An indispensable and authoritative work on the great Baroque architect

Human Marks: Tattooing in Contemporary Art explores convergences between tattoo culture and global contemporary art. Presenting a range of media by sixteen artists who also tattoo, this richly illustrated book unpacks how the ethics, strategies, and concerns of tattooing shape the artists’ studio practices in experimental and revelatory ways.  

Authorized by The Man Ray Trust, Permanent Attraction: Man Ray & Chess, is the first and only book on Man Ray’s chess-themed works in all media. With experience in studio art, chess, photography, cartography, prototyping, and scholarly research, the author offers a comprehensive interpretation of when, how, and why Man Ray created these timeless works.  

"Dürer’s Praying Hands" is one of the world’s most popular artworks. Few artists have changed the art world more profoundly than Leonardo and Dürer. Both bring their subjects to life with breathtaking virtuosity, creating masterpieces of incredible intimacy.  

The Japanese-Swiss artist Leiko Ikemura (b. 1951) has created an internationally recognized and unmistakable body of work. In her artistic universe, there is an interweaving of plant and animal figures, landscapes and the human face. This richly illustrated volume encompasses her entire oeuvre from the 1980s to the present, with graphic art, paintings, and sculpture.  

Painter, illustrator and graphic artist Paul Rotterdam (b. 1939) is the Austrian member of the New York School, a group of artists whose radical approaches pushed pure abstraction to its very limits. In the late 1960s, Rotterdam moved to the United States in order to acquaint himself with the theory behind these approaches and to apply it to his own works in a practical way.

"Narrative Wisdom and African Arts" explores how historical and contemporary African arts make visible narratives rooted in collective and individual memory and knowledge. Historical works made by artists across sub-Saharan Africa during the thirteenth to twentieth centuries dialogue with contemporary works by African artists working around the globe.

This publication examines the Japanese artistic understanding of China from the late 1600s, Japan’s period of seclusion, to its age of modernization after the mid-nineteenth century. The volume focuses on the ways Japanese painters from the late 1600s to the twentieth century pictured China, both as a real place and an imagined promised land. It features three essays by renowned Japanese art historians in addition to more than fifty catalogue entries highlighting unusual artworks ...

This publication examines the Japanese artistic understanding of China from the late 1600s, Japan’s period of seclusion, to its age of modernization after the mid-nineteenth century. The volume focuses on the ways Japanese painters from the late 1600s to the twentieth century pictured China, both as a real place and an imagined promised land. It features three essays by renowned Japanese art historians in addition to more than fifty catalogue entries highlighting unusual artworks ...

Following the merger of three important Winterthur collections to form the Kunst Museum Winterthur, this volume presents the highlights of the three museums for the first time in splendidly illustrated form: from Rembrandt to Caspar David Friedrich to Vincent van Gogh; from Pablo Picasso to Alberto Giacometti; and from Sophie Taueber-Arp to Isa Genzken and Gerhard Richter.