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Painting
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Cover for Modernisms
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Ed. Lynn Gumpert

Modernisms

Iranian, Turkish, and Indian Highlights from NYU's Abby Weed Grey Collection
Modernisms explores art from the 1960s and early ’70s from Iran, Turkey, and India via selections from an unparalleled collection at New York University. Featuring new scholar ship and seminal essays, this book also illustrates paintings, sculptures, drawings, and prints from these three countries alongside biographical narratives of each Artist.
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Cover for Outsider & Vernacular Art
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Outsider & Vernacular Art

The Victor F. Keen Collection
In the last five decades the popularity of outsider art – works by artists working outside of the art establishment – has grown exponentially. Museums, galleries, and the public worldwide have embraced these powerful works. Victor Keen’s Collection at the Bethany Mission Gallery, Philadelphia, is one of the leading outsider art collections in the U.S.
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Cover for Franz Hauer
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Ed. Landesgalerie Niederösterreich, Krems

Franz Hauer

Self-made Man and Art Collector
The book is dedicated to legendary Viennese art collector Franz Hauer. The son of a mailman from Lower Austria became one of the key figures of his time. Franz Hauer started out penniless, became an exemplary self-made man, and built an art collection with important groups of works by Egon Schiele, and Oskar Kokoschka. Today, its treasures are held by numerous important museums in Europe and the US.
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45,00 $ [US]
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Cover for Queer Holdings
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Ed. Gonzalo Casals et al.

Queer Holdings

A Survey of the Leslie-Lohman Museum Collection
Founded in the context of social movements of the late 1960s, The Leslie-Lohman Museum is dedicated to preserving art that speaks to the LGBTQ experience and fostering the artists who create it. Queer Holdings aims to reclaim scholarship from a queer perspective by surveying 200 works from the Museum’s permanent collection. A selection of essays by scholars, artists and archivists, explore the Museum’s possible futures by tracing its visual, cultural, and political ...
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Cover for Nitsch
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Ed. Elsy Lahner et al.

Nitsch

Spaces of Color
Hermann Nitsch produced his first “poured” paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.
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Cover for Königsklasse IV
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Ed. Corinna Thierolf

Königsklasse IV

Gegenwartskunst in Schloss Herrenchiemsee
Der Begleitband zur Ausstellung „Königsklasse IV“ zeigt die einzigartige Verbindung, die zeitgenössische Kunst mit den unvollendeten historischen Räumen in Schloss Herrenchiemsee eingeht. Dan Flavin, John Chamberlain, Andy Warhol, Arnulf Rainer oder Jean-Michel Basquiat sind nur einige der Künstler, deren Werke in diesem Band außergewöhnlich inszeniert werden.
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Cover for Escape into Art?
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Meike Hoffmann et al.

Escape into Art?

The Brücke Painters in the Nazi Period
Based on the extensive stocks of the Brücke-Museum, the publication discusses in detail the everyday reality of the artists under the National Socialists. The measures carried out against the former “Brücke” members as a result of Nazi art policy are explained, together with the direct effects on their creative work and the self-image of the painters within the context of the times.
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Cover for Maria Lassnig
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Ed. Antonia Hoerschelmann et al.

Maria Lassnig

Ways of Being
This volume gathers together paintings, drawings, films, and sculptures by Maria Lassnig (1919–2014) from a creative career that spanned some seventy years. It explains how she thought of herself in relation to the art scene of her time. This multimedia approach makes possible new ways of looking at the artist’s multifaceted work. Examples of Maria Lassnig’s writings round out the presentation.
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Cover for The Cubist Cosmos
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Ed. Christian Briend et al.

The Cubist Cosmos

From Picasso to Léger
This volume unfolds the development of Cubism between 1907 and 1917. It conveys the moment’s enormous stylistic range and its revolutionary potential for the art that would follow during the twentieth century. It also presents as part of the story of Cubism the way that representatives of the avant-garde adopted and transformed the Cubist pictorial language.  
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60,00 $ [US]
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Cover for Johannes Itten
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Christoph Wagner

Johannes Itten

Great Masters in Art
When the State Bauhaus opened in Weimar in 1918, the Swiss artist and art theorist Johannes Itten (1888–1967) was one of the first teachers to be appointed by Walter Gropius. With his preliminary course Itten had a considerable effect on the creative training in the Bauhaus; to this day his insights into the theory of colours set standards in art education and in the field of design.
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13,00 $ [US]
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