Strong Women

More artist’s book than monograph, this volume traces the exciting interplay between Iman Issa’s (b. 1979) objects, photos , text and video. Is an artwork at the mercy of the viewer’s interpretation, and does its meaning change accordingly? Can art in turn shape perception, or even change memory itself?

Lavishly illustrated, Tiffany Chung: indelible traces is the first scholarly monograph to provide a comprehensive introduction to the multi -disciplinary artist’s work over the last 25 years. Best known for her extraordinarily drawn or embroidered maps, Chung’s artworks pointedly reveal histories thathave too often been overlooked or intentionally ignored.

Radically expanding our understanding of Senga Nengudi’s art, this book publishes never-before-seen drawings, prints, photographs, performance scores, and poetry, spaninng five decades of her practice.  

For fifty years, American artist Linda Lighton has created a powerful body of subversive ceramic sculptures that explore desire in all its complex forms. This monographic catalogue marks the first substantial survey of her pioneering work, which uses wit and seduction as conceptual weaponry to mine the relationship between sex, power, and politics.  

The Japanese-Swiss artist Leiko Ikemura (b. 1951) has created an internationally recognized and unmistakable body of work. In her artistic universe, there is an interweaving of plant and animal figures, landscapes and the human face. This richly illustrated volume encompasses her entire oeuvre from the 1980s to the present, with graphic art, paintings, and sculpture.  

Anonymous Was A Woman: The First 25 Years celebrates the transformative impact of women artists on contemporary art since the founding of the titular grant. In addition to new essays, the book offers a biographical description with selected artworks of each artist who received the Anonymous Was A Woman (AWAW) award from its founding in 1996 through 2020, a period in which the accomplishments of women have thoroughly transformed contemporary art.  

Geometric abstraction as a worldview: artists like Sophie Taeuber-Arp and Sonia Delaunay played an essential part in the development of non- representational art. The volume presents an overview of the evolution of geometric abstract art and in addition to the applied arts takes into account the female perspective of the Global South with promising new discoveries.

Ylla (1911–55) devoted herself exclusively to animal portraiture at a time when no one had thought of only photographing animals. Driven by her symbiotic relationship with animals, she created a new genre in animal photography: the expression and personality in animals. Ylla: The Birth of Modern Animal Photography recounts the eventful odyssey of a "New Woman" par excellence, fearless and knowing no limits.

Expansion and the permanent crossing of boundaries, freedom and autonomy form the cornerstones of Grosse’s (* 1961) oeuvre. Her creative work is experimental and unpredictable. With many photos from the artist’s private archive this volumes provides a profound insight into her working method, her sources of inspiration and the processes through which she generates her ideas.

Since 2018, Katharina Cibulka and her team have been mounting hand-embroidered scaffolding nets on well-frequented, prominent construction sites, inviting the public to join the conversation on feminist issues. Each sentence begins with "As long as..." and ends with "...I will be a feminist", addressing existing inequalities.