Photography

"Xican-a.o.x. Body" centres the political and creative resistance of Xicanx artists from 1968 to the present. The publication presents new histories of Xicanx art, illustrating how artists foreground the Brown body to explore, expand, and complicate conceptions linked to Chicanx, Latinx and Xicanx experiences.

Concealed, faded and rusting, the signs lie by the roadside. Their text and associative images have lost their connection with reality, as if they had been forgotten in the landscape. The photographer Eva-Maria Fahrner-Tutsek has tracked down these anachronistic remains in Ibiza and presents them in a poetic photo publication as a reminiscence of the past.

Lyonel Feininger (1871–1956) was a painter, graphic artist and caricaturist. From 1919 he served as one of the original masters at the Bauhaus in Weimar and later in Dessau. In 1937 he emigrated to New York, where he worked  until the end of his life. In addition to his famous Expressionist images of architecture, the publication presents all the facets of his oeuvre and stations of his life based on the latest research.

"Heroes: Principles of African Greatness" is a multilayered project that relays the stories of the key heroic principles and people in Africa’s arts and history, and considers the core values of leadership – justice, integrity, generosity and empathy. Each artwork in Heroes is paired with a historic African person, a “hero in history,” who embodies the thematic value featured in the selected work.

Donald Ganslmeier and his colleagues on the Wall of Death of the motordrome are amongst the last of their kind. Their art is threatened with extinction. The photographer Florian Holzherr has created a powerful memorial to the action-packed life around the boards that signify the world. His black-and-white photos of the daredevil motorcyclists and the accompanying texts show the myth of the Wall of Death in a fascinating new way.

Originating in late 18th-century London, the circus and its ring represent an antithesis to everyday life. The deliberate staging of beautiful make-believe and breathtaking acrobatics has long been a source of great fascination. At the same time, this world of illusions is fraught with social controversy and criticism, which international artists and leading experts address.

The National Museum of Women in the Arts, Washington, D.C. – the first museum in the world solely dedicated to championing women through the arts – has a collection spanning five centuries and featuring artists from six continents. This book shares recent acquisitions and longtime favourites; its thematic organisation leads readers to new discoveries.

This monograph examines the multidisciplinary practice of conceptual Irish artist George Bolster, who addresses the crises facing our species, and our willingness to live in the past through belief systems. Bolster’s ambitious immersive text and image works encompass film, installation, tapestry and photography.

The creation of transnational art has become a matter of course in our globalised world. But what did the art produced by migrants in East Germany look like? The publication throws light on topics such as the cultural diplomacy of the GDR and its effects, the working conditions of contract workers and the taboo subject of racism.

Master printer Michael Flomen expands his darkroom out into the wild to create large-scale, avant-garde, cameraless photograms in confluence with nature. From the streets of the world to the wilds of North America, this monograph traces in 182 images and 8 critical essays the evolution of Flomen’s originality of vision.