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Art 20th Century
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Cover for Johannes Itten and Thun
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Ed. Helen Hirsch et al.

Johannes Itten and Thun

Nature in Focus
The Bauhaus master Johannes Itten is one of the prominent protagonists of early Modernism in twentieth-century art. Few people are aware of the close links between his beginnings as an artist and his experience of landscape and nature in the town of Thun and Lake Thun.
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Cover for Folklore & Avant-Garde
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Ed. Katia Baudin et al.

Folklore & Avant-Garde

The Reception of Popular Traditions in the Age of Modernism
The publication examines in depth the influence of folkloric traditions on the pioneers of Modernism in the develop- ment of their new artistic language. Craft objects and folk art are contrasted with masterpieces by artists of the avant-garde like Josef Albers, Sonia Delaunay, Johannes Itten, Vasily Kandinsky, Ernst Ludwig Kirchner, Pablo Picasso, Charles Sheeler and Sophie Taeuber-Arp.
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Cover for We Haven’t Seen Each Other For So Long
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Ed. Heinz R. Böhme

We Haven’t Seen Each Other For So Long

Art of the Lost Generation. The Böhme Collection
Heinz R. Böhme has been collecting artworks of the Lost Generation for more than twenty years. The main focus of his private collection in Salzburg is the recognition of more than eighty artists whose creative work was massively restricted under the National Socialist regime.
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Cover for Angela Davis
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Ed. Gerry Beegan et al.

Angela Davis

Seize the Time
Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economics and politics.
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Cover for Ann Wolff
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Alexander Tutsek-Stiftung

Ann Wolff

The Early Drawings - Frühe Zeichnungen (1981-1988)
The German-Swedish artist Ann Wolff is a pioneer of the studio glass movement in Europe. Born in Lübeck in 1937, she has achieved international fame for her sculptures which mainly use the material glass, but she has always drawn as well.This volume now presents a collection based on a selection of sixty hitherto unpublished drawings from the 1980s.
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Cover for Mary Bauermeister
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Ed. Thomas Köster

Mary Bauermeister

In a Fairytale World. House and Garden
Mary Bauermeister (*1934) is regarded as the “mother” of the Fluxus movement. During the 1960s she set out from the United States and conquered the art world with her lens boxes and stone spirals. Her works are represented in many major museums including MoMa and the  Guggenheim Museum in New York and the Museum Ludwig in Cologne. This magnificent volume presents her artistic, enchanted studio not far from Cologne.
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Cover for Hin Bredendieck
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Ed. Gloria Köpnick

Hin Bredendieck

From Aurich to Atlanta
Hin Bredendieck (1904–1995) graduated from the Bauhaus and was a versatile designer and pioneering teacher of design. His outstanding œuvre and his worldwide network testify to the international significance of his work and ideas. This lavishly illustrated, high quality monograph introduces in detail the life and work of Hin Bredendieck.
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Cover for ReVisión
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Ed. Victoria L. Lyall et al.

ReVisión

A New Look at Art in the Americas
ReVisión: A New Look at Art in the Americas considers what makes the Americas the Americas. With essays by leading scholars of Latin American art history, the lavishly illustrated publication explores the ways in which the past continues to exert an influence on communities throughout the region.
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Cover for Breaking out of Tradition
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Ed. Jan Dees et al.

Breaking out of Tradition

Japanese Lacquer, 1890-1950
Breaking out of Tradition traces the pioneering developments in lacquer art at the beginning of the 20th century in Japan. The lacquer artists of that time adopted a critical and creative approach to the centuries-old traditions, experimenting with innovative techniques and new materials, thereby also providing new stimuli for Western art.
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Cover for Elvira Lantenhammer
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Ed. Zweigstelle Berlin

Elvira Lantenhammer

Color Siteplan
Elvira Lantenhammer’s paintings are colour events which rely to a considerable extent on intensity of colour. The choice of colour and its application take place intuitively in an examination of the effects of colours and their interaction with regard to a specific location. The term Site Plan, under which the abstract works are subsumed, serves here as an open action grid which conquers new spaces for the colours.
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36,00 $ [US]
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