Master printer Michael Flomen expands his darkroom out into the wild to create large-scale, avant-garde, cameraless photograms in confluence with nature. From the streets of the world to the wilds of North America, this monograph traces in 182 images and 8 critical essays the evolution of Flomen’s originality of vision.

"Making and Meaning" features select works from the Frances Lehman Loeb Art Center of Vassar College, located in Poughkeepsie, New York. Through illustrated essays and entriesas well as poetry and a timeline, this book reveals the profound richness of a collection extending from antiquity to the present day.

Considered a pioneer in both video art and computer-based video dance as well as an innovator in body art, the Brazilian artist, dancer, and choreographer Analivia Cordeiro (*1954) has been developing since the early 1970s a continuous and intense work exploring the relationships between body, movement, visual and audiovisual art as well as media art.

Photographers Luigi Fieni and Kenneth Parker document the cultural revival of Tibetan Mustang “the hidden kingdom” of the Himalayas. A restoration project of its sacred temple murals directed by Luigi Fieni over more than 20 years has reawakened Buddhist traditions. Included is Mustang’s extraordinary landscape as well as the Lobas’ spiritual and secular way of life.

C.C. Wang (1907–2003) is best known as a preeminent twentieth-century connoisseur and collector of pre-modern Chinese art, a reputation that often overshadows his own art. The book recenters Wang’s extraordinary career on his own artistic practice to reveal an original quest for tradition and innovation in the global twentieth century.

Imi Knoebel (b. 1940) is regarded as a master of non-representational art. The monograph accompanying the retrospective in the Sammlung Goetz shows the entire spectrum of his creative artistic work from the 1960s until the present day. There is a particular focus on the connections between form and content within his works.

This is the first publication to document and contextualise Clark’s large-scale, collaborative art works. These projects demonstrate Clark’s career-long commitment to addressing the urgent issue of racial inequality in U.S. society and her philosophy of creatively engaging the viewer in reflection on the nation’s history of slavery and our roles in dismantling systemic racism today.

The contributions that have been assembled in this volume present the story of queer lives – from the first emancipation movements around the turn of the (last) century via attempts at self-empowerment in the Weimar Republic to the destruction of queer subcultures under the National Socialist regime and the continued discrimination of LGBTIQ* persons in the postwar period.

"Monuments and Myths" is the first publication to examine the intersecting careers of Augustus Saint-Gaudens and Daniel Chester French, the leading American sculptors of the Gilded Age. With rich new thinking and stunning photographs, this catalogue examines the role of America’s most iconic public sculptures in the complex negotiation of national identity.

Hugo van der Goes (c. 1440–1482) was the most important Netherlandish artist of the second half of the 15th century. His innovative pictorial compositions are characterised by monumental figures and realistic narrative moments. They paved the way for the development of Netherlandish painting during the following centuries.

A beautiful regenerative landscape emerges within a city park, integrating clean energy in ways that improve human thriving. Land Art as Climate Action: Designing the 21st Century City Park expands the realm of the possible using existing clean energy technologies to create beautiful, sculptural modules that can plug into the smart post-carbon city.

The art and architecture of the Islamic world strongly influenced the development of Western modernism. Some 170 works from the mid-19th century to the present day illustrate this fascinating cultural exchange. Beguiling examples of fine and decorative art reflect the diversity of this lively transfer.

"This Is Like That" is a conceptually designed book as art object that archives the artist’s work from 2017 to 2020, including essays and dialogue from collaborating curators and writers exploring historic and contemporary influences and references connecting the artwork to the zeitgeist.

Illuminating the artistic contributions and perspectives of women, this book reinserts the important 19th-century American artist Susie Barstow into the history of the Hudson River School and presents contemporary artists who expand how we think about “land” and “landscape” today. Engaging multigenerational perspectives, it launches an expanded narrative that recenters women in the canon of American landscape art.

Among the most compelling artists in the history of conceptual art, the Russian-Americans Komar and Melamid used humour and irony to lambaste Soviet officialdom. With new scholarship and full-color illustrations, the book explores their journey from working under an oppressive regime to finding new subjects in the US for their provocative critique.

The art of Arnulf Rainer (*1929) is baffling. The “black overpainting”, with which he covers previous work, is world famous. We overlook the fact that overpaintings in red, blue, green and white also exist and thus that colour always belonged to his means of expression, as this volume vividly demonstrates.

The artistic oeuvre of Ruth Baumgarte (1923–2013) is firmly rooted in the representational tradition. On the basis of the latest scientific research it is presented here with a complete catalogue raisonné in an opulent, three-volume edition.

"Chakaia Booker: The Observance" is the first comprehensive monograph on this important yet understudied American artist. Illuminating more than three decades of Booker’s practice, the publication explores her signature form – monumental works made of rubber – while showcasing her innovations across mediums including photography, painting, and prints.

His pictures look curious, his figures introverted and his street scenes strangely stage-like. Jacobus Vrel records everyday life in Holland during the 17th century, and creates quirky worlds at the same time. This volume presents the fascinating complete œuvre of a painter whose works were thought during the 19th century to have been painted by Vermeer.

"Xican-a.o.x. Body" centres the political and creative resistance of Xicanx artists from 1968 to the present. The publication presents new histories of Xicanx art, illustrating how artists foreground the Brown body to explore, expand, and complicate conceptions linked to Chicanx, Latinx and Xicanx experiences.

In the Venice of the Renaissance, master artists like Bellini, Giorgione, Palma Vecchio and Titian explored the essence of mankind and nature and their relationship to each other with an unprecedented intensity. This attractive volume shows through important portraits and landscape representations the pioneering innovations of Venetian painting, which continued to leave their mark right up to the modern age.

Hans Holbein the Elder and Hans Burgkmair are regarded alongside Albrecht Dürer as the forerunners of Renaissance painting in Germany. The prosperous Imperial and trading city of Augsburg was an important centre during this artistic golden age. By means of high-quality works this volume presents a comprehensive insight into the epochal revolution from the Middle Ages to the modern age.

Gottfried Helnwein’s (b. 1948) paintings of children are both touching and disturbing. The hyperrealistic character of his images serves to intensify this effect still further. The vulnerable and defenseless child serves as the central motif in the artist’s examination of the themes of pain, injury and violence. The catalogue provides an overview of his creative work during the past twenty years.

Katharina Grosse (* 1961) creates walkable artworks in three historic spaces at the Albertina in Vienna. The vibrating colour fields extend across the walls, ceilings and floors, crossing spatial and intellectual boundaries. They overwhelm by virtue of their power, intensity and sheer size. The catalogue documents the three-dimensional pictorial world with installation photos that are rich in detail and images from the artist’s studio.  

Lyonel Feininger (1871–1956) was a painter, graphic artist and caricaturist. From 1919 he served as one of the original masters at the Bauhaus in Weimar and later in Dessau. In 1937 he emigrated to New York, where he worked  until the end of his life. In addition to his famous Expressionist images of architecture, the publication presents all the facets of his oeuvre and stations of his life based on the latest research.

"Holy Smoke: Censers Across Cultures" investigates the practice of incense – the use of material objects to communicate with the divine – in religious context as it has been used in cultures worldwide across historical periods, religions, and cultures.

Many artists share the desire for involvement with the self and their own appearance. In the oeuvre of Egon Schiele, self-portraits occupy a central role. Over a period of many years Schiele recorded himself in various poses and styles. This publication focuses in detail on this crucial and yet often only marginally mentioned aspect of his art.

Jasper Johns (b. 1930) ranks among the major American artists of the twentieth century. His accomplishments as a collector, however, have been little known until now. This beautifully produced volume features a selection of more than one hundred drawings, inviting you to dive into the richness and depth of a truly unique collection.

The circus presents a deliberate staging of attractive illusions, hard struggle, success and failure as part of human existence. The volume assembles works by international contemporary artists who make use of the motif of the circus in order to examine current social circumstances and to question cultural and political structures.

Edvard Munch’s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin.

The architect Herman Hertzberger (*1932) is the most important representative of Dutch Structuralism. This movement, which emerged in 1960, is highly regarded in modern architecture and takes as its starting point an archetypal behaviour of humankind. Consequently, buildings must satisfy both the individual and the social needs of those who use them: architecture must be “inviting”.  

Edward Hopper is one of the bestknown American artists of the 20th century. His works are regarded as the epitome of a representation of American life. This catalogue casts a fresh look at Hopper’s oeuvre and analyses it in a dialogue with works by the old masters. This is a completely new approach, because to date works by Hopper and the old masters have never been shown together.  

Wassily Kandinsky was not only the inventor of abstract painting, but also its gifted propagandist. His letters reveal an artist who thought deeply and communicated and organised incessantly. He was also a straightforward and warm-hearted individual. It seems surprising that a significant part of his correspondence has remained unpublished.

Käthe Kollwitz is the woman artist from 20th-century Germany whose works are best-known internationally. She also enjoys the highest esteem beyond the boundaries of Europe. The inimitable, touching language of her graphic and sculptural works is universally understood and her haunting message is more topical than ever.

The National Museum of Women in the Arts, Washington, D.C. – the first museum in the world solely dedicated to championing women through the arts – has a collection spanning five centuries and featuring artists from six continents. This book shares recent acquisitions and longtime favourites; its thematic organisation leads readers to new discoveries.

The German-Swedish painter Lotte Laserstein (1898-1993) is one of the most exciting rediscoveries of recent years. The richly illustrated book with essays on Laserstein’s production in Berlin and her reception in Sweden as well as unpublished documentary material will enrich the existing knowledge of Laserstein’s life and work.

The German-Swedish painter Lotte Laserstein (1898-1993) is one of the most exciting rediscoveries of recent years. The richly illustrated book with essays on Laserstein’s production in Berlin and her reception in Sweden as well as unpublished documentary material will enrich the existing knowledge of Laserstein’s life and work.

Yury Kharchenko is an outstanding representative of contemporary painting. He creates works in cycles which reflect his profound connections with existential themes like darkness and light. He combines masterful colourfulness with dense substance to create a unique pictorial language ranging from the poetic to the strident. This volume illustrates his works from the last six years lavishly, together with knowledgeable texts.

Surveying over four centuries, this volume brings together a wide-ranging selection of artworks and artefacts that highlight under-recognised histories of trans and gender-nonconforming communities. Through the contributions of artists, writers, poets, activists, and scholars, this title reflects on historical erasure to imagine trans futures.

"A Model Workshop" explores the understudied impact of Margaret Lowengrund (1902–1957) – a visionary leader, organiser and critic within the mid-twentieth century printmaking community – and the vibrant New York print workshop/gallery she founded, "The Contemporaries".

In the 1980s, Peter Halley revitalised painting by relying on sociology and science fiction. He employed fluorescent colours and Roll-A-Tex to deconstruct early and mid-twentieth-century transcendent geometric abstraction into abstract cells and prisons and by adding conduits to imaginatively access outside forces.

Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.

Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.

Harriet Backer (1845–1932) was one of Norway’s most prominent painters of the 19th century and a pioneer among women artists in Europe. In 1880, she debuted in the Paris Salon and lived in Munich and Paris. Back in Oslo, she established a successful school for painters. This catalogue presents Backer to an international audience, thus giving her back the place she deserves in art history.

Beauty, terror, grandeur, awe – the mountain world has always fascinated people. Stephan Huber climbs the snow-covered summits in miniature. In his sculptures he imitates the relief of the mountains and creates object-like works with a theatrical flair. This comprehensive volume reproduces the Alpine cosmos in the powerful images which have been the focus of Huber’s work for more than four decades.  

After a long break, Heinz Mack has been focusing intensively on painting again for over thirty years. A cross-section of his "Chromatische Konstellationen" from 1991 until the present day shows how he translates the greatest possible purity of colour, light and immateriality into a broad spectrum of colour sequences and structures. Texts by Heinz Mack and Robert Fleck illuminate the essence of these colour worlds.

As the charismatic artist friend of Egon Schiele, Erwin Osen also left his mark on the key early years of Expressionism in Vienna. His multi-faceted relationship with Schiele reached an intensity that inspired Egon Schiele’s radical creative work, resulting in masterpieces of Austrian art. Erwin Osen was forgotten, but is now waiting to be rediscovered.

Parviz Tanavoli – who has been widely recognised as the only Iranian artist to fully capture the duality and interplay of Iran’s pre-Islam and Islamic cultural identities – created a visual symbology through his sculptural work that would have a lasting impact on modernism in Iran.

The fish hook derives its form from its practical intention - to catch a fish. But in cultures where fishing is and always has been a main livelihood, the crafting of fish hooks becomes an art. "Fish Hooks of the Pacific islands Vol. II" completes the extensive and in-depth discourse of the first volume. Together they are the first extensive reference on Pacific fish hooks since the publication of Harry  Beasley’s 1928 Pacific Island Record: Fishhooks, which was printed in ...

Donald Ganslmeier and his colleagues on the Wall of Death of the motordrome are amongst the last of their kind. Their art is threatened with extinction. The photographer Florian Holzherr has created a powerful memorial to the action-packed life around the boards that signify the world. His black-and-white photos of the daredevil motorcyclists and the accompanying texts show the myth of the Wall of Death in a fascinating new way.

At the end of the 19th century the term “Secession” stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.