People of Color

This is the first publication to document and contextualise Clark’s large-scale, collaborative art works. These projects demonstrate Clark’s career-long commitment to addressing the urgent issue of racial inequality in U.S. society and her philosophy of creatively engaging the viewer in reflection on the nation’s history of slavery and our roles in dismantling systemic racism today.

"Chakaia Booker: The Observance" is the first comprehensive monograph on this important yet understudied American artist. Illuminating more than three decades of Booker’s practice, the publication explores her signature form – monumental works made of rubber – while showcasing her innovations across mediums including photography, painting, and prints.

This book spotlights a complex art collection established at the intersection of modern art and social justice. In 1963, as civil rights protests swirled across the fiercely segregated state, this liberal arts college became an unlikely hub in Mississippi envisioned as “an interracial oasis in which the fine arts are the focus and magnet.”

Harlem’s 125th Street is a marker of 20th-century urban experience that encapsulates powerful stories of business and consumption, real estate and gentrification, glamourand entertainment, and political uprising. The book explores works and themes from a large roster of photographers and performance artists who have engaged with the Berenice Abbott, Khalik Allah, constant mutation of this street life.

"The GOAT" is the first monograph of Afro-Cuban artist Tomás Esson. It features paintings created over a span of thirty-five years and showcases a distinct style that overflows with energy, biting humour and suggestive narratives that often involve highly sexualized, monstrous creatures alongside the heroes of the Cuban Revolution.

The artists featured in "The Black Index" – Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell and Lava Thomas – build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility and identification.

Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This richly illustrated catalogue focuses on three decades of his fascinating artistic oeuvre.

The book synthesizes research in history, fashion, art and visual culture to reassess the hair story of peoples of African descent. Long a fraught topic for African Americans and others in the diaspora, Black hair is here addressed by artists, barbers and activists in both its historical perceptions and its ramifications for self and society today.

Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economics and politics.

Renowned for work that layers binary code with handmade craft, Fatimah Tuggar is one of the most original, incisive conceptual artists of the digital age. Tuggar’s sculptures, photomontages, videos, and interactive works challenge romanticized notions of both ancient traditions and recent inventions.