The ensemble with its prominent twin towers that Egon Eiermann (1904–1970) built in Frankfurt am Main for the Italian office machinery company Olivetti, was the Karlsruhe architect’s last major project. His priorities lay in the slender form, derived from the task, the construction and the material to create a characteristic silhouette.

Benjamin Katz’s photographs of Berlin Havelhöhe form both a social and an artistic document: Katz’s beginnings as a photographer and his great interest in the photography of the modern age will be found here along side the location itself with its traces of its past as a National Socialist Luftwaffe base, converted into a hospital for patients from all walks of society, not only Nazis but also the persecuted.

Founded in the context of social movements of the late 1960s, The Leslie-Lohman Museum is dedicated to preserving art that speaks to the LGBTQ experience and fostering the artists who create it. Queer Holdings aims to reclaim scholarship from a queer perspective by surveying 200 works from the Museum’s permanent collection. A selection of essays by scholars, artists and archivists, explore the Museum’s possible futures by tracing its visual, cultural, and political ...

The “creative reconstruction” of damaged buildings was an important topic in architecture after the Second World War, particularly in Bavaria. The Munich architect Hans Döllgast (1891–1974) was one of the pioneers of  this development. His most important achievements include the repairs to the Alte Pinakothek, the Basilica of St. Bonifaz and the main municipal cemeteries.

Der Begleitband zur Ausstellung „Königsklasse IV“ zeigt die einzigartige Verbindung, die zeitgenössische Kunst mit den unvollendeten historischen Räumen in Schloss Herrenchiemsee eingeht. Dan Flavin, John Chamberlain, Andy Warhol, Arnulf Rainer oder Jean-Michel Basquiat sind nur einige der Künstler, deren Werke in diesem Band außergewöhnlich inszeniert werden.

The Bauhaus originated in Weimar and returns to a new building there in the spring of 2019. In the newly built Bauhaus Museum Weimar the treasures of the world’s oldest Bauhaus collection will be shown as an ensemble. This volume does not only present design icons, however; it also provides by means of a large number of additional objects a glimpse behind the façade of the Bauhaus myth.

“Art and technology: a new unit” – It was with this slogan that the Bauhaus moved to Dessau in 1925/26. The seven years in Dessau were most productive for the designers and architects at the Bauhaus. This illustrated volume presents the Bauhaus buildings in Dessau in words and pictures and offers new perspectives on these icons of modern architecture.

This richly illustrated book features an introduction by the National Portrait Gallery’s chief curator and nearly 150 insightful entries on key self-portraits in the museum’s collection. "Eye to I" provides readers with an overview of self-portraiture while revealing the intersections that exist between art, life, and self-representation.

Elia Alba’s The Supper Club photographic portrait series depicts U.S.-based artists of colour. Alongside the portraits are excerpts from dinner conversations addressing issues that relate to race and visual culture on themes including sanctuary, policing, post-black identity and intersectional identities connecting gender, race and privilege.

How do digital photography and Photoshop influence the representation of architecture? “Fiction & Fabrication” assembles fascinating contemporary photographic works from all over the world. From fictional constructions to real buildings which sometimes seem more fantastic than fiction, the works show an impressive portrait of contemporary architecture and the urban landscape that surrounds us.