Hugo van der Goes (c. 1440–1482) was the most important Netherlandish artist of the second half of the 15th century. His innovative pictorial compositions are characterised by monumental figures and realistic narrative moments. They paved the way for the development of Netherlandish painting during the following centuries.

Illuminating the artistic contributions and perspectives of women, this book reinserts the important 19th-century American artist Susie Barstow into the history of the Hudson River School and presents contemporary artists who expand how we think about “land” and “landscape” today. Engaging multigenerational perspectives, it launches an expanded narrative that recenters women in the canon of American landscape art.

The art of Arnulf Rainer (*1929) is baffling. The “black overpainting”, with which he covers previous work, is world famous. We overlook the fact that overpaintings in red, blue, green and white also exist and thus that colour always belonged to his means of expression, as this volume vividly demonstrates.

The artistic oeuvre of Ruth Baumgarte (1923–2013) is firmly rooted in the representational tradition. On the basis of the latest scientific research it is presented here with a complete catalogue raisonné in an opulent, three-volume edition.

Monet / Mitchell is the first US exhibition to examine the complex relationship between two of the most experimental painters of the twentieth century: The worldfamous paintings of the preeminent French Impressionist Claude Monet (1840–1926) meet the fascinating gestural brushwork compositions of the leading American artist Joan Mitchell (1925–1992).

In her elective home country of Mexico, the artist Olga Costa (1913–1993), a native of Leipzig, has long been established as an important female voice of Mexican Modernism. This volume presents impressively her autonomous artistic work between Mexican and European Modernism, and follows the traces of her life from Germany out into the world and back again.

Recent events have pushed artists to visualize ideas of closeness in a new light. "Kinship", published on the occasion of the National Portrait Gallery’s next “Portraiture Now” exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture and performance.

The significance of the street is complex: it is a place of representation, self-dramatisation and communication, of resistance and protest. In this lavishly illustrated volume we encounter the bandwidth of this highly topical subject and its implementation in painting, graphics, photography, film, performance and installation during the 20th and 21st centuries.

Marc Chagall (1887–1985) is regarded as the poet amongst modernist artists. His works from the 1930s and 1940s are less well known. In them, his bright  colour palette became darker. Even in the early 1930s, Chagall addressed the increasingly aggressive anti-Semitism and touched in his artistic works on central themes such as identity, homeland and exile.

Marc Chagall (1887–1985) is regarded as the poet amongst modernist artists. His works from the 1930s and 1940s are less well known. In them, his bright  colour palette became darker. Even in the early 1930s, Chagall addressed the increasingly aggressive anti-Semitism and touched in his artistic works on central themes such as identity, homeland and exile.