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Contemporary Art
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Cover for John Grade
new
Ed. Nicholas Bell et al.

John Grade

Reclaimed
John Grade’s drawings, sculptures and installations are weathered, marked, worn and disintegrated. Made of reclaimed wood or paper, the works are buried for termites to devour, sunk into a bay to collect barnacles, or hung in forest trees for birds to eat.
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49,95 £ [UK]
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Cover for Christiane Baumgartner
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Ed. Lisa Fischman

Christiane Baumgartner

Another Country
Christiane Baumgartner: Another Country complements the artist’s first major museum exhibition in the U.S. and offers an in-depth introduction to the artist’s work at mid-career. Baumgartner is best known for monumental woodcuts, handcarved prints that literally and conceptually expand the traditional boundaries of the medium beyond expectation.
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26,00 £ [UK]
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Cover for Almost Alive
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Ed. Nicole Fritz et al.

Almost Alive

Hyperrealistic Sculpture in Art
From the 1960s and 1970s onwards, different sculptors became involved with a mode of realism based on the physically lifelike appearance of the human body. By deploying traditional techniques of modelling, casting and painting in order to recreate human figures they follow different approaches towards a contemporary form of figural realism. The sculptures show how the way we see our bodies has been subject to constant change.
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28,00 £ [UK]
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Cover for Hello World
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Ed. Udo Kittelmann

Hello World

Revising a Collection
What could the primarily Western collection of the Nationalgalerie look like today if a global understanding of art had informed its development? Looking at artworks from non-European centres of Modernism and their activities, untold stories and overlooked connections are picked up and developed.
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55,00 £ [UK]
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Cover for Phoenix
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Ed. Karl Borromäus Murr

Phoenix

Fashion Worlds of Stephan Hann
The inimitable fashions of Stephan Hann are produced from everyday materials like pages of telephone directories, Tetra-Pak cartons and plastic carrier bags. These materials are transformed by the artist’s hand into clothes which fascinate us immediately. At the same time his poetic creations provide us with food for thought.
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29,95 £ [UK]
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Cover for Uta Reinhardt
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Ed. Nicole Gnesa et al.

Uta Reinhardt

Surface
Uta Reinhardt’s pictorial creations invite a wide range of interpretations. Human and animal chimeras encounter each other as in an alliance and create their own unique world. The scenic compositions seduce us with their lively colours and the light recorded with dynamic brushstrokes.
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Cover for Ursula von Rydingsvard
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Ursula von Rydingsvard

The Contour of Feeling
This publication documents Ursula von Rydingsvard’s exhibition at The Fabric Workshop and Museum in Philadelphia, which features a large new leather work produced with the museum’s studio. The survey — guest curated by Mark Rosenthal — largely focuses on her artistic development since 2000 and reveals her predilection for emotionally-charged, visceral art that is handwrought, richly complex, and monumentally scaled.
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36,00 £ [UK]
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Cover for Museum Liaunig
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Ed. HL Museumsverwaltung

Museum Liaunig

An Austrian Collector’s Museum
Fully integrated into the nature of the Corinthian countryside, the Museum Liaunig is at once restrained and spectacular. An outstanding example of contemporary museum architecture, it creates spaces for the Liaunig collections whose focus is on Austrian art from the post-war era to the present.
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39,95 £ [UK]
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Cover for Gerhard Berger
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Ed. Jürgen B. Tesch

Gerhard Berger

Between Worlds
In decades of artistic production Gerhard Berger (born in 1933) has arrived at a unique, characteristic visual language. His representation of humans, oscillating between figurative and abstract painting, is rooted in the great myths of humankind and in the religious visual conceptions of the world’s cultures.  
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36,00 £ [UK]
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Cover for Landscapes After Ruskin
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Ed. Hall Art Foundation

Landscapes After Ruskin

Redefining the Sublime
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation: artists should, in fact, depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits.  
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36,00 £ [UK]
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