This magnificent book sheds new light on the celebration and uses of marble in art and literature and on the iconic potential of the stone. With 240 color illustrations, it showcases the marble cladding of architecture, the carving of marble and painting on stone, their political and philosophical connotations, and the de- and re-materialising of marble made possible by digital technology.

Accompanying the exhibition "Invisibilia" this catalogue constitutes the first substantive monograph on Oscar Muñoz’s work in English. It aims to become one of the most significant research resources published on the artist’s work to date by addressing the entire span of the artist’s career, beginning in the 1970s and continuing to 2020.

Which influences between the West and the Far East have shaped the history of dance? A vivid chronicle of artistic contacts between the cultures has developed, from early performances of Asian dancers at colonial exhibitions in Europe and pioneers of modern dance via first happenings of Japanese Butoh dancers to contemporary performances.

Clifford Ross’s photographic and video practices over the past thirty years reveals one of the most incisive and technically sophisticated investigations of the nature of vision in the medium’s history.  

The artists featured in "The Black Index" – Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell and Lava Thomas – build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility and identification.

Steles, rotors, light sculptures and monumental works for the public space – over the past 20 years the range of Heinz Mack’s sculptures has remained as comprehensive as it is diverse. He has created spectacular works like "The Sky over Nine Columns" in Venice in 2014. This lavish catalogue raisonné documents Mack’s sculptures between 2003 and 2020.

In its new presentation of the collection, the Staatsgalerie Stuttgart establishes a dialogue between works from the private Scharpff-Striebich collection and works from its own stocks. Contemporary positions and works since the 1960s which gain a new topicality through the retrospective view, make clear the complexity and contradictory nature of our society.

Udo Rein (b. 1960) is a video artist and painter and lives in Munich. In his work he examines social and cultural contrasts worldwide. His pictorial language starts out from documentary film sequences and builds on fractal constructions and deconstructions which he translates into collages of film stills and oil and acrylic paints on wood panels.

Classical Modernism is an inexhaustible source of inspiration for the generations of artists that followed. This catalogue sheds new light on the relationship between modern and contemporary art across the generations and across the genres, through the encounter between the artists featured in two outstanding collections.

Phyllida Barlow (*1944) tests boundaries with her monumental sculptures in an eccentric yet humorous manner, reflecting on the relationship with our environment through her use of industrial and everyday materials. With impressive installation photos and never-before-seen archival material the publication presents Barlow’s unique oeuvre from her early works until the present day.