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Art and Cultural History
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Cover for John Heartfield
new
Ed. Angela Lammert et al.

John Heartfield

Photography plus Dynamite
The political collages of John Heartfield (1891–1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin’s Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact.
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Cover for Frida Kahlo and San Francisco
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Ed. Gannit Ankori et al.

Frida Kahlo and San Francisco

Constructing Her Identity
This book marks the triumphant return of Frida Kahlo to San Francisco, the city where her artistic life began to unfold. Kahlo’s sojourns to the United States were brief, but formative. It was in the California city – the first she visited in the US – that she ventured into a new world beyond the scope of Coyoacán, Mexico City, and Cuernavaca.
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Cover for Kurt Schwitters
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Isabel Schulz

Kurt Schwitters

Merz Art
Kurt Schwitters (1887–1948) is one of the most influential protagonists of the avant-garde, both as an artist and an author. With his utopia of the total Merz vision of the world he aimed at the unification of art and non-art. The art of assemblage and material art reached its first high point in his work; his Merzbau is regarded as a forerunner of present-day installations.
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Cover for Exodus
new
Esther Shakine

Exodus

Graphic Novel
EXODUS tells the true story of a Jewish girl from Hungary. After her parents were abducted by the Nazis, she and other orphaned children were forced to shift for themselves amid the total destruction throughout the country. In 1947 she found a place on board the refugee ship Exodus, which was to carry her and over 4,000 Holocaust survivors to Palestine. What followed was a dramatic odyssey lasting for several weeks.
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17,95 $ [US]
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Cover for Van Gogh, Cézanne, Matisse, Hodler
new
Ed. Matthias Frehner et al.

Van Gogh, Cézanne, Matisse, Hodler

The Hahnloser Collection
The Hahnloser Collection was ...
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Cover for Hopetoun
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Ed. Countess of Hopetoun et al.

Hopetoun

Scotland’s Finest Stately Home
Hopetoun House, on the Firth of Forth near Edinburgh, is the seat of the Marquess of Linlithgow. The lavishly illustrated book presents the architecture (initially designed by Sir William Bruce in the 1690s and greatly extended by William Adam and his sons from the 1720s), sumptuously decorated rooms and art collection, as well as the landscape and gardens.
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Cover for Multiplied
new
Ed. Meredith Malone

Multiplied

Edition MAT and the Transformable Work of Art, 1959-1965
In 1959 Daniel Spoerri pioneered ...
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Cover for Buddha and Shiva, Lotus and Dragon
new
Adriana Proser

Buddha and Shiva, Lotus and Dragon

Masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society
"Buddha and Shiva, Lotus and Dragon" presents sixty-seven masterpieces collected by John D. Rockefeller 3rd and his wife Blanchette Hooker Rockefeller. Illuminating the cultures and history of Asia, the book presents a magnificent selection of sculptures, bronzes and ceramics that range from the late sixth century BCE to the early nineteenth century CE.
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Cover for Angelica Kauffman
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Ed. Bettina Baumgärtel
Angelica Kauffman (1741–1807) is regarded as the first woman artist of European standing. Well educated and very well connected, she enjoyed an international reputation. She pursued a brilliant career and was one of the outstanding artist personalities of the Classical Age in London and Rome. She was admired by Goethe and Herder and her clients included queens and emperors from across the continent.
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Cover for Taking Shape
new
Ed. Lynn Gumpert et al.

Taking Shape

Abstraction from the Arab World, 1950s-1980s
Taking Shape traces the emergence and development of abstraction in the Arab world through paintings and sculpture dating from the 1950s to the 1980s. Drawn from the collection of the Barjeel Art Foundation in Sharjah (UAE), this book features nearly ninety works by a diverse group of artists whose creative visions stretch beyond the boundaries of representation.
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