"Cosmos" offers new approaches on the stunning art works of Eduardo Terrazas (* 1936). Four well known authors present a multidisciplinary vision on the artists ongoing series "Possibilities of a Structure". Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world.

Abstract and expressive – the works of the color virtuoso Annette Werndl (b. 1956 in Deggendorf, Bavaria) are internationally appreciated and exhibited. The monograph assembles her works from the past years which were inspired mainly by sojourns in the United States and especially New York, and by the development of the music of the time (jazz, blues and pop).

"Cosmos" offers new approaches on the stunning art works of Eduardo Terrazas (* 1936). Four well known authors present a multidisciplinary vision on the artists ongoing series "Possibilities of a Structure". Which suggests at once a curiosity in the fabric of our universe and a profoundly human hope for an underlying rationality behind the chaos of the world.

Over the course of seven decades, Twinka Thiebaud has collaborated with more than thirty artists working in photography, painting and drawing. This catalogue explores her body of work as an artist’s model alongside developments in photographic techniques and technology, and the role of nature in defining West Coast experimentation.

Xenia Hausner ranks among the most important Austrian painters of our time. This splendid volume focuses on the aspect of stagecraft which characterizes all her works. Starting from the early paintings of the 1990s up to her moving Exiles series, the publication lures us into a female world filled with mysterious interpersonal relationships.

The catalogue highlights the depth and relevance of the exceptional collection acquired from St. Louis collectors Ted L. and Maryanne Ellison Simmons. The artworks address a broad array of contemporary cultural issues and participate in many discourses of art from the 1960s to the present.

Gustav Klimt is the one artist whose name we associate in particular with Viennese Jugendstil and the “Golden Age”. As a sought-after painter of frescoes and the founding president of the Vienna Secession, the portraitist of fashionable ladies and an illustrator of unashamed eroticism, Klimt was both the enfant terrible and the darling of Viennese society.

The turn of the 19th century was a golden age for Polish art. The publication features about 130 masterpieces of painting from this era between nineteenth-century decadence and a new beginning, and describes its roots in Polish history, culture and nature as well as the close connections with wider European art scenes.

The Gerd and Helga Plewig Collection of Bark Paintings from Northern Australia with works mainly from the 1950s to 1970s is currently considered the best collection of its kind outside of Australia. It includes works from the Kimberley, Wadeye, the Tiwi Islands, Arnhem Land and Groote Eylandt by artists like Yirawala, Mawalan Marika and Mungurrawuy Yunupingu.

In December 1846 Thomas Cole excitedly began work in his new studio, but his early death left his great ambitions unfinished. The studio and its deep impact on future artists is described by renowned Cole scholar, Franklin Kelly and further contributors, bringing new understanding to the critical last phase of Cole’s career.