"Cosmos" offers new approaches on the stunning art works of Eduardo Terrazas (* 1936). Four well known authors present a multidisciplinary vision on the artists ongoing series "Possibilities of a Structure". Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world.

"Cosmos" offers new approaches on the stunning art works of Eduardo Terrazas (* 1936). Four well known authors present a multidisciplinary vision on the artists ongoing series "Possibilities of a Structure". Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world.

Over the course of seven decades, Twinka Thiebaud has collaborated with more than thirty artists working in photography, painting and drawing. This catalogue explores her body of work as an artist’s model alongside developments in photographic techniques and technology, and the role of nature in defining West Coast experimentation.

The catalogue highlights the depth and relevance of the exceptional collection acquired from St. Louis collectors Ted L. and Maryanne Ellison Simmons. The artworks address a broad array of contemporary cultural issues and participate in many discourses of art from the 1960s to the present.

At the centre of René Myrha’s (*1939) expressive oeuvre lie landscapes and rigorous compositional room perspectiveswhich are transformed into stage-like settings. They form the scenery for the choreography of his figures. Myrha examines them through specific media in drawings, oil, acrylic, sculpture and reliefs.

Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  

The Swiss artist Johannes Itten (1888–1967) was not only a pioneering art theorist and a prominent teacher at the Bauhaus, but he also left an extensive and wide-ranging oeuvre which is only known in part today. The lavishly illustrated catalogue raisonné covers comprehensively and presents an appropriate appreciation of the entire range of his artistic oeuvre.

For the past forty years, Jürgen Schilling (b. 1954) has been drawing the landscape of southern France. The art historian Wilhelm Schlink has accompanied his career from the beginning as a friend and collaborative thinker. Schlink describes in lively manner the artist’s approaches and reflections, especially against the background of the current debate about contemporary interpretations of the landscape.

Three essays by leading scholars in the field of Japanese art explore Sesson Shūkei’s unique life and unconventional painting style, as well as how scholarly perceptions of the artist have changed over time. Fifty-three entries highlight major works by Sesson as well as those by other artists before, during, and after his time.

"Landscapes of Extraction" explores the art of mining, the transformative industry of the American West, competing in sublimity and striking colour with the natural scenic landscape on its own terms. These landscapes of enterprise altered the natural environment on a spectacular scale, with open pit mines, coal tips and oil rigs.