There Where You Are Not brings together the writings of celebrated Palestinian artist and theorist Kamal Boullata (b. 1942). Produced over four decades of exile in Europe, North Africa, and the United States, the essays explore intersections between aesthetics, history, and politics that are central to the historiography of modern Arab art.

Uninterrupted Fugue features a selection of critical essays about the art of Palestinian artist Kamal Boullata. Written by leading scholars and appearing for the first time in a single volume, this range of analytical perspectives on art and exile, modernity and tradition offers rare insights to readers interested in contemporary art beyond the Western canon.

The whole world a Bauhaus? The publication accompanying the worldwide exhibition series takes the quotation of the former Bauhaus student and subsequent university teacher Fritz Kuhr as a starting point for reflections on the Bauhaus not only as a school in Weimar, Dessau and Berlin, but also in order to focus on the parallel Modernist movements in non-European regions.

When considering the term icon, how can the idea of cultic worship be connected with the concept of the transcendental today? The qualities of the traditional icon continue to have an effect, particularly in the spiritual presence and auratic power of many modern and contemporary artworks. This volume presents masterpieces which express aspects of spirituality and reverence in a variety of individual ways.

Five hundred years ago, the landing of Hernán Cortés in Mexico marked the end of the Aztec Empire. This volume presents the wealth of this culture with spectacular, sometimes unpublished finds: rare feathered shields, impressive stone sculptures, precious mosaic masks and goldwork as well as brilliantly coloured illustrated manuscripts bring the world of the Aztecs to life.

The shaping of the body through clothing has repeatedly played a major role across the centuries; in Europe changes in fashion were always accompanied by changes to the cut of clothing and hence to the silhouette of the body. This lavishly illustrated volume delights the reader with illustrations of numerous original items of historical clothing and insightful essays.

The editors visited numerous studios throughout Germany in order to select 53 artists from among the current generation of 30 to 40-year-olds who are currently breaking new ground in the painting of panel pictures. The publication and simultaneous exhibitions in Bonn, Wiesbaden and Chemnitz and subsequently in Hamburg demonstrate the diversity and quality of their work.

Lost places of cinema—the photographer Margarete Freudenstadt has dedicated herself to cinema and strikingly captured contemporary history with her camera. Cinemas confronts her melancholic pictures of movie theaters in the former East Germany after the fall of the Wall, with the opulent but crumbling film palaces of today's Cuba in an exciting dialogue.

Few regions have undergone a more rapid and radical development than the American West in the mid-twentieth century. The modern infrastructure, technical innovations, spectacular architecture and new leisure activities have been recorded on postcards with lively pictures in vivid colours. This volume shows 500 selected linen postcards from the America of the 1930s to 1950s with an incomparable wealth of detail.

The ensemble with its prominent twin towers that Egon Eiermann (1904–1970) built in Frankfurt am Main for the Italian office machinery company Olivetti, was the Karlsruhe architect’s last major project. His priorities lay in the slender form, derived from the task, the construction and the material to create a characteristic silhouette.