Clifford Ross’s photographic and video practices over the past thirty years reveals one of the most incisive and technically sophisticated investigations of the nature of vision in the medium’s history.  

The artists featured in "The Black Index" – Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell and Lava Thomas – build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility and identification.

In its new presentation of the collection, the Staatsgalerie Stuttgart establishes a dialogue between works from the private Scharpff-Striebich collection and works from its own stocks. Contemporary positions and works since the 1960s which gain a new topicality through the retrospective view, make clear the complexity and contradictory nature of our society.

Recognising strangeness in familiar objects, the present in the past, the construed in what is authentic – the four masterly photographers show excerpts from our world in which the boundary between reality and imagination becomes blurred. From fleeting everyday scenes to mysterious happenings and historical events, they reveal a complex and multi-layered reality.

Louis Alphonse Poitevin was an outstanding inventor, chemist, engineer, scientist, artist and photographer. This publication provides a unique opportunity to cast a wide-ranging gaze at the life and work of the famous pioneer of photography on the basis of a large number of photographs and the results of the latest research.

What does photography tell us about the lifestyles and mentality in China in the face of the rapid social change? Artists in search of their identity explore the medium of photography experimentally and provide insight into the individual complex worlds of emotions and experiences of their generation.

Starting with Helmar Lerski’s outstanding photo series "Metamorphosis through Light" from 1935/36, the magnificent volume "Faces – The Power of the Human Visage" presents portraits from the era of the Weimar Republic. The photographs taken by the photographers of the 1920s and 1930s achieved a radical renewal of portrait photography.

Diary-like series, landscape photos and situational mood pictures – Elina Brotherus (*1972 in Helsinki) is constantly searching for new possibilities in photography. This lavishly illustrated volume with related essays pursues the latest developments. Here the Finnish photo artist combines a keen intellect with humorous lightness and technical precision with joyous spontaneity.

The book synthesizes research in history, fashion, art and visual culture to reassess the hair story of peoples of African descent. Long a fraught topic for African Americans and others in the diaspora, Black hair is here addressed by artists, barbers and activists in both its historical perceptions and its ramifications for self and society today.

Charles Bukowski, the "dirty old man" of American literature whose poems and prose are closely interwoven with his life – how does one go about portraying a person like that? In 1985, the young photographer Abe Frajndlich took on this challenge. We can say this much: it was not a job that could be accomplished in one shot. The Shooting presents a photographer’s attempt to zero in on a legend.