Caspar David Friedrich and Alexander Andreyevich Ivanov are the most important artists of the Romantic era in their native countries of Germany and Russia. At the centre of this opulent book are night scenes and moonlit landscapes, views of Dresden and Italy that are full of yearning, and portraits and lovingly depicted interiors by both master painters and their contemporaries.

No other artist of Classical Modernism has achieved a similar mythical status to that of Paula Modersohn-Becker. At the same time, the view of her work is often distorted by clichés. This comprehensive publication pays particular attention to the progressive nature of Modersohn’s works, in which this early representative of the avant-garde defied all social and artistic conventions.

In 1921/22 Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel. Four large-format pictures show exhibition rooms in the Louvre from Antiquity to French Rococo painting. Two sopraporte provide an intimate insight into the artist’s art collection.

The perception of nature and landscape is a central theme for the Italian artist Gianni Caravaggio (b. 1968). His poetic sculptures and installations aim to arouse in the viewer the memory of feelings evoked by the experience of nature and focus on the essential unity of man and nature.

Conrad Felixmüller (1897–1977) is regarded as one of the most important representatives of the Second Generation of German Expressionism. He celebrated initial major successes with his art during the Weimar Republic. This volume illustrates the life and work of this unusual artist, whose creative career reflects more than half a century of art and contemporary history.  

The English illustrator Anna Atkins (1799–1871) was in every respect a modern woman. For the publication of her plant collections she used the latest technology, the recently invented cyanotype. In 1843 she used the process to create the first photo book in history, with images of breathtaking beauty and originality which often look like modern art.

Historical events and our knowledge of them mould our understanding of today’s world. The interdisciplinary authorship of this volume focuses on the connection between past and future. A bold and unusual publication whose approaches and themes extend from biographical experiences via intergenerational exchange to the discussion of current social phenomena.

Amedeo Modigliani (1884–1920) moved to Paris as a 22-year-old art student and is regarded as probably the last true bohémien in Montmartre. The exhibition catalogue to mark the 100th anniversary of his death shows him for the first time as a leading member of the avant-garde who carried the revolution of Primitivism well into the 20th century.

"Landscapes of Extraction" explores the art of mining, the transformative industry of the American West, competing in sublimity and striking colour with the natural scenic landscape on its own terms. These landscapes of enterprise altered the natural environment on a spectacular scale, with open pit mines, coal tips and oil rigs.

"Global Luxury in Renaissance Venice" offers an unprecedented exploration of maiolica in the Serenissima set in a vibrant context of hybridity and exchange. Versatile and receptive to all forms of decoration, the medium of maiolica offers a unique point of entry into Venice’s material world as it was shaped by Mediterranean trade and local luxury production.

The reconstructed Berlin Palace in the heart of the German capital is both a monument of Baroque architecture and a vital new cultural building in the city. The art history, architecture and sculpture of the palace’s masterful façades by Andreas Schlüter are brought to life here in words and pictures.

This magnificent book sheds new light on the celebration and uses of marble in art and literature and on the iconic potential of the stone. With 240 color illustrations, it showcases the marble cladding of architecture, the carving of marble and painting on stone, their political and philosophical connotations, and the de- and re-materialising of marble made possible by digital technology.

Accompanying the exhibition "Invisibilia" this catalogue constitutes the first substantive monograph on Oscar Muñoz’s work in English. It aims to become one of the most significant research resources published on the artist’s work to date by addressing the entire span of the artist’s career, beginning in the 1970s and continuing to 2020.

Which influences between the West and the Far East have shaped the history of dance? A vivid chronicle of artistic contacts between the cultures has developed, from early performances of Asian dancers at colonial exhibitions in Europe and pioneers of modern dance via first happenings of Japanese Butoh dancers to contemporary performances.

The painter Hans Purrmann (1880–1966) ranks among the most important painters in the history of twentieth-century art. His vibrant Colourism drew on the works of Henri Matisse and Paul Cézanne, but he achieved independent international acclaim over the course of an eventful life lived between Munich, Paris, Berlin, Florence and Switzerland.  

Clifford Ross’s photographic and video practices over the past thirty years reveals one of the most incisive and technically sophisticated investigations of the nature of vision in the medium’s history.  

The painter Hermann Stenner (1891–1914) was one of the outstanding talents of the 20th century. It is impressive to note that he achieved his rapid artistic development and distinct pictorial language during just five years of study and creative work. His remarkably extensive oeuvre is being rediscovered today following his death at an early age during the First World War.  

Peter August Böckstiegel gilt als der bedeutendste westfälische Expressionist und zählt zu den wichtigen Vertretern der Klassischen Moderne. Gemälde voll expressiver Strahlkraft stehen in seinem Werk neben sensiblen Stimmungsbildern und ausdrucksstarken Plastiken – ein Künstler, der mit seinem hochspannenden Œuvre zu Recht seit Jahren immer stärker in den Fokus der Öffentlichkeit rückt.

The artists featured in "The Black Index" – Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell and Lava Thomas – build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility and identification.

Steles, rotors, light sculptures and monumental works for the public space – over the past 20 years the range of Heinz Mack’s sculptures has remained as comprehensive as it is diverse. He has created spectacular works like "The Sky over Nine Columns" in Venice in 2014. This lavish catalogue raisonné documents Mack’s sculptures between 2003 and 2020.

"Art Along the Rivers" coincides with the Missouri state bicentennial. It presents extraordinary objects produced or collected within a 150-mile region around St. Louis. Beginning with the ancient Mississippian culture followed by the Osage, French, African American, German, British, and artists today, these communities developed rich artistic traditions that have vibrant legacies.

In its new presentation of the collection, the Staatsgalerie Stuttgart establishes a dialogue between works from the private Scharpff-Striebich collection and works from its own stocks. Contemporary positions and works since the 1960s which gain a new topicality through the retrospective view, make clear the complexity and contradictory nature of our society.

Paul Cézanne, Auguste Renoir, Claude Monet and many others – between 1936 and 1956 the Swiss industrialist Emil Bührle (1890– 1956) assembled an impressive collection around French Impressionism. As the owner of the largest weapons factory in the country he had close links to the historical events of the period from World War II to the Cold War.

Udo Rein (b. 1960) is a video artist and painter and lives in Munich. In his work he examines social and cultural contrasts worldwide. His pictorial language starts out from documentary film sequences and builds on fractal constructions and deconstructions which he translates into collages of film stills and oil and acrylic paints on wood panels.

The elephant is a much-admired animal, but it is also endangered. The ivory from its tusks has been in great demand across the centuries and throughout all cultures. What sort of material is it? How has it been used in the past and the present? And what can we do today to protect the world’s largest mammals from poachers? This lavishly illustrated volume embarks on a journey through cultural history and takes up a contemporary position.

The World Heritage Sites listing by UNESCO aims to promote the awareness and preservation of tangible and intangible cultural heritage around the world. UNESCO has inscribed 38 such sites in India, all of which are presented in this volume, together with commentary by architects and conservationists and stunning photographs.

His pictures look curious, his figures introverted and his street scenes strangely stage-like. Jacobus Vrel records everyday life in Holland during the 17th century, and creates quirky worlds at the same time. This volume presents the fascinating complete œuvre of a painter whose works were thought during the 19th century to have been painted by Vermeer.

His pictures look curious, his figures introverted and his street scenes strangely stage-like. Jacobus Vrel records everyday life in Holland during the 17th century, and creates quirky worlds at the same time. This volume presents the fascinating complete œuvre of a painter whose works were thought during the 19th century to have been painted by Vermeer.

Kimbel and Cabus were among the most progressive design reformers of their time. This is the first publication to explore the timeless American immigrant success story of the trailblazing New York City design team who captured national attention with their imaginative furniture forms and defined a significant aesthetic in the United States.

Classical Modernism is an inexhaustible source of inspiration for the generations of artists that followed. This catalogue sheds new light on the relationship between modern and contemporary art across the generations and across the genres, through the encounter between the artists featured in two outstanding collections.

Phyllida Barlow (*1944) tests boundaries with her monumental sculptures in an eccentric yet humorous manner, reflecting on the relationship with our environment through her use of industrial and everyday materials. With impressive installation photos and never-before-seen archival material the publication presents Barlow’s unique oeuvre from her early works until the present day.

Recognising strangeness in familiar objects, the present in the past, the construed in what is authentic – the four masterly photographers show excerpts from our world in which the boundary between reality and imagination becomes blurred. From fleeting everyday scenes to mysterious happenings and historical events, they reveal a complex and multi-layered reality.

Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This richly illustrated catalogue focuses on three decades of his fascinating artistic oeuvre.

Picasso’s study of the old masters forms an impressive focus of his late work. At the beginning of this new interest stood the works series "Les Femmes d’Alger", which was on view in Paris, Munich, Cologne and Hamburg in 1955 and which today is scattered across several continents. The volume presents the series within the context of its reference works by Delacroix and Matisse.

Stirring paintings, colourful picture collages made from countless scraps of paper, moving photo collages – the art of Tammam Azzam (b. 1980 in Damascus) is multi-faceted, political and topical. The publication provides a comprehensive overview of the oeuvre of the Syrian artist and describes his career over the past 20 years.

Shuvinai Ashoona (*1961) is a third-generation Inuit artist based in Kinngait, Nunavut, Canada. Best known for her highly personal and imaginative iconography, Shuvinai Ashoona’s imagery ranges from closely observed naturalistic scenes of her Arctic home to monstrous  and fantastical visions.

Louis Alphonse Poitevin was an outstanding inventor, chemist, engineer, scientist, artist and photographer. This publication provides a unique opportunity to cast a wide-ranging gaze at the life and work of the famous pioneer of photography on the basis of a large number of photographs and the results of the latest research.

In Ludwig Mies van der Rohe’s villas such as Haus Lange in Krefeld the sculptures by Lehmbruck and Kolbe function both as independent artworks and also as elements of an organism made up of space, light, material, water and plants. The publication traces the interaction between the three outstanding modernist artists and the interrelationship between sculpture, architecture and nature.

Martin Werthmann (*1982) is one of the most prominent artists worldwide to make an intensive study of the woodcut as a genre. His monumental, multi-colour woodblock prints executed on large strips of paper, employ a radically new formal and aesthetic language that draws one in by putting the vague and diffuse into focus.

Philip Grözinger’s art derives from his investigations of future-oriented visions. With his individualistic painterly signature he invites the viewer to join him on a surreal journey through the pictorial traditions of the Pop culture of recent decades. This volume is a retrospective which provides a comprehensive overview of his outstanding oeuvre.

The architect Herman Hertzberger (*1932) is the most important representative of Dutch Structuralism. This movement, which emerged in 1960, is highly regarded in modern architecture and takes as its starting point an archetypal behaviour of humankind. Consequently, buildings must satisfy both the individual and the social needs of those who use them: architecture must be “inviting”.  

His paintbrush set everything in motion: the landscape of Provence, the colourful still lifes, his portraits and the picturesque coast of southern France. More than any other artist, Paul Cézanne, the “Father of Modernism”, captured the light and the play of colours of the South in his pictures and lent them through his new pictorial language a liveliness and dynamism which continue to fascinate viewers to this day.

“I want to have an effect during this age in which people are so perplexed and in need of help.” This sentence, a diary entry from 1922, is the creed of a great artist. It is as topical today as it was then. Käthe Kollwitz (1867–1945) achieved worldwide respect with her drawings, printed graphics and sculptures even during her lifetime.

This first full biography confirms Florine Stettheimer as one of the 20th century’s most significant, progressive artists whose work remains highly relevant today. Stettheimer was a feminist and a multi-media artist who painted several sexually explicit, political works examining identity issues documenting New York City’s growth as the center of cultural life, finance, and entertainment between the World Wars..

Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  

The two volume publication "An Incomplete Archive of Activist Art" reflects on the Rubin Foundation’s art and social justice initiative over the last six years, including thematic essays, round-table discussions, newly commissioned artworks and documentation of timely visual art exhibitions organized by the Foundation.

"The Infinite" documents the making of the ground-breaking immersive VR experience shot entirely aboard the International Space Station. Artists and astronauts joined forces to capture life in the cosmos as never before. In this oversize publication, brand-new views of space and stunning production shots reveal the human imagination’s limitless potential.

In 2019, Wolfgang Laib entered into a dialogue with masterpieces by Fra Angelico, Leon Battista Alberti, Filippo Brunelleschi and Benozzo Gozzoli in his philosophical and poetic installations of pollen and beeswax. The publication documents impressively this unique and spectacular art event.

In 2019, Wolfgang Laib entered into a dialogue with masterpieces by Fra Angelico, Leon Battista Alberti, Filippo Brunelleschi and Benozzo Gozzoli in his philosophical and poetic installations of pollen and beeswax. The publication documents impressively this unique and spectacular art event.

The Swiss artist Johannes Itten (1888–1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonné covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre.

For the past forty years, Jürgen Schilling (b. 1954) has been drawing the landscape of southern France. The art historian Wilhelm Schlink has accompanied his career from the beginning as a friend and collaborative thinker. Schlink describes in lively manner the artist’s approaches and reflections, especially against the background of the current debate about contemporary interpretations of the landscape.

Sculpture is just a word, an English word, which elicits an image in the mind’s eye. Sculpture is a European idea. In China, on the other hand, statues, stele, and other figural objects were made for millennia without being thought of as Sculpture. There was no Sculpture in China. "Imagining Sculpture" is the story of this something that did not exist.

Lying between deserts, mountain chains and seas, Iran developed a fascinating cultural landscape. 360 objects from the time of the first advanced civilisations during the 3rd millennium BC until the end of the Safavid Empire in the early 18th century illustrate the outstanding significance of Iran as the initiator and centre of intercultural exchange.

Katharina Grosse (*1961) is considered to be one of the defining painters of her generation; her powerfully colourful interventions have had a determining effect on contemporary art dialogue. Grosse’s works cross the boundaries of space and concept with expansive gestures and enormous vitality and call for a new reception culture.

EVA & ADELE’s work finds its raison d’être in their permanent, lifelong performance which takes place worldwide throughout the public space. The work group CUM (lat. WITH) is the essence of the interactive process. It was acknowledged as early as 1997 in the Sprengel Museum with the solo exhibition CUM, and is continued to this day in a variety of media.

Three essays by leading scholars in the field of Japanese art explore Sesson Shūkei’s unique life and unconventional painting style, as well as how scholarly perceptions of the artist have changed over time. Fifty-three entries highlight major works by Sesson as well as those by other artists before, during, and after his time.

"Land Art of the 21st Century" explores how innovation and creativity are contributing to the sustainable infrastructures that will bring human culture into harmony with the Earth’s natural systems. The canvas is Fly Ranch, Nevada. The medium is regenerative technology. The results are a glimpse into the near future of our sustainable landscapes.