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Art 21st Century
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Cover for ReVisión
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Ed. Victoria L. Lyall et al.

ReVisión

A New Look at Art in the Americas
ReVisión: A New Look at Art in the Americas considers what makes the Americas the Americas. With essays by leading scholars of Latin American art history, the lavishly illustrated publication explores the ways in which the past continues to exert an influence on communities throughout the region.
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Cover for Elvira Lantenhammer
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Ed. Zweigstelle Berlin

Elvira Lantenhammer

Color Siteplan
Elvira Lantenhammer’s paintings are colour events which rely to a considerable extent on intensity of colour. The choice of colour and its application take place intuitively in an examination of the effects of colours and their interaction with regard to a specific location. The term Site Plan, under which the abstract works are subsumed, serves here as an open action grid which conquers new spaces for the colours.
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Cover for Astrid Lowack
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Ed. Dr. Marion Bornscheuer

Astrid Lowack

The Elements of Transcendence
The elements of Astrid Lowack’s (*1969) photographic-artistic transcendence are light, movement and water. As the driving forces of life they relentlessly bring about change and reflect our innermost being – our feelings and experiences. Her snapshots remain thereby constant imaginative challenges to human perception.
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Cover for Franz Gertsch
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Ed. Alexandra Barcal et al.

Franz Gertsch

Looking Back
The internationally famous Swiss artist Franz Gertsch will celebrate his 90th birthday in 2020. The Graphische Sammlung ETH Zürich, which has a long-standing relationship with the artist and which is one of the most important presentation locations for his printed works, is taking advantage of this occasion as a reason for an exhibition and a bibliophile jubilee publication.
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Cover for Heinrich Knopf
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Ed. Jürgen B. Tesch

Heinrich Knopf

Iron Society
The artist Heinrich Knopf (* 1949) lives in Munich and at Lake Garda. Even in his youth he focused on the transformation of iron, one of the oldest materials used in art. His sculptures radiate lightness and movement and invite the viewer to a playful relation ship with everchanging angles.
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Cover for Juul Kraijer
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Ed. Ina Fuchs et al.

Juul Kraijer

Zweiheit / Twoness
The publication provides an overview of the fascinating work of the contemporary Dutch artist Juul Kraijer. Her monumental drawings, photographs, sculptures and video works sound out and dissolve the boundaries of the human body and show hybrid creatures between animal and human. 
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Cover for Teresa Margolles
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Oscar Gardea Duarte et al.

Teresa Margolles

En la herida
Teresa Margolles abstracts the subject of terror: she extracts the body into abstract forms which are manifest in fired bricks or in mud, water and blood-soaked cloths. They form a memorial to the victims of the Mexican drug wars and the waves of migration.
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Cover for Ericka Beckman
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Ed. Henriette Huldisch

Ericka Beckman

Double Reverse
Since the mid-1970s, Ericka Beckman (b. 1951, Hampstead, NY) has forged a signature visual language in film, video, installation, and photography. Often shot against black, spatially ambiguous back drops, her moving image works are structured according to the logic of child’s play, games, folklore, or fairy tales, and populated by archetypical characters and toy-like props in bright, primary colours. Throughout her work, Beckman engages profound questions of gender, role-playing, ...
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Cover for Helmut Schober
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Ed. Dieter Ronte
The painter and performance artist Helmut Schober (* 1947) is famous internationally. For some 40 years he has devoted his attention to the vortex and its trans-cultural content. Over the decades the vortex has remained a constant in his œuvre, always borne by his principal interests in representing and making light, time, space and the cosmos tangible.
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Cover for Natela Iankoshvili
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Ed. Mamuka Bliadze et al.

Natela Iankoshvili

An Artist's Life between Coersion and Freedom
Natela Iankoshvili is regarded as the most important woman artist in Georgia during the 20th century.  Born in Tiflis in 1918, she spent her entire life in Georgia. The career of the prize-winning artist was crowned in 2000 with the opening of her own museum in the capital, to which she bequeathed over one thousand works from her unconventional oeuvre.
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