The exhibition "You Are my Biggest Inspiration" in the Musée d’Art Moderne de la Ville de Paris is the first comprehensive solo show of the early work of the radical artist duo EVA & ADELE. In addition to their very first joint work, the video installation HELLAS, the publication shows for the first time early key works which focus attention on the Gesamtkunstwerk EVA & ADELE.
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Cover for Sovak. Clear Vision[s]
Ed. Anna Friedrichson et al.

Sovak. Clear Vision[s]

Catalogue Raisonné 1995-2016
Pravoslav Sovak (*1926) is one of the most important graphic artists of our time. With his drawing skills and delight in technical experimentation he focuses his critical attention on society and institutions. Sometimes he lets us immerse ourselves in travel and landscape impressions. A reading book and catalogue raisonné in one, this volume traces Sovak’s multi-layered oeuvre since 1995.
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Cover for An Artist´s Life
Eleanor Antin

An Artist´s Life

by Eleanora Antinova
History is fiction and personal identity nothing more than historical illusion: Eleanora Antinova is the renowned US contemporary artist Eleanor Antin – Eleanor Antin is Eleanora Antinova, a black American ballerina. Shifting the boundaries between art and life this book publishes the exciting memoirs of Antinova found by Eleanor Antin.   
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Cover for Kathedralen für den Müll
special edition
Ed. Institut für moderne Kunst Nürnberg

Cathedrals for Garbage

Winfried Baumann
With his artistic works, the sculptor Winfried Baumann (* 1956) evokes questions of social responsibility and the perception of contemporary social forms. His subjects are highly topical both as regards content with respect to social and urban-planning visions, and also formally as they cross the borders between fine art and applied design.  
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Cover for Gabriela von Habsburg
special edition
Ed. Elmar Zorn
For the first time a single volume assembles a work complex from the oeuvre of Gabriela von Habsburg which has not been shown before: the sculptures, some of them made of metal or stone in different formats and some of them immovable, introduce the artist’s works in the public space that are scattered across the United States and throughout Europe. Together with lithographs, photos of the artist working on her artworks and of her studio round out this exquisite volume.  
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Cover for Grimanesa Amorós. Ocupante
Ed. Beate Reifenscheid
The work of the prize-winning Peruvian-American light artist Grimanesa Amorós is characterised by organic forms and an instinctive approach. The basis of her fascinating sculptures lies, however, in the natural sciences, social history and critical theory. Research and feeling establish a form of communication in her works.
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Cover for Andrea Bischof
Ed. Stephan Koja

Andrea Bischof

Color Truth
Andrea Bischof is one of Austria’s most important contemporary artists and has made a name for herself through the subtleness of the coloration and exceptional harmony of her compositions. She achieves this through weeks of patiently juxtaposing dazzling tones that. The alluring interplay between surface and depth literally makes the pictures begin to breathe and pulsate.  
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Cover for Christine Ljubanovic
Ed. Christine Ljubanovic

Christine Ljubanovic

Conversation Portraits Photo-Suites 1974-2014
Christine Ljubanovic’s portrait photographs of famous artists, curators, critics and writers lie between classic portraits and experience reports. Developed as a complete contact sheet, they are living reports of the artists’ encounters and also include the environment of the subject of the portrait.  
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Cover for Grey Matter(s)
Tom Jacobi
Colours are only reflected light, assembled in our brains, which is also known as “grey matter”. Tom Jacobi spent two years photographing archaic landscapes throughout the world. He discovered mystic places that had been created by nature over the millennia and that are nonetheless timeless. When photographed in the twilight world they unfold their immortal power.
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Cover for Roland Fischer - Façades
Ed. Petra Giloy-Hirtz
Roland Fischer’s “Façades” are spectacular photographic pictures: a visual grammar of architectural structures, an alphabet of abstract forms full of art-historical references. Roland Fischer (b. 1958), whose work is exhibited worldwide in important museums, lives and works in Munich and Beijing.
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Cover for TELE-GEN
special edition
Ed. Stephan Berg et al.

TELE-GEN

Art and Television
What is the mutual relationship between TV and art? The publication introduces artistic strategies used to explore TV and its specific contents and narrative forms in video, film, painting, sculpture and performance, ranging from the sculptural object of the TV box to the manipulation of the TV image and the use of its structure of lines and pixels in works of art.
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Cover for Bernard Schultze
Ed. Oliver Kornhoff

Bernard Schultze

A Bright Wisp, a Glistening Wind Englische Cover-Ausgabe
31 May 2015 would have been Bernard Schultze’s one-hundredth birthday. On the occasion of this anniversary the publication featuring approximately eighty works of art honours the extensive oeuvre of one of the most important Art Informel artists.
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Cover for Pavel Feinstein
special edition
Kay Heymer

Pavel Feinstein

The Small Format
Citrus fruits with empty oyster shells, chicken eggs stamped with best-before dates and unmoving nudes in empty spaces: Inspired by seventeenth-century painting, Pavel Feinstein transposes artistic traditions to the present day, toys with the viewer’s perceptions and sometimes even blurs the boundaries between the painter and the model.
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Cover for Ori Gersht
Ed. Andrea Firmenich et al.

Ori Gersht

Forces of Nature English-Cover Edition
Blurred landscapes, falling trees and the lofty peaks of the Pyrenees – the extraordinary aesthetics of Ori Gersht’s work seduce the viewer. But beneath the beautiful first appearances lie the sites of historical events – in this way the artist makes visible what is no longer plain to see.
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Cover for Annette Messager
Ed. Kunstsammlung Nordrhein-Westfalen

Annette Messager

Exhibition/Exposition
The French artist Annette Messager (b. 1943) is one of the most important personalities of the international art scene. Her extensive installations focus on the human body and its attributes. Fragmented and joined together again with thread to form something new, she thereby creates a cosmos that is both fascinating and radical.
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Cover for Herbert Nauderer
special edition
Tilman Spengler et al.

Herbert Nauderer

Mouseman’s Land
Herbert Nauderer whisks viewers of his work away to a parallel world. The drawings, collages and retouched pictures that constitute his “Mausmannsland” (Mouseman’s Land) cycle coalesce into dark dream sequences. They are linked by the “Mausmann” (Mouseman), a figure wearing a black mask whose threatening silhouette is reminiscent of Mickey Mouse.
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Cover for Julia Avramidis
Ed. Maria Schneider
The pictures of Julia Avramidis are never conclusively explicable; there is no simple solution to her riddles and secrets. Despite the abstraction of the representational, the collages – seemingly thrown together in haste – permit us to recognise life deep down, hidden beneath the layers of materials.
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released on 07/2025
Cover for In the Company of Artists
new
Ed. Dancing Foxes Press et al.

In the Company of Artists

A History of Skowhegan School of Painting & Sculpture
"In the Company of Artists" is the first major study of Skowhegan School of Painting & Sculpture, the influential summer art school founded by artists for artists amidst the tumult of World War II. Skowhegans philosophy and impact, the project expands our understanding of American art production and alternative education in the post-war era.
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released on 06/2024
Cover for Illegal. Street Art Graffiti 1960–1995
new
Wild, free and ephemeral – from the 1960s and Brassaï, who transformed graffiti into art, via the Sprayer of Zurich in the 1970s to the appearance of the first works by Banksy in England. We study the illegal roots of the art form with over 120 vandals from more than a dozen countries and trace its journey until just before the dawn of the new millennium.
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released on 05/2024
Cover for Mark. Sonya Kelliher-Combs
new
Ed. Julie Decker
Sonya Kelliher-Combs was raised in the Northwest Alaska community of Nome. Her work has been shown in numerous individual and group exhibitions in Alaska, the United States and internationally. She offers through her mixed media painting and sculpture a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context.
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Cover for Hex
new
Ed. Valentina Fogher

Hex

Through my Hands I See
For Hex (b. 1964), found steel objects are often the basic material for his abstract sculptures. With the help of welding equipment, angle grinder, hammer and polishing machine, he creates beautifully shaped and extremely impressive works of art – sometimes small and sometimes monumental. Today, works by him can be found in collections but also in public places worldwide. This book gives an overview of his works of the last 10 years.
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released on 04/2024