Three hundred works from twenty-one countries form a European panorama of the many facets of realism in art that were ubiquitous in Europe during the 1920s and 1930s. They tell of poverty and misery, economic upheaval, artistic flourishing and progress, urban culture, nightlife, emancipation and diversity.  

Viewing mannerism in the 21st century: The publication presents highlights from the print collection of Georg Baselitz, one of today’s most celebrated artists, and a selection from the Museum of Fine Arts, Budapest’s collection. Exploring artists’ collecting old master prints in the past and today, the book does contain well known and previously unpublished mannerist works.  

Käte Steinitz (1889–1975) is today best known for her collaboration with Kurt Schwitters. This monograph covers her multifaceted activities as an artist and writer in avant-garde circles during the Weimar Republic, as well as her experience as an emigrant, art historian, and promoter of modernism in the United States.  

The exhibition catalogue examines medieval art and European modernism together: Edvard Munch, Max Beckmann, Käthe Kollwitz and other modern artists borrowed stylistic or thematic elements from the Gothic model, translating these motifs into a contemporary formal language. The artworks that resulted possess great emotional and creative power and continue to resonate today.  

Carl Grossberg’s (1894–1940) painting career was bracketed by the two world wars. He drew his subject matter from “the enormous wealth of new forms in the world of ...

A book with bestseller potential – Edvard Munch, a key figure of European modernism, and one of his most important themes: angst. Everyone knows it and fears it – regardless of cultural and social background – yet it is also essential to life, as a driving force and source of energy. Hardly any painter has captured this aspect of the human condition so powerfully as Munch – an artist whose unique body of work leaves no one unmoved.  

A journey to the art capital of the 1930s: Paris. The avant-garde group abstraction-création and its fifty or so members were an inspiration to the art world with their clear lines and kaleidoscopic experiments with form. Leading figures of abstraction joined together to support artistic freedom and oppose the rise of fascism, before modernism shifted its gravitational centre to New York.  

Alongside artists such as Jackson Pollock and Mark Rothko, Richard Pousette-Dart (1916–1992) was one of the most important pioneers of Abstract Expressionism. More than 130 outstanding works from all creative phases allow us to immerse ourselves in the colourful and multifaceted oeuvre of this remarkable artist.  

In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her “exotic” paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.  

The Expressionist and “Brücke” artist Max Pechstein was a pioneering representative of modernism in Germany. His intensely colourful depictions of people and nature are regarded as foundational to Expressionism and were a defining inspiration for an entire epoch. This publication magnificently illustrates the diversity and depth of his oeuvre.