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Art 20th Century
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Cover for Relations
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Ed. Cheryl Sim

Relations

Diaspora and Painting / La diaspora et la peinture
This richly illustrated volume explores the multiple and evolving meanings of diaspora, its condition, and its experiences as expressed through painting. The book, based on an exhibition held at the Phi Foundation brings together artists who address questions of diaspora from diverse perspectives, methodologies, and aesthetic languages.
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45,00 €
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Cover for Xenia Hausner
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Ed. Elsy Lahner et al.

Xenia Hausner

True Lies Englische Ausgabe
Xenia Hausner ranks among the most important Austrian painters of our time. This splendid volume focuses on the aspect of stagecraft which characterizes all her works. Starting from the early paintings of the 1990s up to her moving Exiles series, the publication lures us into a female world filled with mysterious interpersonal relationships.
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Cover for Alberto Giacometti
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Ed. Christian Alandete et al.

Alberto Giacometti

Face to Face
Alberto Giacometti forged a singular path within European Modernism, restlessly seeking a new language for sculpture as a “double of reality”. Presenting some 100 sculptures and paintings, the publication tracks the evolution of Giacometti’s work from Post-Cubism through Surrealism to post-war Realism.
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Cover for My Generation
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Ed. Rafael Jablonka et al.

My Generation

The Jablonka Collection
The Jablonka Collection is regarded as one of the highest-profile holdings of American and German art of the 1980s. In this catalogue the art dealer, gallerist and curator Rafael Jablonka (*1951) provides for the first time an insight into his wide-ranging collection, which is dedicated primarily to artists of his own generation.
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Cover for Helmut Sturm
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Ed. Pia Dornacher et al.

Helmut Sturm

Subverting the Real
Helmut Sturm’s paintings radiate powerful colours and forms, yet are simultaneously both lyrically tender and poetical. He developed his individual pictorial language in a study of Cubism and Art "Informel" as well as artists like Max Beckmann, Asger Jorn and Willem de Kooning. The publication pays tribute to one of the most important witnesses of abstract-expressive painting in Germany.
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Cover for Ludwig Mies van der Rohe
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Ed. Klaus Kinold

Ludwig Mies van der Rohe

Barcelona Pavillon / Haus Tugendhat
Ludwig Mies van der Rohe is one of the outstanding representatives of the New Building. He achieved legendary fame as the director of the Bauhaus in Berlin and as a teacher at the IIT in Chicago. The pavilion built at the World Exhibition in Barcelona in 1929 and the Haus Tugendhat in Brno, completed one year later, became incunabula of Modernism.
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Cover for Johannes Itten and Thun
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Ed. Helen Hirsch et al.

Johannes Itten and Thun

Nature in Focus
The Bauhaus master Johannes Itten is one of the prominent protagonists of early Modernism in twentieth-century art. Few people are aware of the close links between his beginnings as an artist and his experience of landscape and nature in the town of Thun and Lake Thun.
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Cover for Folklore & Avant-Garde
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Ed. Katia Baudin et al.

Folklore & Avant-Garde

The Reception of Popular Traditions in the Age of Modernism
The publication examines in depth the influence of folkloric traditions on the pioneers of Modernism in the develop- ment of their new artistic language. Craft objects and folk art are contrasted with masterpieces by artists of the avant-garde like Josef Albers, Sonia Delaunay, Johannes Itten, Vasily Kandinsky, Ernst Ludwig Kirchner, Pablo Picasso, Charles Sheeler and Sophie Taeuber-Arp.
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Cover for We Haven’t Seen Each Other For So Long
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Ed. Heinz R. Böhme

We Haven’t Seen Each Other For So Long

Art of the Lost Generation. The Böhme Collection
Heinz R. Böhme has been collecting artworks of the Lost Generation for more than twenty years. The main focus of his private collection in Salzburg is the recognition of more than eighty artists whose creative work was massively restricted under the National Socialist regime.
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Cover for Angela Davis
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Ed. Gerry Beegan et al.

Angela Davis

Seize the Time
Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economics and politics.
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