The monograph on Egon Schiele edited by Rudolf Leopold in 1972 forms the basis for Egon Schiele’s world fame. This important document of art-historical literature has long been out of print, but it is now available once more in a revised edition with an updated catalogue raisonné. At the same time this magnificent volume provides an insight into the artist’s life through letters, sketches and documents.

A new art location will be opening in the heart of Vienna in the spring of 2022. The museum for the famous collection of Heidi Goëss-Horten will be completed between the Albertina and the Opera House. The first museum publication is dedicated to the creation of this new exhibition venue, its architecture and construction history, positioning it within the context of the foundation of new museums.

Xenia Hausner ranks among the most important Austrian painters of our time. This splendid volume focuses on the aspect of stagecraft which characterizes all her works. Starting from the early paintings of the 1990s up to her moving Exiles series, the publication lures us into a female world filled with mysterious interpersonal relationships.

Gustav Klimt is the one artist whose name we associate in particular with Viennese Jugendstil and the “Golden Age”. As a sought-after painter of frescoes and the founding president of the Vienna Secession, the portraitist of fashionable ladies and an illustrator of unashamed eroticism, Klimt was both the enfant terrible and the darling of Viennese society.

Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  

Heinz R. Böhme has been collecting artworks of the Lost Generation for more than twenty years. The main focus of his private collection in Salzburg is the recognition of more than eighty artists whose creative work was massively restricted under the National Socialist regime.

The book is dedicated to legendary Viennese art collector Franz Hauer. The son of a mailman from Lower Austria became one of the key figures of his time. Franz Hauer started out penniless, became an exemplary self-made man, and built an art collection with important groups of works by Egon Schiele, and Oskar Kokoschka. Today, its treasures are held by numerous important museums in Europe and the US.

Hermann Nitsch produced his first “poured” paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.

Alfred Haberpointner (*1966 in Salzburg) is a sculptor of international repute. He became famous with his wooden sculptures, and he has subsequently expanded his work to include the used of materials like steel, lead and paper. This volume documents Haberpointner’s artistic development through all phases up to and including his large-scale works in the public space.

Fully integrated into the nature of the Corinthian countryside, the Museum Liaunig is at once restrained and spectacular. An outstanding example of contemporary museum architecture, it creates spaces for the Liaunig collections whose focus is on Austrian art from the post-war era to the present.

1918 marked the end of a golden era: it was the year that Gustav Klimt, Egon Schiele, Koloman Moser, and Otto Wagner died. Artistic activity, however, had already freed itself of their influence. Hardly affected by the political disruptions taking place, artists in the countries of the former Austro-Hungarian monarchy were busily productive, driven by a desire for a new start.  

In the historical period of new beginnings starting in the 1950s, the collector Rudolf Leopold (1925‒2010), with pioneer-like foresight and a keen sense of art, was able to do someting few others of his ilk succeeded in doing:  build up a large, both aesthetically sophisticated and art historically relevant collection of international renown.

The 300th birthday of Empress Maria Theresia provides an opportunity to examine her outstanding interest in the fine arts. At the invitation of the reforming monarch a large number of painters, sculptors and other artists in Austria and abroad found a wealth of work opportunities. Correspondingly, this era has left its mark on the countries of the former Habsburg monarchy to this day.

Egon Schiele (1890–1918) is nowadays regarded as one of the leading pioneers of Modernism in Austria. Although he already enjoyed some success during his lifetime and came to be considered Austria’s greatest artist following his death, his outstanding importance for art was recognized only in the early 1950s.

This volume illustrates the development of art in Central Europe from 1830–1860 – a period which begins in the age of Biedermeier but extends well beyond it. It shows by means of a selection of representative works how art at this time developed independently and was not restricted to the historical Biedermeier era.

The art academy failed to recognise his talent; he rejected the contemporary art scene in Vienna; and his visionary work was largely neglected during his lifetime: the painter Richard Gerstl (1883–1908), whose creative period lasted for just four intensive years, is regarded today as one of the most important representatives of Austrian Expressionism for his portraits and landscapes.   

From September 1814 to June 1815, Vienna was the undisputed center of Europe. As the Congress of Vienna convened, the city saw an unprecedented gathering of crowned heads and their ambassadors. Among them were a tsar, an emperor, and no fewer than five kings as the leaders of Europe attempted to remake the continent in the wake of the Napoleonic wars. And while the diplomats worked during the day, in the evening, Viennese society blossomed: there were balls, parties, sleigh rides, receptions, ...

Art-Histories sets out to broaden our understanding of history by looking at it through artefacts and their histories and works of art and the histories they tell. It takes a broad perspective, looking at art that reflects on history and contemporary events as well as its own involvement. The works examined span the period from the sixteenth century to the present.