Christian Marclay – Cities follows the artist’s wanderings, transforming urban fragments into a visual and sonic score. Featuring texts by Sérgio Mah and Olivia Laing, plus a conversation with Ben Luke, the book uncovers the rhythms and poetry embedded in everyday city life and amplifies Marclay's artistic practice at the intersection between visual arts, popular culture, and contemporary sound expression.  

Time itself as protagonist: this publication, dedicated exclusively to Alexis Rockman's Naples cycle, presents the entire development of the seven panoramic paintings in great detail. By connecting art history with pressing contemporary realities, climate science and ecological collapse, the cycle paints a new picture of our civilisation.    

A book as artistic creation: The artist Ulla von Brandenburg (b. 1974) creates multimedia works in a unique mixture of theatrical settings, object art, and performance. Boundaries between reality and illusion, interior and exterior are blurred in her art as they are in this colour-saturated volume, which springs entirely from her own artistic vision.

A richly illustrated exploration of the impact of W.E.B. Du Bois on Black artists working today, documenting the landmark 2025 printmaking project “Printing Black America.”  

Future Ruins explores the cutting-edge vision of Chris Dorland in his debut monograph, the definitive introduction to the acclaimed artist’s dystopian digital aesthetic: a fusion of digital media and painting, exploring themes of technological decay and post-capitalist aesthetics.

Since the late 1960s, Anselm Kiefer has made art that explores the profound depths of human history. For his first American retrospective in twenty years, he takes the river as a metaphor for the flux of life and passage of time. Breathtaking new landscapes join iconic works to celebrate the achievements of his nearly sixty-year career.    

Artistic presentation made marvellous: a baguette as a balloon, a square with a jetpack, and voyeuristic potatoes. These are just some examples of Francisco Sierra’s photorealistic oil paintings. He rearranges everyday life, transforming objects into enigmatic and ambiguous worlds, showing the power that figurative painting continues to have today.

Two generations of esoteric exploration and material transmutation: The first examination of Beth Ames Swartz and Julianne Swartz’s intergenerational investigation of ethereal systems and the transcendent potential of art, highlighting the alignments within the artistic practices of mother and daughter.

More artist’s book than monograph, this volume traces the exciting interplay between Iman Issa’s (b. 1979) objects, photos , text and video. Is an artwork at the mercy of the viewer’s interpretation, and does its meaning change accordingly? Can art in turn shape perception, or even change memory itself?

Lavishly illustrated, Tiffany Chung: indelible traces is the first scholarly monograph to provide a comprehensive introduction to the multi -disciplinary artist’s work over the last 25 years. Best known for her extraordinarily drawn or embroidered maps, Chung’s artworks pointedly reveal histories thathave too often been overlooked or intentionally ignored.