Georg Baselitz's various creative phases are exemplified by 31 of his masterpieces that are held within the Bavarian State Painting Collections. The volume analyses for the first time these important paintings and sculptures within the context of the history of the collection, which has been shaped not only by the artist’s outstanding supporters and collectors, including Duke Franz von Bayern, but also by the passionate commitment of the directors and curators of the museum.

Benjamin Katz’s photographs of Berlin Havelhöhe form both a social and an artistic document: Katz’s beginnings as a photographer and his great interest in the photography of the modern age will be found here along side the location itself with its traces of its past as a National Socialist Luftwaffe base, converted into a hospital for patients from all walks of society, not only Nazis but also the persecuted.

She was not only a talented artist but also a shrewd free thinker and hostess: at the beginning of the twentieth century famous artists including Wassily Kandinsky, Gabriele Münter, Alfred Kubin, Adolf Erbslöh, Erma Bossi, Franz Marc and August Macke assembled in Marianne von Werefkin’s salon in the Schwabing district of Munich.

Arguably the most famous fashion designer of the 20th century, Christian Dior’s feminine fashions were desired, worn, and emulated by women around the world. This new publication by ROM Press explores the brilliance behind Dior’s dramatic creations that revived the entire Paris haute couture industry after the devastation of World War II. In 1947, the opening of the new couture house and the revolutionary “New Look” swept away the wartime masculine silhouette making ...

Frank Gehry and Hans Scharoun never met each other – and yet two of their most famous buildings are closely linked: Gehry’s Walt Disney Concert Hall in Los Angeles (2003) and the Berlin Philharmonie by Scharoun (1963). Taking these buildings as the starting point, the exhibition and catalogue examine the relationship between the two architects.

Uta Reinhardt’s pictorial creations invite a wide range of interpretations. Human and animal chimeras encounter each other as in an alliance and create their own unique world. The scenic compositions seduce us with their lively colours and the light recorded with dynamic brushstrokes.

Admired by contemporaries as an artistic “jack-of-all-trades”, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects – for the Wiener Werkstätte among others – that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings.  

Anna-Eva Bergman (1909–1987) is regarded as one of the most important painters of the 20th century in Norway, long overshadowed by her husband, the painter Hans Hartung. For the first time her late work from 1973 up to her death in the Antibes is presented in a concentrated selection of approximately 35 paintings and drawings.  

Stella Hamberg is an exceptional figure in contemporary sculpture. Starting out from a reflected contemporary vocabulary of forms, her sculptures feature mainly human figures, but also animals, suffused with an elemental intensity that comprises self-assertion and vitality as well as failure and death.

Pieter Bruegel the Elder is considered the greatest Netherlandish graphic artist of the 16th century. Even during his lifetime his drawings were highly regarded and many were widely distributed as references for copperplate engravings. Drawing on the pictorial tradition of earlier generations of artists, Bruegel introduced completely new ideas with regard to both subject and form.