Die Spracheinstellung Ihres Browsers deutet darauf hin, dass Sie eine deutschsprachige Anzeige bevorzugen.
Bitte wählen Sie ihre entsprechende Sprache aus:  flag_de   flag_eu   flag_uk   flag_us

Events

Search for event
Calendar
CurrentPreview
Cover for Illegal
The show combines international with regional urban art history. The exhibition begins with Brassaï and ends when Banksy's first works appeared in England. Internationally pioneering style writing and street art from 1960 onwards will be shown - with a focus on the Paris-Düsseldorf-Zurich triangle.. On display are illegally created works only. The exhibition looks at the various international developments and shows the multipliers of graffiti and street art by demonstrating the close links between pop music and street art graffiti on record covers and making this music audible. A further spotlight is placed on the connections between avant-garde art, street art and graffiti.
Event information:
Saarbrücken | Historisches Museum Saar
05-17-2024 - 06-30-2025
Accompanying publication:
Cover for San Francisco the Golden Age 1930-1960
San Francisco the Golden Years 1930-1960: Making a Scene
San Francisco was the center of bohemian culture in California in the late 1930s and 1940s. It was a golden era for art making and the blossoming of Bay Area art due to a confluence of factors, one being the activities of the San Francisco Art Association (SFAA), a group of art enthusiasts and artists who nurtured the growth of a museum and art school (the California School of Fine Arts) and organized yearly annual exhibitions that stimulated and propelled progressive art of the time. Artists like Adaline Kent were central to the development of modernist art on the west coast during the early to mid-twentieth century, and yet, until recently their influence remains largely untold in American art history. Kent was among the active members of the SFAA and her work exemplified the period’s penchant for individualism and experimentation, as did the work of artists associated with the SFAA. Other artists associated with the SFAA are Dorr Bothwell, Benjamin Bufano, Harry Crotty, Jay DeFeo, Sonia Gechtoff, Robert Boardman Howard, Sargent Johnson, Madge Knight, Knud Merrild, Henrietta Shore, Ralph Stackpole, and Clay Spohn. The exhibition, San Francisco the Golden Years 1930-1960: Making a Scene, is drawn exclusively from the Nora Eccles Harrison Museum of Art collection. NEHMA’s collection, with its focus on the art of the western United States, is ideally suited to provide in-depth examples of art from this little-known period in art history. This is the first major exhibition and publication to look at the pivotal and colorful history of the SFAA. This exhibition is co-curated by Michael Duncan, art historian, writer, and critic, and Bolton Colburn, the NEHMA curator of collections and exhibitions. The publication accompanying the exhibition includes essays by Michael Duncan and a foreword by Bolton Colburn. The book is being published by Hirmer Publishers, Munich, Germany in conjunction with the Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah.
Event information:
Logan, UT | Nora Eccles Harrison Museum of Art, Utah State University
06-18-2024 - 06-30-2025
Accompanying publication:
Cover for Was ist Aufklärung?
What is Enlightenment?
Questions for the Eighteenth Century
'What is Enlightenment?' asked pastor Johann Friedrich Zöllner in 1783, writing for the Berliner Monatsschrift. The editors of the monthly magazine picked up on this question and put it to their readers, thus igniting a debate that would shape the course of philosophy. The exhibition, titled 'What is Enlightenment? Questions for the Eighteenth Century', likewise explores this term from many sides. It concentrates on the most important debates of that era, taking its contradictions and ambivalence into account by revealing conflicts over concepts and demands, rather than presenting the Enlightenment as a homogeneous, progressive undertaking. In doing so, it also aims to make clear that the ideas of equality and tolerance prevalent then do not correspond to those held today and, moreover, were often not implemented in practice. The Enlightenment is often referred to in current debates about the social issues of today and about democracy as a form of government. The exhibition is also meant to provide a historical context for these conversations.
Event information:
Berlin | Deutsches Historisches Museum
10-18-2024 - 04-06-2025
Accompanying publication:
Cover for ECCENTRIC
ECCENTRIC
Aesthetics of Freedom
"Exhibition with paintings, sculptures, installations and video works by John Bock, Maurizio Cattelan, Yayoi Kusama, Jonathan Meese, Pipilotti Rist and many other international artists*. In common parlance, an eccentric attitude is considered to be extravagant and decadent. But eccentricity is much more. Because it refuses any ideology - for the freedom of democracy. This is the basic idea behind the first exhibition on the potential of eccentricity as an aesthetic of freedom. The focus is on art from 1980 onwards, but fashion, design, film and architecture are also included in an exemplary way. ECCENTRIC celebrates the diversity and complexity of the great themes of nature, beauty, intimacy and humanism."
Event information:
München | Pinakothek der Moderne
10-25-2024 - 04-27-2025
Accompanying publication:
Cover for Acts of Art in Greenwich Village
Acts of Art in Greenwich Village
The Hunter College Art Galleries are pleased to present Acts of Art in Greenwich Village, the first comprehensive account of the six-year history of Acts of Art, a gallery dedicated to showcasing the work of Black artists in downtown Manhattan. Benny Andrews, James Denmark, Reginald Gammon, Harlan Jackson, Nigel Jackson, Ben Jones, Loïs Mailou Jones, Dindga McCannon, Ademola Olugebefola, Enid Richardson, Ann Tanksley, Lloyd Toone, Frank Wimberley, Hale Woodruff Founded by artists Nigel Jackson and Patricia Grey in 1969, Acts of Art was first located at 31 Bedford Street and later moved to 15 Charles Street in the West Village. In 1971, the gallery mounted Rebuttal to the Whitney Museum Exhibition, the Black Emergency Cultural Coalition’s strategic response to the Whitney’s concurrent Contemporary Black Artists in America. That same year, the gallery hosted the inaugural exhibition of the Black women artists collective Where We At. Before Acts of Art closed in 1975, it presented one- and two-person exhibitions by twenty-six different artists, and numerous group exhibitions. Acts of Art in Greenwich Village centers Acts of Art and its director’s curatorial vision, tracing the gallery’s exhibition history as it intersects with other histories of Black art and artists in New York—and with formations like the BECC, Where We At, and the Weusi Artists. Installed in Hunter College’s Leubsdorf Gallery, the exhibition features artworks from the late 1960s and 1970s by fourteen artists with close ties to the gallery, a number of which were first shown at Acts of Art.
Event information:
New York, NY | Bertha and Karl Leubsdorf Gallery,
11-07-2024 - 03-22-2025
Accompanying publication:
Cover for The True Size of Africa
The True Size of Africa
While a MUSEUM OF MEMORABILITY reflects on Africa's past and present from the perspective of colonial Europe, African sculptures and objects from private collections in Saarland enter into a dialogue with the machines and flywheels of the historic blower hall. The central idea of this exhibition structure is a methodical reversal of perspective. Industrial modernity, which has repeatedly darkened Europe, meets a multifaceted, illuminating African culture. Major artworks from recent decades are paired with sound and spatial installations realised especially for the show by artists from Africa and the global diaspora. This generates a dense network of impressions and modes of perception that, ideally, enables a sustained and multi-layered encounter with THE TRUE SIZE OF AFRICA in its past, present and future.
Event information:
Völklingen | World Heritage Site Völklinger Hütte
11-09-2024 - 08-17-2025
Accompanying publication:
Cover for SEX. Jüdische Positionen
SEX. Jewish Positions
Sensuous, bold and topical – this volume with its varied illustrations studies the entire spectrum of Jewish ideas about sexuality. In doing so it examines widely-held and contradictory stereotypes, according to which Jewish tradition either supports sexuality or restricts it through stringent regulations.
Event information:
Amsterdam | Joods Museum
11-22-2024 - 05-25-2025
Accompanying publication:
Cover for Leiko Ikemura
The exhibition presents Leiko Ikemura's graphic works for the first time. In combination with paintings and sculptures, her artistic development over several decades and the connections between the different genres become comprehensible.
Event information:
Emden | Kunsthalle Emden
11-23-2024 - 05-11-2025
Accompanying publication:
Cover for Save Land
Save Land
Land is a crucial foundation for life on this planet. Soil is the life-supporting link between the Earth's climate and biological diversity and provides a variety of different ecosystems that need to be restored and preserved. However, as an agricultural and industrial base, land is at risk of devastating overuse, with half of humanity already affected by the negative impacts of land degradation. Land, in all its meanings for our lives, must be put back at the centre of our agenda in order to curb the economic and social overexploitation of land resources. In order to raise public awareness of this important issue, the exhibition in cooperation with the UNCCD-G20 Global Land Initiative uses the latest media technology and combines exhibits from art, cultural history and natural science in order to understand the ecological problems and potentials of the human-influenced environments. Far from a dark vision of the future, the exhibition aims to focus on a positive narrative that inspires action for the common cause.
Event information:
Bonn | Bundeskunsthalle
12-06-2024 - 06-01-2025
Accompanying publication:
Cover for Camille Claudel und Bernhard Hoetger
Camille Claudel & Bernhard Hoetger
Emancipation from Rodin
Event information:
Bremen | Paula Modersohn-Becker Museum
01-25-2025 - 05-18-2025
Accompanying publication:
Cover for Making American Artists
Making American Artists
Stories from the Pennsylvania Academy of Fine Arts 1776–1976
Event information:
Chapel Hill | Ackland Art Museum at UNC Chapel Hill
02-05-2025 - 05-11-2025
Accompanying publication:
Cover for Wiederentdeckt & wiedervereint
Ernst Ludwig Kirchner regarded the picture and its frame as a unit. Contrary to Kirchner’s intention that they belong together, over the years some paintings were separated from their original frames. In the present publication they are reunited in a remarkable exhibition, allowing us to rediscover a chapter of modernism which has often been overlooked.
Event information:
Davos | Kirchner Museum
02-09-2025 - 05-04-2025
Accompanying publication:
Cover for Hans Haacke
Hans Haacke
Hans Haacke (b. 1936) has shaped “political art” to a greater extent than any other artist of his generation. Keen criticism of institutions, political awareness, and an uncompromising defense of democratic principles to the point of activism all characterize his approach. His work is marked by directness and theoretical clarity, and yet it is poetic, metaphorical, ecological, and in many respects highly topical at the same time. More than once his controversial artistic contributions to contemporary discourse have been excluded from exhibitions. In a wide-ranging retrospective, the Belvedere 21 will be examining Haacke’s influential oeuvre from 1959 to the present day.
Event information:
Wien | Belvedere 21
02-28-2025 - 06-09-2025
Accompanying publication:
Cover for LEONARDO / DÜRER
Leonardo – Dürer
Renaissance Masterdrawings on Colored Ground
Event information:
Wien | Albertina
03-07-2025 - 06-09-2025
Accompanying publication:
Cover for Helen Frankenthaler
Helen Frankenthaler
Move and Make
Helen Frankenthaler’s (1928–2011) radical approach to paint and material makes images pulsate with color. During the postwar period in the United States, she was a leading figure in abstract art. This volume brings together nearly fifty works, providing a comprehensive overview of the world’s largest private collection of Helen Frankenthaler’s works – on display at the recently opened Museum Reinhard Ernst in Wiesbaden.
Event information:
Wiesbaden | Museum Reinhard Ernst
03-16-2025 - 09-28-2025
Accompanying publication:
  • Benefits online store
    • Free delivery within Germany
    • Fast Delivery, up to 10 days
    • Cashless Payment: by Creditcard, Bank Deposit or on Account
    • Secure Data
    • All prices incl. VAT