Artist Monographs

Majestic and magical landscapes, the soft beauty of fields of flowers, the raw cold of winter: the works of Harald Sohlberg combine a Romantic perception of nature with a contemporary pictorial language akin to Symbolism. This volume assembles some 60 paintings, in addition to a number of drawings, prints and photographs by the artist and grants insight into his conceptual world through his correspondence.

Uta Reinhardt’s pictorial creations invite a wide range of interpretations. Human and animal chimeras encounter each other as in an alliance and create their own unique world. The scenic compositions seduce us with their lively colours and the light recorded with dynamic brushstrokes.

In 1926 22 year-old Dutch artist Willem de Kooning (1904–1997) travelled to the USA on a British freighter – without papers and hidden in the machine room. The young art student eked out a living by painting houses, signs and façades, before he was able after eight years to dedicate himself entirely to painting.  

Admired by contemporaries as an artistic “jack-of-all-trades”, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects – for the Wiener Werkstätte among others – that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings.  

In decades of artistic production Gerhard Berger (born in 1933) has arrived at a unique, characteristic visual language. His representation of humans, oscillating between figurative and abstract painting, is rooted in the great myths of humankind and in the religious visual conceptions of the world’s cultures.  

Thomas Gainsborough (1727–88) is one of the great European painters of the 18th century. This volume is the first to present the English artist as a pivotal figure in the development of “modern” landscape painting, a genre in which his painterly experiments were particularly innovative.

Anna-Eva Bergman (1909–1987) is regarded as one of the most important painters of the 20th century in Norway, long overshadowed by her husband, the painter Hans Hartung. For the first time her late work from 1973 up to her death in the Antibes is presented in a concentrated selection of approximately 35 paintings and drawings.  

Peter Paul Rubens is not only one of the most important painters of the Baroque; he is also a virtuoso of the art of transformation. More than virtually any other artist he sought inspiration in the works of other artists and was thus constantly reinventing his art in a highly radical manner. Here you can look over Rubens’s shoulder and immerse yourself in the creative process through which his masterpieces took shape.

The rediscovery of icons of the 1920s, “degenerate” experiments, magical-poetic abstractions – this wide-ranging publication shows the complete work of Jeanne Mammen (1890–1976), a Berlin artist on the threshold of the modern age. Her productive output mirrors the extreme circumstances she experienced, from war, destruction and poverty to the emergence from the ruins.

Pieter Bruegel the Elder is considered the greatest Netherlandish graphic artist of the 16th century. Even during his lifetime his drawings were highly regarded and many were widely distributed as references for copperplate engravings. Drawing on the pictorial tradition of earlier generations of artists, Bruegel introduced completely new ideas with regard to both subject and form.