The paintings and drawings of Michele Melillo (*1977) enchant the viewer with their lightness and harmonious colours. Accompanied by an explanatory essay by Veit Ziegelmaier, this comprehensive artist monograph reproduces for the first time works from all work cycles by the young German painter and graphic artist.

Modernisms explores art from the 1960s and early ’70s from Iran, Turkey, and India via selections from an unparalleled collection at New York University. Featuring new scholar ship and seminal essays, this book also illustrates paintings, sculptures, drawings, and prints from these three countries alongside biographical narratives of each Artist.

In the last five decades the popularity of outsider art – works by artists working outside of the art establishment – has grown exponentially. Museums, galleries, and the public worldwide have embraced these powerful works. Victor Keen’s Collection at the Bethany Mission Gallery, Philadelphia, is one of the leading outsider art collections in the U.S.

The book is dedicated to legendary Viennese art collector Franz Hauer. The son of a mailman from Lower Austria became one of the key figures of his time. Franz Hauer started out penniless, became an exemplary self-made man, and built an art collection with important groups of works by Egon Schiele, and Oskar Kokoschka. Today, its treasures are held by numerous important museums in Europe and the US.

Founded in the context of social movements of the late 1960s, The Leslie-Lohman Museum is dedicated to preserving art that speaks to the LGBTQ experience and fostering the artists who create it. Queer Holdings aims to reclaim scholarship from a queer perspective by surveying 200 works from the Museum’s permanent collection. A selection of essays by scholars, artists and archivists, explore the Museum’s possible futures by tracing its visual, cultural, and political ...

Hermann Nitsch produced his first “poured” paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.

Der Begleitband zur Ausstellung „Königsklasse IV“ zeigt die einzigartige Verbindung, die zeitgenössische Kunst mit den unvollendeten historischen Räumen in Schloss Herrenchiemsee eingeht. Dan Flavin, John Chamberlain, Andy Warhol, Arnulf Rainer oder Jean-Michel Basquiat sind nur einige der Künstler, deren Werke in diesem Band außergewöhnlich inszeniert werden.

Based on the extensive stocks of the Brücke-Museum, the publication discusses in detail the everyday reality of the artists under the National Socialists. The measures carried out against the former “Brücke” members as a result of Nazi art policy are explained, together with the direct effects on their creative work and the self-image of the painters within the context of the times.

This volume gathers together paintings, drawings, films, and sculptures by Maria Lassnig (1919–2014) from a creative career that spanned some seventy years. It explains how she thought of herself in relation to the art scene of her time. This multimedia approach makes possible new ways of looking at the artist’s multifaceted work. Examples of Maria Lassnig’s writings round out the presentation.

This volume unfolds the development of Cubism between 1907 and 1917. It conveys the moment’s enormous stylistic range and its revolutionary potential for the art that would follow during the twentieth century. It also presents as part of the story of Cubism the way that representatives of the avant-garde adopted and transformed the Cubist pictorial language.