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Painting 19th Century
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Cover for World Receivers
new
Ed. Karin Althaus et al.

World Receivers

Georgiana Houghton - Hilma af Klint - Emma Kunz
Abstract paintings were being produced even before Kandinsky. Completely independently from each other, Georgiana Houghton (1814–1884) in England, Hilma af Klint (1862–1944) in Sweden and Emma Kunz (1892–1963) in Switzerland developed an individual, abstract pictorial language. What they had in common was a desire to make visible the laws of nature, the intellect and the supernatural. Their works are being presented side by side for the first time in an exhibition.
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Cover for King of the Animals
new
Ed. Philipp Demandt et al.

King of the Animals

Wilhelm Kuhnert and the Image of Africa
Wilhelm Kuhnert was a pioneer. He was one of the first European artists to travel to the largely unexplored savannahs and jungles of the German colonies in North and East Africa. Under hazardous conditions he documented at close quarters the fascinating animal and plant world and then created in his Berlin studio monumental paintings which were much sought-after on the art market.
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Cover for Harald Sohlberg
new
Ed. Nationalmuseum Oslo

Harald Sohlberg

Infinite Landscapes
Majestic and magical landscapes, the soft beauty of fields of flowers, the raw cold of winter: the works of Harald Sohlberg combine a Romantic perception of nature with a contemporary pictorial language akin to Symbolism. This volume assembles some 60 paintings, in addition to a number of drawings, prints and photographs by the artist and grants insight into his conceptual world through his correspondence.
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Cover for Harald Sohlberg
new
Ed. Nationalmuseum Oslo

Harald Sohlberg

Uendelige Landskap Norwegian Edition
Majestic and magical landscapes, the soft beauty of fields of flowers, the raw cold of winter: the works of Harald Sohlberg combine a Romantic perception of nature with a contemporary pictorial language akin to Symbolism. This volume assembles some 60 paintings, in addition to a number of drawings, prints and photographs by the artist and grants insight into his conceptual world through his correspondence.
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Cover for Claude Monet
new
Ed. Dieter Buchhart et al.

Claude Monet

A Floating World
More than any other artist, Claude Monet represents Impressionist painting. This volume illustrates Monet’s career from Realism via Impressionism to a form of painting in which the colours and light gradually become detached from the object. It focuses on the artist’s colour concept, an aspect of his oeuvre which has hitherto not been examined in detail, as well as his passionate study of subjects from his garden in Giverny.
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Cover for Innovative Impressions
Ed. Sarah Lees

Innovative Impressions

Prints by Cassatt, Degas, and Pissarro
"Innovative Impressions" explores an under-examined aspect of three Impressionists’ careers: their groundbreaking prints and the new techniques they developed through collaboration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro formed the most active core of a group of artists planning a periodical to feature their prints.
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Cover for Set in Stone
Christine Giviskos

Set in Stone

Lithography in Paris, 1815 - 1900 Prints and Posters from the Zimmerli Art Museum Collection
In the early 19th century, artists and printers embraced the new medium of lithography, an innovative method to mass-produce and distribute images. Known for its collection of French prints and posters, the Zimmerli Art Museum at Rutgers University has rich holdings of lithographs made over the course of the 1800s, including examples from lithography’s early years in Paris to iconic colour posters from the 1890s.
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Cover for Towards Impressionism
Ed. Art Centre Basel et al.

Towards Impressionism

Landscape Painting from Corot to Monet
The catalogue of the exhibition to be shown at the Cornell Fine Arts Museum, Winter Park, FL and the Frye Art Museum, Seattle, WA will present a choice selection of 19th century French paintings from the Musée des Beaux-Arts, Reims in order to trace the history of French art from the Romantics to the School of Barbizon, the circle of Honfleur, and up to Impressionism.
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Cover for Praised and Ridiculed
Ed. Zürcher Kunstgesellschaft / Kunsthaus Zürich

Praised and Ridiculed

French Painting 1820-1880
In the juxtaposition of so-called “Salon painters” and “Reformers of painting” this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres.
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Cover for Paul Gauguin
Isabelle Cahn et al.
»Heck, ... it’s all done with panache, fresh from the brush...«
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13,00 $ [US]
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