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Painting

Forthcoming Books
  • Cover for Carl Grossberg
  • Cover for Canaletto & Bellotto
  • Cover for Félicien Rops
  • Cover for Facing the Elements
  • Cover for Creativity and Connection - Lehigh University Art Galleries at 100
  • Cover for Rivaling Reality. 60 Years of Photorealism
  • Cover for Data Consciousness
  • Cover for Marianna Simnett
  • Cover for Paula Modersohn-Becker. London Berlin Worpswede Paris
  • Cover for Chris Dorland
  • Cover for ANSELM KIEFER- Becoming the Sea
  • Cover for Max Beckmann
  • Cover for Ruprecht von Kaufmann
  • Cover for European Realities - European Realism Movements of the 1920s and 1930s
  • Cover for The Mannerist Mind
  • Cover for Iman Issa
  • Cover for Modern Iran and the Avant-gardes
  • Cover for Käte Steinitz – From Hannover to Los Angeles
  • Cover for Queere Moderne - Queer Modernism
  • Cover for You Will Not Be Forgotten
  • Cover for Asger Jorn
  • Cover for World Without End
  • Cover for Edward E. Boccia
  • Cover for Ayeye!
  • Cover for In the Company of Artists
  • Cover for Egon Schiele – Oskar Kokoschka
  • Cover for Egon Schiele – Oskar Kokoschka
  • Cover for Johannes Itten
  • Cover for Dieter Nuhr
  • Cover for Uwe Wittwer
  • Cover for Räume schaffen. Die Konstruktivistin Marlow Moss
  • Cover for Von London nach Venedig
Painting
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Cover for Carl Grossberg
new
Ed. Marcus Andrew Hurttig et al.

Carl Grossberg

Objective – Magical – Visionary
This comprehensive publication dedicated to Carl Grossberg (1894–1940) accompanies a retrospective exhibition of his work at two German museums. His industrial structures, vats and machines are testimony to the rapid technological progress at the beginning of the twentieth century. Portrayed on a monumental scale, they are produced with sober precision, clear forms and luminous colours – and almost always without people. The eerie emptiness is both modern and impressive.
» further information
Cover for Canaletto & Bellotto
new
Mateusz Mayer

Canaletto & Bellotto

Observation and Invention in Venice, London, and Vienna
Giovanni Antonio Canal, called Canaletto, and his nephew Bernardo Bellotto used their richly detailed cityscapes to shape public understanding of the places they depicted. Mateusz Mayer vividly describes how Venice became the stage for a resplendent republican tradition, London a vision of bourgeois pride, and Vienna a setting for imperial representation – characterisations that continue to shape how we see these cities today. » further information
Cover for Félicien Rops
new
Ed. Jonas Beyer et al.

Félicien Rops

Laboratory of Desires
A master of Belgian Symbolism rediscovered! Félicien Rops’s (1833–1898) erotic works remain provocative today – and in the nineteenth century, they transgressed every boundary of art. With a keen eye and a sharp pen, Rops exposed the hypocrisies of the respectable middle class. “I am Rops, and I wish to be no other!” he declared, and adhered to this maxim throughout his life.
» further information
Cover for Facing the Elements
new
Ed. Samantha Cataldo et al.

Facing the Elements

Visualizing Weather Then, Climate Now
Combining historical and contemporary treatments of weather and climate in art, this catalog features masterworks from 1500 through the present day that engage with weather, meteorology, and climate.
» further information
Cover for Creativity and Connection - Lehigh University Art Galleries at 100
new
Ed. Mark Wonsidler

Creativity and Connection

Lehigh University Art Galleries at 100
Celebrating a century of art: Creativity and Connection features one hundred works from the colle Celebrating a century of art: Creativity and Connection features one hundred works from the collection of Lehigh University Art Galleries (LUAG) in Bethlehem, PA. With reflective essays accompanying each selection, the book weaves together history with fresh community perspectives on the museum’s collection, now spanning over 20,000 objects.  
» further information
Cover for Rivaling Reality. 60 Years of Photorealism
new
Ed. Daniel Zamani

Rivaling Reality

Sixty Years of Photorealism
A pyrotechnic display of illusionistic painting – with 95 masterworks by more than thirty artists to celebrate sixty years of international photorealism. Richard Estes, Audrey Flack, Ralph Goings, Ron Kleemann, Karin Kneffel, Gerhard Richter and others transform trivial everyday motifs into brilliant hyper-realistic pictorial worlds using specialised painting techniques.  
» further information
Cover for Data Consciousness
new
Ed. Tiffany E. Barber

Data Consciousness

Reframing Blackness in Contemporary Print Du Bois’ Data Portraits in the 21st Century
A richly illustrated exploration of the impact of W.E.B. Du Bois on Black artists working today, documenting the landmark 2025 printmaking project “Printing Black America.”  
» further information
Cover for Marianna Simnett
new
Ed. Madeleine Frey et al.

Marianna Simnett

Headless
Marianna Simnett’s (b. 1986) dreamlike, surreal worlds take us into a labyrinth of fragmented realities and uncanny encounters. Using video, artificial intelligence, sculpture, painting, and music, the artist creates immersive installations that simultaneously seduce and unsettle. Simnett’s close connection to the ideas of Surrealism is highlighted as a central theme.
» further information
Cover for Paula Modersohn-Becker. London Berlin Worpswede Paris
new
Happy Birthday, Paula Modersohn-Becker! This volume celebrates 150 years since the birth of the fascinating artist, who remains of the most important figures of the German avant-garde. Examining her artistic development in depth and presenting works from all phases of her career, this book places particular focus on her early work, which has hitherto received little attention or recognition.
» further information
Cover for Chris Dorland
new
Robert Hobbs

Chris Dorland

Future Ruins
Future Ruins explores the cutting-edge vision of Chris Dorland in his debut monograph, the definitive introduction to the acclaimed artist’s dystopian digital aesthetic: a fusion of digital media and painting, exploring themes of technological decay and post-capitalist aesthetics.
» further information