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Veranstaltungen

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Cover für  Outsider & Vernacular Art
Outsider Art
The Collection of Victor Keen
Hosting the Victor Keen collection at the Arts Center is an outstanding opportunity to share with our visitors and community a collection that pushes the boundaries of art and facilitates a native son to share his treasures with Pueblo. "Still, for convenience, I refer to “outsider” art and “outsider” artists, as a shorthand with the understanding that others may favor other descriptives. Outsider art is not a “school” of art; what sets it apart is the circumstances and characteristics of the artist. The biographical narrative of every outsider artist is unique, but most share one or more of the following: no or only limited art training; living with mental or physical infirmities; poverty; educational deficit; being held back by racial discrimination. Most did not create their art for others, and any made no effort to share the work with anyone; some even affirmatively withheld it from the view of others." -Victor Keen “When it comes to self-taught and outsider art, there is a special barrier to a full embrace by head and heart. In the face of this supposedly raw art, we are often exhorted with evangelical force to renounce analysis and lay aside what we carry of knowledge and experience—what the artist Jean Dubuffet called asphyxiating culture—in favor of genuine response.” –Lyle Rexer Special events: Saturday, October 6, 2019 | Coffee with the Curator Friday, November 1, 2019 | Free First Friday ArtWalk Friday, December 6, 2019 | Free First Friday ArtWalk
Veranstaltungsdaten:
Pueblo | Sangre de Cristo Arts Center
04.10.2019 - 12.01.2020
Publikation zur Veranstaltung:
Cover für  Outsider & Vernacular Art
Outsider Art
The Collection of Victor Keen
"Still, for convenience, I refer to “outsider” art and “outsider” artists, as a shorthand with the understanding that others may favor other descriptives. Outsider art is not a “school” of art; what sets it apart is the circumstances and characteristics of the artist. The biographical narrative of every outsider artist is unique, but most share one or more of the following: no or only limited art training; living with mental or physical infirmities; poverty; educational deficit; being held back by racial discrimination. Most did not create their art for others, and any made no effort to share the work with anyone; some even affirmatively withheld it from the view of others." -Victor Keen “When it comes to self-taught and outsider art, there is a special barrier to a full embrace by head and heart. In the face of this supposedly raw art, we are often exhorted with evangelical force to renounce analysis and lay aside what we carry of knowledge and experience—what the artist Jean Dubuffet called asphyxiating culture—in favor of genuine response.” –Lyle Rexer
Veranstaltungsdaten:
Chicago | Intuit: The Center for Intuitive and Outsider Art
06.02.2020 - 03.05.2020
Publikation zur Veranstaltung:
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