The Olympiapark in Munich is one of the most famous projects of the landscape architect Günther Grzimek (1915–1996), yet his entire oeuvre has proved to be pioneering and timeless. He advocated for a new form of urban green space in Germany, a “demokratisches Grün” (democratic green space), while also campaigning for practice-oriented training in landscape architecture.

In the 1990s the landscape architect Peter Latz and his team  developed a park beyond all fashions and trends. This volume provides insights into twelve years of planning and realisation through photographs, sketches, plans and explanations, and reveals to the reader  the fascinating world that follows the industry.

A new art location will be opening in the heart of Vienna in the spring of 2022. The museum for the famous collection of Heidi Goëss-Horten will be completed between the Albertina and the Opera House. The first museum publication is dedicated to the creation of this new exhibition venue, its architecture and construction history, positioning it within the context of the foundation of new museums.

Santiago Calatrava’s (* 1951) encounter with the sculpture collection at the Glyptothek in Munich thirty years ago prompted him to create an extensive series of sculptures with the title Die Aegineten (The Aeginetans). This volume focuses attention for the first time on the sculptures and paintings of the famous architect and shows how he was influenced by Antiquity.

Frederick Law Olmsted (1822 – 1903) is considered as the father of landscape architecture in the United States and created several renowned urban parks and park systems around the country. With a stunning black and white series of trees by Stanley Greenberg dating to the beginnings of these parks this volume offers an intimate encounter with Olmsted, his motifs and heritage.

Qatari Style investigates the architectural identity of Qatar, which celebrates the warmth and hospitality of the Middle East. The selected interiors are pioneering examples of how new and foreign influences can be absorbed harmoniously into the local architecture and culture whilst retaining the traditional charm.

Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  

The reconstructed Berlin Palace in the heart of the German capital is both a monument of Baroque architecture and a vital new cultural building in the city. The art history, architecture and sculpture of the palace’s masterful façades by Andreas Schlüter are brought to life here in words and pictures.

This magnificent book sheds new light on the celebration and uses of marble in art and literature and on the iconic potential of the stone. With 240 color illustrations, it showcases the marble cladding of architecture, the carving of marble and painting on stone, their political and philosophical connotations, and the de- and re-materialising of marble made possible by digital technology.

In Ludwig Mies van der Rohe’s villas such as Haus Lange in Krefeld the sculptures by Lehmbruck and Kolbe function both as independent artworks and also as elements of an organism made up of space, light, material, water and plants. The publication traces the interaction between the three outstanding modernist artists and the interrelationship between sculpture, architecture and nature.