Sculpture

Alfred Haberpointner (*1966 in Salzburg) is a sculptor of international repute. He became famous with his wooden sculptures, and he has subsequently expanded his work to include the used of materials like steel, lead and paper. This volume documents Haberpointner’s artistic development through all phases up to and including his large-scale works in the public space.

DHC/ART LIBRE tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART – as well as this publication – is dedicated to bringing impactful experiences with contemporary art to the public with a mission of accessibility on multiple levels. The critically acclaimed program includes major artists from around the world, like Christian Marclay, Joan Jonas and Yinka Shonibare MBE.

DHC/ART LIBRE tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART – as well as this publication – is dedicated to bringing impactful experiences with contemporary art to the public with a mission of accessibility on multiple levels. The critically acclaimed program includes major artists from around the world, like Christian Marclay, Joan Jonas and Yinka Shonibare MBE.

Giambologna (1529–1606) is regarded as the most important European sculptor between Michelangelo and Bernini. How did he achieve this status? This volume investigates this question and examines above all Giambologna’s study of Michelangelo, his all-powerful role model, and how he successfully prevailed.   

John Grade’s drawings, sculptures and installations are weathered, marked, worn and disintegrated. Made of reclaimed wood or paper, the works are buried for termites to devour, sunk into a bay to collect barnacles, or hung in forest trees for birds to eat.

The world-famous Buddhist monastery of Alchi lies at 3,500 metres in Ladakh (Northwest India) and is the best-preserved temple complex in the Himalayas. Inside it houses thousands of rare and incomparable paintings and sculptures dating back to 11th-century Western Tibet. For the first and only time in their history the Dalai Lama has authorised their comprehensive documentation.

From the 1960s and 1970s onwards, different sculptors became involved with a mode of realism based on the physically lifelike appearance of the human body. By deploying traditional techniques of modelling, casting and painting in order to recreate human figures they follow different approaches towards a contemporary form of figural realism. The sculptures show how the way we see our bodies has been subject to constant change.

Like many great artists, Heinz Mack also found inspiration in African art. His artistic expeditions into the African desert and his encounters with the special light, the people and the architecture have continued to influence his art to this day. His collection of African art is being published for the first time.  

This publication documents Ursula von Rydingsvard’s exhibition at The Fabric Workshop and Museum in Philadelphia, which features a large new leather work produced with the museum’s studio. The survey — guest curated by Mark Rosenthal — largely focuses on her artistic development since 2000 and reveals her predilection for emotionally-charged, visceral art that is handwrought, richly complex, and monumentally scaled.

The first book to examine the achievements of California artists of Jewish descent, "Contraption" illustrates how sixteen artists use the metaphor of the machine to understand and depict how the individual aligns his or her identity with the workings of an at times incomprehensible social system. The compelling works showcased in this catalogue illuminate the humor and drama of a century on the West coast.