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Painting
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Cover for Museum Liaunig
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Ed. HL Museumsverwaltung

Museum Liaunig

An Austrian Collector’s Museum
Fully integrated into the nature of the Corinthian countryside, the Museum Liaunig is at once restrained and spectacular. An outstanding example of contemporary museum architecture, it creates spaces for the Liaunig collections whose focus is on Austrian art from the post-war era to the present.
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39,95 £ [UK]
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Cover for Koloman Moser
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Stefan Kutzenberger et al.
Admired by contemporaries as an artistic “jack-of-all-trades”, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects – for the Wiener Werkstätte among others – that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings.  
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9,95 £ [UK]
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Cover for Gerhard Berger
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Ed. Jürgen B. Tesch

Gerhard Berger

Between Worlds
In decades of artistic production Gerhard Berger (born in 1933) has arrived at a unique, characteristic visual language. His representation of humans, oscillating between figurative and abstract painting, is rooted in the great myths of humankind and in the religious visual conceptions of the world’s cultures.  
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36,00 £ [UK]
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Cover for Landscapes After Ruskin
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Ed. Hall Art Foundation

Landscapes After Ruskin

Redefining the Sublime
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation: artists should, in fact, depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits.  
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Cover for Thomas Gainsborough
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Ed. Katharina Hoins et al.

Thomas Gainsborough

The Modern Landscape
Thomas Gainsborough (1727–88) is one of the great European painters of the 18th century. This volume is the first to present the English artist as a pivotal figure in the development of “modern” landscape painting, a genre in which his painterly experiments were particularly innovative.
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Cover for Anna-Eva Bergman
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Ed. Jan Nicolaisen et al.
Anna-Eva Bergman (1909–1987) is regarded as one of the most important painters of the 20th century in Norway, long overshadowed by her husband, the painter Hans Hartung. For the first time her late work from 1973 up to her death in the Antibes is presented in a concentrated selection of approximately 35 paintings and drawings.  
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19,95 £ [UK]
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Cover for Barbara Hammer
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Ed. Staci Bu Shea et al.

Barbara Hammer

Evidentiary Bodies
Barbara Hammer (b. 1939) is an American feminist artist known as a pioneer of queer experimental and documentary film. The monograph accompanies an extensive exhibition at the Leslie-Lohman Museum of Gay and Lesbian Art, celebrating the depth and expanse of Hammer's five decades of art making.
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24,95 £ [UK]
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Cover for Towards Impressionism
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Ed. Art Centre Basel et al.

Towards Impressionism

Landscape Painting from Corot to Monet
The catalogue of the exhibition to be shown at the Cornell Fine Arts Museum, Winter Park, FL and the Frye Art Museum, Seattle, WA will present a choice selection of 19th century French paintings from the Musée des Beaux-Arts, Reims in order to trace the history of French art from the Romantics to the School of Barbizon, the circle of Honfleur, and up to Impressionism.
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Cover for New Bauhaus Chicago
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Ed. Bauhaus-Archiv et al.

New Bauhaus Chicago

Experiment Photography
This lavishly illustrated volume looks from both sides of the Atlantic at 80 years of photography from Chicago. At the New Bauhaus and what later became the Institute of Design, teachers like László Moholy-Nagy, György Kepes and später Arthur Siegel, Harry Callahan and Aaron Siskind taught an uninhibited approach to the medium which influenced generations of photographers.
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38,00 £ [UK]
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Cover for Praised and Ridiculed
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Ed. Zürcher Kunstgesellschaft / Kunsthaus Zürich

Praised and Ridiculed

French Painting 1820-1880
In the juxtaposition of so-called “Salon painters” and “Reformers of painting” this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres.
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