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Painting 20th Century
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Cover for Edvard Munch
new
Ed. Stefanie Heckmann et al.

Edvard Munch

Magic of the North
Edvard Munch’s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin.
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Cover for Harriet Backer
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Ed. Tove Haugsbø et al.

Harriet Backer

Every Atom is Colour
Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.
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Cover for Harriet Backer
new
Ed. Tove Haugsbø et al.

Harriet Backer

Hvert atom er farge Norwegian Edition
Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.
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Cover for Harriet Backer
new
Ed. Tove Haugsbø et al.

Harriet Backer

Swedish Edition
Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.
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Cover for Taking a Stand: Käthe Kollwitz
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Ed. Kunsthalle Bielefeld et al.

Taking a Stand: Käthe Kollwitz

With Interventions by Mona Hatoum
Raw, unadorned and decried in conservative circles as ‟gutter art”: Käthe Kollwitz used her art uncompromisingly as a political voice for the social and human misery of her time. Her focus always lies on human dignity. This volume provides a wide-ranging insight into the artist’s commitment and creative work. Her oeuvre is more topical than ever today.
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45,00 €
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Cover for Mack
new
Robert Fleck et al.

Mack

Painting
After a long break, Heinz Mack has been focusing intensively on painting again for over thirty years. A cross-section of his "Chromatische Konstellationen" from 1991 until the present day shows how he translates the greatest possible purity of colour, light and immateriality into a broad spectrum of colour sequences and structures. Texts by Heinz Mack and Robert Fleck illuminate the essence of these colour worlds.
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34,90 €
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Cover for Erwin Osen
new
Ed. Christian Bauer

Erwin Osen

Egon Schiele´s Artist Friend
As the charismatic artist friend of Egon Schiele, Erwin Osen also left his mark on the key early years of Expressionism in Vienna. His multi-faceted relationship with Schiele reached an intensity that inspired Egon Schiele’s radical creative work, resulting in masterpieces of Austrian art. Erwin Osen was forgotten, but is now waiting to be rediscovered.
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Cover for C.C. Wang
new
Ed. Wen-shing Chou et al.

C.C. Wang

Lines of Abstraction
C.C. Wang (1907–2003) is best known as a preeminent twentieth-century connoisseur and collector of pre-modern Chinese art, a reputation that often overshadows his own art. The book recenters Wang’s extraordinary career on his own artistic practice to reveal an original quest for tradition and innovation in the global twentieth century.
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Cover for Women Reframe American Landscape
Amanda Malmstrom et al.

Women Reframe American Landscape

Susie Barstow & Her Circle – Contemporary Practices
Illuminating the artistic contributions and perspectives of women, this book reinserts the important 19th-century American artist Susie Barstow into the history of the Hudson River School and presents contemporary artists who expand how we think about “land” and “landscape” today. Engaging multigenerational perspectives, it launches an expanded narrative that recenters women in the canon of American landscape art.
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Cover for Arnulf Rainer
Helmut Friedel

Arnulf Rainer

Rosarot Himmelblau
The art of Arnulf Rainer (*1929) is baffling. The “black overpainting”, with which he covers previous work, is world famous. We overlook the fact that overpaintings in red, blue, green and white also exist and thus that colour always belonged to his means of expression, as this volume vividly demonstrates.
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