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18th/19th Century

Cover for Imagining Sculpture
Stanley Abe

Imagining Sculpture

A Short Conjectural History
Sculpture is just a word, an English word, which elicits an image in the mind’s eye. Sculpture is a European idea. In China, on the other hand, statues, stele, and other figural objects were made for millennia without being thought of as Sculpture. There was no Sculpture in China. "Imagining Sculpture" is the story of this something that did not exist.
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Cover for Johann Gottfried Schadow
Ed. Yvette Deseyve

Johann Gottfried Schadow

Embracing Forms
Johann Gottfried Schadow’s "Princess group" has gone down in the annals of art history. As the first statue of two female historical personalities it testifies to the innovation, enormous artistry and productivity of sculpture workshops in the 19th century – a symbol of the important sculpture of German Classicism.
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Cover for All the Beauty at Hand
Ed. Thomas Zuhr

All the Beauty at Hand

A Brief History of Hirmer Publishers
Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  
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Cover for Hilti Art Foundation. The Collection
Ed. Hilti Art Foundation

Hilti Art Foundation. The Collection

Vol. 1: Classical Modernism 1880-1950
The private art collection of the Hilti Art Foundation includes over 200 top-quality paintings, sculptures and photographs from Classical Modernism to the present day. Volume 1 of the two-part catalogue of the collection presents 80 selected works from the late nineteenth to the mid-twentieth century, from Paul Gauguin to Alberto Giacometti.
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Cover for Bernhard Hoetger
Ed. Ralf Beil et al.

Bernhard Hoetger

The Plane Tree Grove
Der expressionistische Bildhauer Bernhard Hoetger (1874–1949) gehörte mit Heinrich Vogeler und Paula Modersohn-Becker zum Künstlerkreis in Worpswede. Als Mitglied der Künstlerkolonie Darmstadt erarbeitete er bereits zuvor ein skulpturenreiches Gesamtkunstwerk im Platanenhain auf der Mathildenhöhe, das zu seinen Hauptwerken zählt.
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